American Music Club/Richmond Fontaine
QUEEN ELIZABETH HALL LONDON
Sunday May 23, 2004
Richmond Fontaine take to the stage looking like they've walked out of Bob Rafelson's Five Easy Pieces.
When papa found the brand new bag called The One—the funk beat wherein the first accent hits at the start of the bar—he revolutionised African-American dance music. The next 10 years ('65-'75) were spent honing the most propulsive grooves ever laid down on tape: "Cold Sweat", "Mother Popcorn", "Sex Machine" and their kind.
Prior to his golden decade, Brown and the crack unit that was the Famous Flames were an impassioned rhythm'n'gospel line-up.
Henry Hathaway's Nevada Smith takes one of the characters from Harold Robbins' Hollywood potboiler The Carpetbaggers (filmed by Edward Dmytryk two years earlier, with Alan Ladd in the role) and wraps an entire movie round him. Steve McQueen stars as the young Smith, a half-breed cowboy hellbent on tracking down his parents' killers. Beautifully shot by Lucien Ballard, McQueen is as quietly hypnotic as ever.
Only 40 minutes of old BBC footage but still an exhilarating glimpse of Blondie live in '79, as their commercial peak kicked in. Filmed at Glasgow's Apollo Theatre, it climaxes with a bagpipe quartet screeching through "SundayGirl". It's the band's raw energy, and La Harry's endearingly awkward presence, which radiate through "Atomic", "Union City Blue" et al. Novices should then graduate to the Eat To The Beat-era videos: a pinnacle for punk and pop.
