K7!
Given her wonderfully insolent and vital contributions to Matthew Herbert's previous musical endeavours (most notably on 2001's Bodily Functions), this debut album from singer Dani Siciliano is long overdue. Indeed, the record has taken some three years to come together, Siciliano having invested in a basic home studio and learnt from scratch how to assemble the 11 performances featured here. And how do they sound?
Directing, co-writing and starring, Matt Dillon does a pretty solid job. Set in a modern-day Cambodia full of outcasts and fugitives, the plot slowly curdles from globe-trotting crime thriller into primal psycho-weirdness. Dillon never shakes off the second-hand influences, notably David Lynch and Apocalypse Now, but a rich cosmopolitan texture is added by an eccentric cast including Gerard Depardieu, Stellan Skarsgård and James Caan.
There was genuine suspense and intelligence in Michael Winner's original 1974 thriller, which addressed some of the same debates about rising crime and liberal impotence as Dirty Harry and Straw Dogs. But this 1982 sequel, relocating Charles Bronson's wounded architect to LA and forcing him to endure another double rape/murder episode, veers dangerously close to shabby exploitation.
Last year, lambchop were commissioned by the San Francisco International Film Festival to perform a live score to soundtrack FW Murnau's. 1927 proto-film noir masterpiece Sunrise. It so happened that Lambchop's leader, Kurt Wagner, had already embarked upon a self-imposed mission to write a song a day. As a result of both endeavours he ended up with so many songs that there are now two new Lambchop albums, each containing 12 songs. So is this the alt.country equivalent of OutKast's Speakerboxxx/The Love Below?
Not quite.
