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Tom tom club

John Hughes, 1950 – 2009

In issue 3 of the unfortunately short-lived UNCUT DVD, we ran a piece called The Curse Of The Mullets. It was a particularly funny account of the scandalous fall from grace of the Brat Pack actors and the whirl of sex-tapes, alcoholism, drug busts and straight-to-video hell that engulfed them following their mid-Eighties peak. As hilarious as the piece was, it feels somehow emblematic of the way these films, and their stars, have become viewed over the last quarter of a century. Which, sadly, detracts from the importance of those films and the achievements of the man behind them – John Hughes, who has just died at the age of 59.

Latitude: Dylan covers! Wheelbarrows! Friday’s highlights!

Friday’s highlights, then.

Latitude: Bat For Lashes

It’s perhaps a strange moment of symmetry, but earlier I was fortunate enough to catch some of Fever Ray’s set, also in the UNCUT Arena. Clearly, there’s some parity between Karin Dreijer Andersson and Natasha Khan. Both own a significant debut to Kate Bush, and both are convincing exponents of their own, fantastic interior world.

Tim Buckley: “Live At The Folklore Center, NYC – March 6, 1967”

Apologies for the crass plug, but if you’ve seen the new issue of Uncut, you’ll have seen an amazing picture of Tim Buckley, playing solo to a 35-strong audience at Izzy Young’s Folklore Center in New York.

Ben Reynolds: “How Day Earnt Its Night”

Somewhat belatedly, I’ve just got round to reading Alex Ross’ fantastic book on 20th Century composition, The Rest Is Noise. A lot to talk about in there, but one quote stuck out yesterday. “Back in 1915,” Ross writes, “the critic Van Wyck Brooks had complained that America was caught in a false dichotomy between ‘highbrow’ and ‘lowbrow’, between ‘academic pedantry and pavement slang’. He called for a middle-ground culture that would fuse intellectual substance with communicative power.”
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