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American ruse

The Making Of… The Beach Boys’ ‘Good Vibrations’

The reunited Beach Boys' return to the stage is reviewed in the latest issue of Uncut, out now – and as their new album "That's Why God Made The Radio" is also fresh in shops, it seemed time to revisit this piece from Uncut's June 2007 issue (Take 121)… Brian Wilson, Mike Love and Al Jardine guide us through their perfect ‘pocket symphony’, three minutes and thirty-six seconds of avant-garde pop. Interviews and intro by Rob Hughes. ________________________________

Empire Of Dirt – Inside Levon Helm’s Midnight Ramble

In tribute to the late Band legend, who died in April 2012, this week’s archive feature is a fascinating piece from October 2009’s Uncut (Take 149) – Barney Hoskyns travels to Levon Helm’s Woodstock barn for one of his Midnight Rambles, a musical hogroast-cum-celebration of the drummer’s life and legacy. “To me,” says Helm, “it’s just rock’n’roll…” ________________________________

Will Oldham – Album By Album

To accompany this month’s Uncut (Take 181, June 2012), out now, which features the Bonnie “Prince” Billy/Palace icon fielding questions from fans and musicians, here’s an illuminating Album By Album piece with Will Oldham, talking to Andrew Mueller, from Uncut’s April 2009 issue. “I feel more confident about things now,” he says. “Which frees up space for me to feel insecure about a whole new range of stuff…” ___________________

The Rise And Fall Of Glam

The new April issue of Uncut, out now, features David Bowie peering from the cover in his guise as sleazy space-star Ziggy Stardust. To celebrate this look at Bowie’s greatest creation 40 years on, here’s a fantastic piece from Uncut’s 18th issue, in November 1998, in which Chris Roberts looks back at the glammed-up, transgressive superstars who changed his adolescent world.

Dawes, London Borderline, March 5, 2012

A few weeks shy of a year ago, I was at the 12 Bar Club in London’s Denmark Street, the Tin Pan Alley of pop legend, to see a young Los Angeles-based band called Dawes. They’d been brought to my attention by an Uncut reader, who couldn’t recommend them highly enough. As an example of what they did in his opinion better than anyone he’d recently heard, he sent me a track called “When My Time Comes”, a rousing country rock thing that I hadn’t been able to stop playing.

PANDA BEAR – TOMBOY

Away, again, from Animal Collective – and into a world of rapture, reveries, and great washes of beautiful sound...
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