David Bowie's long-term guitarist Earl Slick has hinted that Bowie may tour after all.
Speaking to Spinner, Slick said "It's kind of like doing the record [The Next Day]. I wouldn't be surprised if he toured and I wouldn't be surprised if he didn't tour... I know I would like a tour to happen!"
Producer Tony Visconti previously told NME that live shows were unlikely, saying, "He’s fairly adamant he’s never gonna perform live again… One of the guys would say, 'Boy, how are we gonna do all this live?' and David said, 'We’re not'. He made a point of saying that all the time."
In this archive feature from Uncut's May 2003 issue (Take 72), rock's greatest living soap opera tell the story of how they went to hell and back to bring the world some of the most popular, and most perfect, hard-centred easy listening music of all time. However, it nearly cost them their sanity. And their lives… Words: Nigel Williamson_________________
Before Melody Maker swept me off the street in the manner of a benevolent old codger taking a pallid waif into his kindly, white-haired care in something written to make you weep by the venerable Dickens, I worked for a bleak season or two in the mail order department of a bookstore near Piccadilly Circus.
The 12-12-12: Concert For Sandy Relief took place last night (December 12) at Madison Square Garden in New York, with Sir Paul McCartney performing with Nirvana members Dave Grohl and Krist Novoselic.
Bruce Springsteen was joined onstage by Mike Ness of Social Distortion and Tom Morello of Rage Against The Machine at his show at the Honda Center in Anaheim, Orange County near Los Angeles (December 4).
You’ll hopefully have spotted Uncut’s Films Of The Year in our current issue. High up the Top 10 is the brilliant Berberian Sound Studio, director Peter Strickland’s spin on low-rent 70s Italian horror movies and a tribute to the Heath Robinson-style endeavours of foley artists and sound designers of a certain generation. Ahead of the film's imminent release of the film on DVD – and Broadcast’s score in the New Year – I caught up with Peter Strickland to chat about the film and his influences.
