When Thom Yorke sneaked out his new solo album a few months back, I managed to hold out for 66 hours before writing a review of "Tomorrow's Modern Boxes". Since waking up early yesterday morning to a lot of very excited Americans on my Twitter timeline, I've been playing D'Angelo's "Black Messiah" many times: another rich and complex album that seems fundamentally ill-suited to any kind of snap judgment reviewing.
This is the full text of my interview with Hurray For The Riff Raff in New Orleans, that appeared in the print edition of Uncut a couple of months ago. I've added a lot of music to listen to as you read; not just by Alynda and the Riff Raff, but by some of the other New Orleans musicians who are critical to the story.
The Pop Group have announced their first ever UK tour.
The Bristol group - who formed in 1978 and split in 1980 before getting back together again in 2010 - will head out on a seven date tour this October, in support of the reissue in October of their 1980 album We Are Time and Cabinet Of Curiosities, a nine-track compilation of rarities and previously unreleased material.
John Fogerty is out on an extensive tour of the US right now, so it seems a good time to dip into the archives and remind ourselves of this great feature from Uncut’s February 2012 issue (177). At the dawn of the ’70s, Creedence Clearwater Revival were the biggest band in the world – a brilliant and driven hit machine with deep roots in American tradition. By 1972, though, it was all over, and the ex-bandmates embarked on a bitter war that still continues, 40 years later.
