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Meet The Parents

It was hardly a long haul, coming together in 1965 and burning out by 1968, but in the words of Papa John: "We had so much fun for two years, there was no more fun to be had."Yet in that time, The Mamas & The Papas became the USA's pop royal family, the American Beatles. Like The Beatles, they were four instantly recognisable, distinct personalities, with the same ready wit, entertainment value and high visibility factor. John Phillips and wife Michelle, Cass Elliot and Denny Doherty looked and sounded like no other band in the land.

The Blasters – 4-11-44

Roots-rockers keep on keepin' on

Bobby Womack

Ten albums recorded over a decade from the understandably erratic soul legend's solo years

The Emperor Machine – Aimee Tallulah Is Hypnotised

First-class heavy-duty sci-fi synth action

Various Artists – From A Man Of Mysteries: A Steve Wynn Tribute

All-star salute to one of America's finest talents

Britpopped Up

It all seems so oddly innocent, like a '90s Britpop update of Cliff's Summer Holiday capers. Essentially a glorified tour film, shot between 1991 and 1993, Star Shaped captures Blur at a major crossroads in their career, as they seek to shed the baggy influences of their debut album Leisure and reinvent themselves in response to the rise of grunge and their own ailing popularity in the UK. "The whole thing about pop music is you're ripping off as many people as you possibly can,"an improbably baby-faced Damon Albarn philosophises early on.

Various Artists – Touch My Heart: A Tribute To Johnny Paycheck

Drunk, addict, jailbird: Paycheck's tortured life too often obscured his talent. George Jones' bassist/harmony singer in the early '60s, his tough baritone, at its peak, was Jones' only equal. Eighteen months after his death, this Robbie Fulks-produced salute expertly summons Paycheck's soulful heartache. Gorgeous George himself tackles "She's All I Got", Neko Case adds fiery flash to "If I'm Gonna Sink" and Dave Alvin does outlaw twang-fest "11 Months And 29 Days", alongside Marshall Crenshaw, Mavis Staples and Bobby Bare Jr.

Blazing Apostles

The best of Bill Nelson's undervalued art rockers, coinciding with reissues of five original Be-Bop albums

This Month In Americana

Fifth solo outing for fiftysomething Nashville maestro MILLER'S MORE ILLUSTRIOUS work as guitarist/musical director with Emmylou Harris and Steve Earle has sometimes put his solo output in the shade. A pity, because there's much to discover in the Ohio native's back pages. Earle swears he's "the best country singer working today", while Robbie Fulks calls him country's only living auteur.

What Have I Done To Deserve This?

Definitive mid-period Almodóvar (post-avant-garde tyro, preestablishment icon), this typically hysterical family melodrama pitches Carmen Maura's downtrodden amphetamine-addicted housewife, her two teenage dope-dealing hustler sons, her grizzled mother-in-law and her Nazi-obsessed husband together in an anonymous Madrid apartment block. Deadpan camp at its best.
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