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Bruce Springsteen Opens With London Calling At Hyde Park Concert

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Bruce Springsteen & The E Street Band opened their London Hyde Park show on Sunday June 28 with a great rendition of The Clash's "London Calling." It was the band's second tribute to late musician and Springsteen's hero Joe Strummer this weekend. They opened their Glastonbury headline set with...

Bruce Springsteen & The E Street Band opened their London Hyde Park show on Sunday June 28 with a great rendition of The Clash‘s “London Calling.”

It was the band’s second tribute to late musician and Springsteen’s hero Joe Strummer this weekend. They opened their Glastonbury headline set with the Mescaleros song “Coma Girl” the night before (June 27).

The Clash’s Mick Jones and Bon Jovi’s Richie Sambora watched the E Street Band from the side of the stage, while artists including Pink Floyd’s Nick Mason were in the crowd.

As at Glastonbury, Springsteen was joined on vocals for “No Surrender” by The Gaslight Anthem‘s Brian Fallon after the Boss also made a surprise appearance again during the fellow New Jersey group’s gig earlier in the afternoon.

The mammoth three and bit hour set at times saw Springsteen lying on the stage to grab his breath, with Bruce joking after a run down into the crowd and back that someone “better get me an elevator, I’m fuckin’ 60!”

Highlights of the set included a not-oft performed “Racing In The Street” and surperb versions of “Jungleland” and “Outlaw Pete.”

Bruce Springsteen & The E Street Band‘s Hyde Park set list was:

‘London Calling’

‘Badlands’

‘Night’

‘She’s The One’

‘Outlaw Pete’

‘Out In The Street’

‘Working On A Dream’

‘Seeds’

‘Johnny 99’

‘Youngstown’

‘Good Lovin”

‘Bobby Jean’

‘Trapped’

‘No Surrender’

‘Waiting On A Sunny Day’

‘Promised Land’

‘Racing In The Street’

‘Radio Nowhere’

‘Lonesome Day’

‘The Rising’

‘Born To Run’

‘Rosalita (Come Out Tonight)’

‘Hard Times’

‘Jungleland’

‘American Land’

‘Glory Days’

‘Dancing In The Dark’

For more Bruce Springsteen news on Uncut click here.

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Pic credit: PA Photos

Blur Joined By Phil Daniels At Glastonbury Closing Night Show

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Blur cemented their reunion with a mammoth Glastonbury festival headline set on Sunday June 28. Joined by Phil Daniels resurrecting his part on single "Parklife" and brass musicians and backing singers, Blur ran through hits from their entire career, kicking off the Pyramid stage's last show of the...

Blur cemented their reunion with a mammoth Glastonbury festival headline set on Sunday June 28.

Joined by Phil Daniels resurrecting his part on single “Parklife” and brass musicians and backing singers, Blur ran through hits from their entire career, kicking off the Pyramid stage’s last show of the weekend with “She’s So High.”

Blur, who are due to play more ‘comeback’ shows in London’s Hyde Park on Thursday and Friday (July 2, 3), have previously played the Glastonbury festival as headliners in 1998 and on the NME stage in 1994 and 1992.

Frontman Damon Albarn said he was happy to return to Worthy Farm, declaring before playing “Popscene,”: “I’m pleased we decided to do these gigs now, this is the fourth time we’ve played here. It’s really, really fantastic!”

Blur shared Glastonbury headline duties Neil Young who played on Friday June 26 and

Bruce Springsteen and the E Street Band who performed on Saturday June 28.

Michael Eavis, who organises the popular festival said that this year may have been the best ever, exclaiming: “I’ve always said this, but this really must be the best one [festival] ever, surely? Do you believe me? Having Neil Young, who I’ve been waiting for for 39 years, and Bruce Springsteen just appear out of the blue – and of course Blur tonight – we’ve got three major, major headliners.”

Blur’s Glastonbury set list on Sunday June 29 was:

‘She’s So High’

‘Girls And Boys’

‘Tracy Jacks’

‘There’s No Other Way’

‘Jubilee’

‘Badhead’

‘Beetlebum’

‘Out Of Time’

‘Trimm Trabb’

‘Coffee And TV’

‘Tender’

‘Country House’

‘Oily Water’

‘Chemical World’

‘Sunday Sunday’

‘Parklife’

‘End Of A Century’

‘To The End’

‘This Is A Low’

‘Popscene’

‘Advert’

‘Song 2’

‘For Tomorrow’

‘The Universal’

For more Blur news on Uncut click here.

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Pic credit: PA Photos

UNCUT GLASTONBURY AWARDS 2009

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UNCUT GLASTONBURY FESTIVAL AWARDS 2009 THE WORST BEST KEPT SECRET The KLAXONS’ surprise appearance on the Park Stage (Saturday). Superhero fancy dress and all. SONG OF THE SUMMER Florence & The Machine, ‘Rabbit Heart (Raise It Up’. The perfect Pagan anthem for the sunkissed Children Of Avalon (John Peel Stage, Saturday). BEST GLASTO DEBUT ‘Saucy Jack’, SPINAL TAP’s theme to their legendary musical about Jack the Ripper received its world premier on the Main Stage (Saturday), eclipsing even the wee fellers jigging about to ‘Stonehenge’ and guest turns by Jarvis Cocker (bass on ‘Big Bottom’) and Jamie Cullum (keys on the jam). NEW BEZZIE MATES AWARD The Boss and BRIAN FALLON. Bruce made a guest appearance with THE GASLIGHT ANTHEM ( John Peel Stage, Saturday) during the ‘’59 Sound’ and then Brian returned the favour, joining the E STREET BAND for ‘No Surrender’ on the Main Stage (Saturday). ONE FOR THE LAYDEES LILY ALLEN (Main Stage, Friday). Possees of lasses on the scrumpy lash, hen party stylee, with no wedding in prospect in mass empowering sisterhood singalong. All together now: “Fuck you! Fuck you very very mu-u-u-u-uch!” AVOIDANCE OF A VERY OBVIOUS JOKE I-THANG-YOU-VERY-MUCH Wot, no ‘Portaloo Sunset’? Grumpy old Kink RAY DAVIES resists the temptation to rebrand his 60s singalong hit (Acoustic Stage, Friday) THE EASY TIGER, THAT BLOKE’S GETTING ON A BIT AWARD Lee Thompson, the saxy one in MADNESS, flying on strings (Main Stage, Sunday) to recreate the classic ‘Baggy Trousers’ video. Top work feller. BRAVERY BEYOND THE CALL OF DUTY Stephen Street, producer extraordinaire of The Smiths and Blur etc, donning guitar and depping for Graham Coxon, who’d knobbed off to join Damon and the boys, in PETE DOHERTY’s inspiringly shambolic backing band. Advice from Graham: Just follow Pete’s lead. Oh fuck! BEST MICHAEL EAVIS SIDE OF STAGE APPEARANCE During the CROSBY, STILLS & NASH set (Main Stage, Saturday). It must be said Sir Mike looked younger, fitter and in much finer fettle than the Cros. HOW THE HELL DID THAT HAPPEN? STRANGEST RANDOM COVER VERSION IN NEAR SYNCHRONICITY AWARD Candy Staton’s ‘You Got The Love’ played by KASABIAN (Main Stage, Saturday) and FLORENCE and her MACHINE (John Peel Stage, ditto). Just plain spooky. BEST STAGE INVASION The emotional geezer who wrestled the mic off JARVIS COCKER (John Peel Stage, Friday) to announce, “Without this man, Britpop would have been shit!” leaving our Jarv all gee-shucks and embarrassed. BEST HAIR Elly Jackson, no contest. The LA ROUX quiff remained steadfastly erect under the lashing rain, burning sun and an over-enthusiastic dry-ice machine (East Dance, Saturday). Truly a feat of architectural proportions. NOSTRODAMUS HAS SPOKEN KASABIAN will headline next year after striding into the bigtime on a wave of mass, loved-up euphoria (Main Stage, Saturday). The people have spoken. DON’T GIVE UP THE DAY JOB JACK WHITE drummed for THE DEAD WEATHER during a surprise turn on the Park Stage (Friday). He can play a bit, sure, but when he picked up the geetar for ‘Will There Be Enough Water’ it was noticeable how the set took a turn for the tuneful. YOU HAVE TO TAKE YER HAT OFF TO… All the enterprising bastards who had “I was at Glasto 09 when Jacko died” T shirts on sale at their stalls by lunchtime Saturday. THE “WHAT KEPT YOU? OH, A HAM SADWICH!” AWARD NEIL YOUNG, who finally made it to headline the Main Stage (Friday) after a 12 year delay. His sick note says he cut his finger while preparing a ham sandwich. Yeah, and the dog ate my review… BEST JACKO TRIBUTE Lily Allen’s one white glove. WORST JACKO TRIBUTE DIZZEE RASCAL and DJ SEMTEX blasting the Main Stage crowd (Saturday) with ‘Thriller’ and ‘Billie Jean’ and shouting “oi” over the top. I mean, put some effort in man. Who the fuck can’t do that! WHERE HAVE ALL THE JOURNOS GONE? Gone to see THE BIG PINK every one. (John Peel, Saturday) PUT IT AWAY LASS, YOU’RE NOT IN ESSEX NOW LADY GAGA (Other Stage, Friday). Her boobs exploded, she bared her bum. Got in the papers. Job done. PUNK’S NOT DEAD AWARD NICK CAVE who dedicated The Bad Seeds’ set (Main Stage, Sunday) to… Farah Fawcett. BEST STAGE PROP Giant inflatable eyeball, YEAH YEAH YEAHs (Other Stage, Sunday). DAMN NEAR STOLE THE WHOLE SHOW AWARD PENDULUM, whose mass megarave (Other Stage, Saturday) apparently forced the TV folks to flash a strobe warning on screen. The day-glo revolution will be televised, oh yes siree. CRAZIEST CIOVER VERSION ‘Coma Girl’ – something Joe Strummer recorded with his Mescaleros apparently. BRUCE SPRINGSTEEN did it (Main Stage, Saturday) as a tribute to the late, great Joe, a long-standing Glasto looner. THEY MAY HAVE REFORMED FOR THE MONEY BUT, HEY, THIS FEELS KINDA MOMENTOUS THE SPECIALS, san Senior Dammers (Main Stage, Friday), Terry Hall speechifying: “It’s taken us 25 years to get here but things are still the same. Then it was the National front. Now it’s the BNP!” That’s ‘avin’ it politico old skool. CHEEKIEST COVER VERSION DIZZEE RASCAL (Main Stage, Saturday) starting his set with The Ting Tings’ ‘That’s Not My Name’ and smuggling a Wiley diss into the bargain. THE YEAH, THERE’S A RECESSION ON AND PEOPLE DIE AND STUFF BUT THIS JUST MIGHT BE THE BEST GLASTO EVER AWARD BLUR for the magnificent Fest-closing Sunday slot on the Main Stage. Phil Daniels back for ‘Parklife’, Graham bouncing about on grins’n’guitars. ‘Song 2’. Whoo-hoo! Luvverly! THE WEEKEND SOUNDTRACK Kasabian: ‘Fire’. Bangin’ bigtime Neil Young: ‘Rockin’ In The Free World. Jam-packed with finales. Pendulum: The whole damn ape-crazy est. La Roux: Bulletproof. Numero Uno. The Specials: ‘A Message To You Rudy’. Non-embarrassing dadskank Madness & the crowd: It Must Be Love. A big, sunshiney hug. Aaaaah! Pete Doherty: The Libertines’ ‘Time For Heroes’. A moment. Florence & The Machine: ‘Rabbit Heart (Raise It Up’). The Wickerlass. Blur: ‘The Universal’. The final bliss-out. Steve Sutherland

UNCUT GLASTONBURY FESTIVAL AWARDS 2009

THE WORST BEST KEPT SECRET

The KLAXONS’ surprise appearance on the Park Stage (Saturday). Superhero fancy dress and all.

SONG OF THE SUMMER

Florence & The Machine, ‘Rabbit Heart (Raise It Up’. The perfect Pagan anthem for the sunkissed Children Of Avalon (John Peel Stage, Saturday).

BEST GLASTO DEBUT

‘Saucy Jack’, SPINAL TAP’s theme to their legendary musical about Jack the Ripper received its world premier on the Main Stage (Saturday), eclipsing even the wee fellers jigging about to ‘Stonehenge’ and guest turns by Jarvis Cocker (bass on ‘Big Bottom’) and Jamie Cullum (keys on the jam).

UNCUT GLASTONBURY AWARDS 2009

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THE WORST BEST KEPT SECRET The KLAXONS’ surprise appearance on the Park Stage (Saturday). Superhero fancy dress and all. SONG OF THE SUMMER Florence & The Machine, ‘Rabbit Heart (Raise It Up’. The perfect Pagan anthem for the sunkissed Children Of Avalon (John Peel Stage, Saturday). BEST GLASTO DEBUT ‘Saucy Jack’, SPINAL TAP’s theme to their legendary musical about Jack the Ripper received its world premier on the Main Stage (Saturday), eclipsing even the wee fellers jigging about to ‘Stonehenge’ and guest turns by Jarvis Cocker (bass on ‘Big Bottom’) and Jamie Cullum (keys on the jam). NEW BEZZIE MATES AWARD The Boss and BRIAN FALLON. Bruce made a guest appearance with THE GASLIGHT ANTHEM ( John Peel Stage, Saturday) during the ‘’59 Sound’ and then Brian returned the favour, joining the E STREET BAND for ‘No Surrender’ on the Main Stage (Saturday). ONE FOR THE LAYDEES LILY ALLEN (Main Stage, Friday). Possees of lasses on the scrumpy lash, hen party stylee, with no wedding in prospect in mass empowering sisterhood singalong. All together now: “Fuck you! Fuck you very very mu-u-u-u-uch!” AVOIDANCE OF A VERY OBVIOUS JOKE I-THANG-YOU-VERY-MUCH Wot, no ‘Portaloo Sunset’? Grumpy old Kink RAY DAVIES resists the temptation to rebrand his 60s singalong hit (Acoustic Stage, Friday) THE EASY TIGER, THAT BLOKE’S GETTING ON A BIT AWARD Lee Thompson, the saxy one in MADNESS, flying on strings (Main Stage, Sunday) to recreate the classic ‘Baggy Trousers’ video. Top work feller. BRAVERY BEYOND THE CALL OF DUTY Stephen Street, producer extraordinaire of The Smiths and Blur etc, donning guitar and depping for Graham Coxon, who’d knobbed off to join Damon and the boys, in PETE DOHERTY’s inspiringly shambolic backing band. Advice from Graham: Just follow Pete’s lead. Oh fuck! BEST MICHAEL EAVIS SIDE OF STAGE APPEARANCE During the CROSBY, STILLS & NASH set (Main Stage, Saturday). It must be said Sir Mike looked younger, fitter and in much finer fettle than the Cros. HOW THE HELL DID THAT HAPPEN? STRANGEST RANDOM COVER VERSION IN NEAR SYNCHRONICITY AWARD Candy Staton’s ‘You Got The Love’ played by KASABIAN (Main Stage, Saturday) and FLORENCE and her MACHINE (John Peel Stage, ditto). Just plain spooky. BEST STAGE INVASION The emotional geezer who wrestled the mic off JARVIS COCKER (John Peel Stage, Friday) to announce, “Without this man, Britpop would have been shit!” leaving our Jarv all gee-shucks and embarrassed. BEST HAIR Elly Jackson, no contest. The LA ROUX quiff remained steadfastly erect under the lashing rain, burning sun and an over-enthusiastic dry-ice machine (East Dance, Saturday). Truly a feat of architectural proportions. NOSTRODAMUS HAS SPOKEN KASABIAN will headline next year after striding into the bigtime on a wave of mass, loved-up euphoria (Main Stage, Saturday). The people have spoken. DON’T GIVE UP THE DAY JOB JACK WHITE drummed for THE DEAD WEATHER during a surprise turn on the Park Stage (Friday). He can play a bit, sure, but when he picked up the geetar for ‘Will There Be Enough Water’ it was noticeable how the set took a turn for the tuneful. YOU HAVE TO TAKE YER HAT OFF TO… All the enterprising bastards who had “I was at Glasto 09 when Jacko died” T shirts on sale at their stalls by lunchtime Saturday. THE “WHAT KEPT YOU? OH, A HAM SADWICH!” AWARD NEIL YOUNG, who finally made it to headline the Main Stage (Friday) after a 12 year delay. His sick note says he cut his finger while preparing a ham sandwich. Yeah, and the dog ate my review… BEST JACKO TRIBUTE Lily Allen’s one white glove. WORST JACKO TRIBUTE DIZZEE RASCAL and DJ SEMTEX blasting the Main Stage crowd (Saturday) with ‘Thriller’ and ‘Billie Jean’ and shouting “oi” over the top. I mean, put some effort in man. Who the fuck can’t do that! WHERE HAVE ALL THE JOURNOS GONE? Gone to see THE BIG PINK every one. (John Peel, Saturday) PUT IT AWAY LASS, YOU’RE NOT IN ESSEX NOW LADY GAGA (Other Stage, Friday). Her boobs exploded, she bared her bum. Got in the papers. Job done. PUNK’S NOT DEAD AWARD NICK CAVE who dedicated The Bad Seeds’ set (Main Stage, Sunday) to… Farah Fawcett. BEST STAGE PROP Giant inflatable eyeball, YEAH YEAH YEAHs (Other Stage, Sunday). DAMN NEAR STOLE THE WHOLE SHOW AWARD PENDULUM, whose mass megarave (Other Stage, Saturday) apparently forced the TV folks to flash a strobe warning on screen. The day-glo revolution will be televised, oh yes siree. CRAZIEST CIOVER VERSION ‘Coma Girl’ – something Joe Strummer recorded with his Mescaleros apparently. BRUCE SPRINGSTEEN did it (Main Stage, Saturday) as a tribute to the late, great Joe, a long-standing Glasto looner. THEY MAY HAVE REFORMED FOR THE MONEY BUT, HEY, THIS FEELS KINDA MOMENTOUS THE SPECIALS, san Senior Dammers (Main Stage, Friday), Terry Hall speechifying: “It’s taken us 25 years to get here but things are still the same. Then it was the National front. Now it’s the BNP!” That’s ‘avin’ it politico old skool. CHEEKIEST COVER VERSION DIZZEE RASCAL (Main Stage, Saturday) starting his set with The Ting Tings’ ‘That’s Not My Name’ and smuggling a Wiley diss into the bargain. THE YEAH, THERE’S A RECESSION ON AND PEOPLE DIE AND STUFF BUT THIS JUST MIGHT BE THE BEST GLASTO EVER AWARD BLUR for the magnificent Fest-closing Sunday slot on the Main Stage. Phil Daniels back for ‘Parklife’, Graham bouncing about on grins’n’guitars. ‘Song 2’. Whoo-hoo! Luvverly! THE WEEKEND SOUNDTRACK Kasabian: ‘Fire’. Bangin’ bigtime Neil Young: ‘Rockin’ In The Free World. Jam-packed with finales. Pendulum: The whole damn ape-crazy est. La Roux: Bulletproof. Numero Uno. The Specials: ‘A Message To You Rudy’. Non-embarrassing dadskank Madness & the crowd: It Must Be Love. A big, sunshiney hug. Aaaaah! Pete Doherty: The Libertines’ ‘Time For Heroes’. A moment. Florence & The Machine: ‘Rabbit Heart (Raise It Up’). The Wickerlass. Blur: ‘The Universal’. The final bliss-out. Steve Sutherland

THE WORST BEST KEPT SECRET

The KLAXONS’ surprise appearance on the Park Stage (Saturday). Superhero fancy dress and all.

SONG OF THE SUMMER

Florence & The Machine, ‘Rabbit Heart (Raise It Up’. The perfect Pagan anthem for the sunkissed Children Of Avalon (John Peel Stage, Saturday).

BEST GLASTO DEBUT

‘Saucy Jack’, SPINAL TAP’s theme to their legendary musical about Jack the Ripper received its world premier on the Main Stage (Saturday), eclipsing even the wee fellers jigging about to ‘Stonehenge’ and guest turns by Jarvis Cocker (bass on ‘Big Bottom’) and Jamie Cullum (keys on the jam).

Bob Dylan and Paul McCartney rumours are ‘unfounded’ says Beatle

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Sir Paul McCartney has said that he is unlikely to collaborate with Bob Dylan, despite rumours circulating in the press recently. McCartney says he's "always admired" Dylan as a "poet and writer" but believes that the two legends are unlikely to do anything about it. In an interview with The Teleg...

Sir Paul McCartney has said that he is unlikely to collaborate with Bob Dylan, despite rumours circulating in the press recently.

McCartney says he’s “always admired” Dylan as a “poet and writer” but believes that the two legends are unlikely to do anything about it.

In an interview with The Telegraph on Saturday (June 27) McCartney reveals that the rumours have become a bit of a family joke.

Talking about the projected collaboration, Paul says that it’s only “a newspaper thing. He [Dylan] just said some very complimentary things about me in some interviews, and I love him. He’s a great poet and writer so I’ve always admired him. I don’t rule it out. But we’re not the kind of people who would ring each other up.”

Meanwhile, former Beatle Macca made a surprise appearance onstage with another Uncut legend Neil Young at the Hard Rock Calling festival in Hyde Park on Saturday (June 27). The pair shared vocals for Neil’s cover of “A Day In The Life” for Young’s final European tour show.

For more Paul McCartney news click here

And for more Dylan news from expectingrain.com.

Plus! More music and film news from Uncut click here

Springsteen Pays Tribute To The Clash’s Strummer At Glastonbury

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Bruce Springsteen & The E Street Band played an "absolutely stunning" two-and-a-half hour set to close the Glastonbury festival's second night, according to event organiser Michael Eavis. Springsteen opened the his headline set with a tribute to his hero Joe Strummer, by covering a Mescaleros' ...

Bruce Springsteen & The E Street Band played an “absolutely stunning” two-and-a-half hour set to close the Glastonbury festival’s second night, according to event organiser Michael Eavis.

Springsteen opened the his headline set with a tribute to his hero Joe Strummer, by covering a Mescaleros’ track “Coma Girl” before launching into songs including “Outlaw Pete” the standout track from latest album “Working On A Dream”, “The Ghost of Tom Joad” and “The Rising.”

Speaking at his annual press conference Michael Eavis said that 2009 was his best festival yet, exclaiming: “Having Neil Young who I’ve been waiting for for 39 years and Springsteen just appear out of the blue – and of course Blur tonight – we’ve got three major, major headliners.

He added “Neil Young pleased all the old hippie types and Springsteen pleased everyone else. He did a hell of a show, what energy he has at 58 years of age is amazing. What a show! It was probably the best show he’s done in his life. What a starting point, and you have everything else as well of course!”

Springsteen even broke the Pyramid Stage sound curfew by running over by nine minutes, however Eavis said he was more than happy to pay it.

Springsteen was joined by The Gaslight Anthem‘s Brian Fallon on “No Surrender”, Fallon returning Bruce’s surprise appearance during their own set earlier in the day.

The Gaslight Anthem and Bruce Springsteen & The E Street Band are also due to play at Hard Rock Calling in London’s Hyde Park on Sunday June 28.

Bruce Springsteen’s Glastonbury festival set list was:

‘Coma Girl’

‘Badlands’

‘Prove It All Night’

‘My Lucky Day’

‘Outlaw Pete’

‘Out In The Street’

‘Working On A Dream’

‘Seeds’

‘Johnny 99’

‘The Ghost Of Tom Joad’

‘Raise Your Hand’

‘Because The Night’

‘No Surrender’

‘Waiting On A Sunny Day’

‘Promised Land’

‘The River’

‘Radio Nowhere’

‘Lonesome Day’

‘The Rising’

‘Born To Run’

‘Hard Times’

‘Thunder Road’

‘American Land’

‘Glory Days/’Louie Louie’

‘Dancing In The Dark’

For more Bruce Springsteen news on Uncut click here.

Pic credit: PA Photos

Paul McCartney and Neil Young Perform Beatles Song Together In Hyde Park

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Neil Young was joined by Sir Paul McCartney during his encore of a cover of the Beatles' classic "A Day In The Life" at London's Hard Rock Calling festival on Saturday (June 27). Young, playing the final show on his current European tour, was on exhilarating form throughout the two hour set, despit...

Neil Young was joined by Sir Paul McCartney during his encore of a cover of the Beatles‘ classic “A Day In The Life” at London’s Hard Rock Calling festival on Saturday (June 27).

Young, playing the final show on his current European tour, was on exhilarating form throughout the two hour set, despite having travelled up from a headline performance at the Glastonbury festival on Friday (June 26) – though he was still rocking the cardigan-worn-on-one-shoulder look as he had the night before.

McCartney, a surprise guest, came onto the stage during the central section of A Day In The Life (“Woke up, got out of bed/ Dragged a comb across my head”), much to the shock and awe of the crowd.

Young has been covering the song throughout his current tour, which started in 2007. The pair had previously sung together, in 2004, when McCartney joined Young on “Only Love Can Break Your Heart” at the Bridge School Benefit.

The last moments of the Hard Rock Calling show saw Young and McCartney playfully bashing a xylophone at the back of the stage before they hugged and Paul pecked Neil on the cheek.

Watch Neil Young and Paul McCartney here!

Neil Young’s Hard Rock Calling, London Hyde Park set list was:

Hey Hey, My My (Into The Black)

Mansion On The Hill

Are You Ready For The Country?

Everybody Knows This Is Nowhere

Spirit Road

Words

Cinnamon Girl

Fuckin’ Up

Mother Earth

The Needle And The Damage Done

Comes A Time

Unknown Legend

Heart Of Gold

Old Man

Down By The River

Get Behind The Wheel

Rockin’ In The Free World

A Day In The Life

For more Neil Young news on Uncut click here.

And for more music and film news from Uncut click here

Pic credit: PA Photos

Bruce Springsteen To Headline Glastonbury Day Two!

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Bruce Springsteen and the E Street Band are to make a rare festival headline appearance, topping the Pyramid Stage bill at the Glastonbury festival tonight (June 26). The Boss and band never perform festival shows, so UK fans are doubley treated, as they will also take to the stage at London's Hard...

Bruce Springsteen and the E Street Band are to make a rare festival headline appearance, topping the Pyramid Stage bill at the Glastonbury festival tonight (June 26).

The Boss and band never perform festival shows, so UK fans are doubley treated, as they will also take to the stage at London’s Hard Rock Calling festival on Sunday (June 28).

The strong Pyramid stage bill for Saturday includes Crosby, Stills & Nash whose sometime member Neil Young headlined the same stage on Friday (June 25), Spinal Tap and Tinariwen.

Elsewhere at the Somerset bash, headliners include; Franz Ferdinand (Other Stage), Jarvis Cocker (John Peel Stage), Kilfenorca Ceili Band (Acoustic Stage and Bon Iver (The Park Stage).

The full Glastonbury line-up for Saturday June 27 is as follows:

Pyramid Stage:

Bruce Springsteen

Kasabian

Crosby, Stills & Nash

Dizzee Rascal

Spinal Tap

Eagles Of Death Metal

Tinariwen

VV Brown

Other Stage:

Franz Ferdinand

Pendulum

Maximo Park

Paolo Nutini

Peter Doherty

The Script

Jason Mraz

Metric

Peter, Bjorn and John

Broken Family Band

John Peel Stage:

Jarvis Cocker

White Lies

Florence And The Machine

Passion Pit

Gaslight Anthem

Hockey

The Temper Trap

Esser

The Big Pink

Baddies

The Nightingales

Jazz/World Stage:

Playing For Change

Baaba Maal

Lonnie Liston Smith

Jamie Cullum

Rokia Traore

Erik Truffaz

Acoustic Stage:

Kilfenorca Ceili Band

Tindersticks

Newton Faulkner

Lisa Hannigan

Gary Louris and Mark Olson

Lunasa

Bap Kennedy

Hope And Social

Stornoway

Cora Smyth Band

The Park Stage:

Bon Iver

M Ward

Special Guests

Shlomo and Guests

Horace Andy

Easy Star Allstars

The Memory Band

Bombay Bicycle Club

The Low Anthem

First Aid Kit

Queen’s Head Stage:

Guilty Pleasures

Dan Black

The King Blues

The Shortwave Set

Special Guest

The Wombats

Official Secrets Act

Noah And The Whale

Emmy The Great

Broken Records

Peggy Sue and the Pirates

Marina and the Diamonds

Theoretical Girl

Blue Roses

The Glitterati

East Dance:

2ManyDJs

Deadmau5

Pete Tong

La Roux

Wiley

Tinchy Stryder

Eric Prydz

Heartbreak

We Have Band

West Dance:

Josh Wink

Yoda

DJ Food

Qemists

Timo Maas

Japanese Popstars

Hudson Mohawke

NAPT

Emperors Machine

Jam The Channel

Avalon Stage:

The Wonder Stuff

Edward II

Eliza Carthy

Badly Drawn Boy

Solas

The King Blues

The Lancashire Hotpots

Wheeler Street

The Martin Harley Band

The Glade:

Stereo MCs

Stanton Warriors

DJ Fresh

Dub Pistols

Don Letts

Dr Meaker

Tayo

Rusko

Sancho Panza

Nairobi

Jinx

For more Bruce Springsteen news on Uncut click here.

Pic credit: PA Photos

Michael Jackson 1958-2009

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MICHAEL JACKSON 1958-2009 Although he was only 50 at the time of his death, there is a strong argument that Michael Jackson’s decline as a musician was inevitable more than half his lifetime ago. He was barely 24 when he made Thriller in 1982, which, according to the Guinness Book Of World Record...

MICHAEL JACKSON 1958-2009

Although he was only 50 at the time of his death, there is a strong argument that Michael Jackson’s decline as a musician was inevitable more than half his lifetime ago. He was barely 24 when he made Thriller in 1982, which, according to the Guinness Book Of World Records in 2007, has so far sold 65 million copies, and cast a giant shadow over the rest of his career. Compilations and remix projects aside, he went on to release just three more full albums.

And while diehard fans will try to convince you that Bad, Dangerous and Invincible all had their merits, none came within a country mile of their behemoth-like predecessor’s musical and cultural impact. A child star at Motown, both with his brothers and as a solo act, Jackson endured a lean spell after quitting the Detroit “family”, and it took a collaboration with Quincy Jones on 1979’s Off The Wall to remind the record-buying public that he still had something to offer.

What he offered amounted to nothing short of redefining mainstream black pop, distilling the sounds of close friend Stevie Wonder, James Brown, Marvin Gaye, even Sly Stone, then adding an indisputably more blatant commercial sheen that moonwalked its way across genres and hitherto rigid marketing “formats”. Off The Wall has notched up 20 million sales to date, certainly not to be sniffed at, but it was Thriller, or more specifically its second single, “Billie Jean”, that cemented Jackson’s standing as a global force.

As with two comparably-sized pop icons of previous generations, television played a major role. Elvis Presley went from hillbilly to household name thanks in no small part to exposure on The Steve Allen Show, while Ed Sullivan’s variety cavalcade helped Beatlemania go truly ballistic. For Jackson, it was the fledgling MTV, who were reluctant to showcase black acts until “Billie Jean” came along. It took CBS label boss Walter Yetnikoff’s threat to withdraw all product from the cable channel to get Jackson on the air in the first place, but soon a symbiotic relationship between broadcaster and artist developed, to the point where it could be argued that neither would have flourished so heartily without the other.

In terms of genuine creativity, this is perhaps where the Michael Jackson story ends, and the media circus feasting on bizarre behaviour, curious marriages, remarkable physical transformations and allegations of child abuse takes over. It’s a safe bet that elsewhere Jacko the supposed freak will garner as many, if not more, column inches than Jackson the musician, so Uncut might be best leaving the door-stepping salaciousness to others. Tabloid scandals throughout the 1980s and 1990s were punctuated by some genuinely astonishing live performances, acting as occasional reminders of why he caught our attention in the first place.

Thought to be in permanent retirement after 2007’s headline-grabbing child abuse trial, it surprised many when Jackson announced he was returning to the stage for a marathon residency at the O2 Arena in London. In all, 50 dates were confirmed, meaning a total of one million people were due to witness his “comeback” over the next six months.

Long before his death there were question marks hanging over the O2 concerts. American promoters were threatening legal action, claiming Jackson had agreed to not play anywhere in the world until after a series of US gigs with his brothers, while some commentators doubted that a performer of his age who’d been inactive for so long, and therefore well below his punching weight, would have the physical stamina to endure 50 high-energy shows. Several media reports have even suggested that strenuous rehearsals at the Staples Centre in Los Angeles in recent weeks may have contributed to the heart attack that killed him.

Jackson didn’t need that one last hurrah to leave his mark on history. It’s unlikely there’s a single R&B act of the last quarter of a century who doesn’t cite him as a major influence, much in the way that anyone who ever picked up a guitar might have looked in the mirror and dreamed they were Presley or Lennon. He was also a towering inspiration to the worldwide black community, as important a figure as Muhammad Ali, and a touchstone for anyone who might wanna be startin’ somethin’.

TERRY STAUNTON

For more on Michael Jackson click here.

Michael Jackson ‘Knew’ He Would Die Like Elvis

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Lisa Marie Presley, who was married to Michael Jackson briefly has spoken out publically with an honest heartfelt blog on MySpace titled 'He knew'. She says that Jackson had predicted he would "end up" like Elvis. Lisa Marie also refutes that the couple who were married briefly between May 1994 an...

Lisa Marie Presley, who was married to Michael Jackson briefly has spoken out publically with an honest heartfelt blog on MySpace titled ‘He knew’. She says that Jackson had predicted he would “end up” like Elvis.

Lisa Marie also refutes that the couple who were married briefly between May 1994 and January 1996 were together as a sham, saying “I do believe he loved me as much as he could love anyone and I loved him very much”

Lisa Marie Presley writes of her heartbreak at having to witness the scenes which unfolded of Jackson as he was taken to hospital on June 25, scenes which she’d already witnessed once with her own father.

She blames herself for not having helped Jackson from celebrity more. The blog reads as follows:

“He Knew.

Years ago Michael and I were having a deep conversation about life in general.

I can’t recall the exact subject matter but he may have been questioning me about the circumstances of my Fathers Death.

At some point he paused, he stared at me very intensely and he stated with an almost calm certainty, “I am afraid that I am going to end up like him, the way he did.”

I promptly tried to deter him from the idea, at which point he just shrugged his shoulders and nodded almost matter of fact as if to let me know, he knew what he knew and that was kind of that.

14 years later I am sitting here watching on the news an ambulance leaves the driveway of his home, the big gates, the crowds outside the gates, the coverage, the crowds outside the hospital, the Cause of death and what may have led up to it and the memory of this conversation hit me, as did the unstoppable tears.

A predicted ending by him, by loved ones and by me, but what I didn’t predict was how much it was going to hurt when it finally happened.

The person I failed to help is being transferred right now to the LA County Coroners office for his Autopsy.

All of my indifference and detachment that I worked so hard to achieve over the years has just gone into the bowels of hell and right now I am gutted.

I am going to say now what I have never said before because I want the truth out there for once.

Our relationship was not “a sham” as is being reported in the press. It was an unusual relationship yes, where two unusual people who did not live or know a “Normal life” found a connection, perhaps with some suspect timing on his part. Nonetheless, I do believe he loved me as much as he could love anyone and I loved him very much.

I wanted to “save him” I wanted to save him from the inevitable which is what has just happened.

His family and his loved ones also wanted to save him from this as well but didn’t know how and this was 14 years ago. We all worried that this would be the outcome then.

At that time, In trying to save him, I almost lost myself.

He was an incredibly dynamic force and power that was not to be underestimated.

When he used it for something good, It was the best and when he used it for something bad, It was really, REALLY bad.

Mediocrity was not a concept that would even for a second enter Michael Jackson’s being or actions.

I became very ill and emotionally/ spiritually exhausted in my quest to save him from certain self-destructive behavior and from the awful vampires and leeches he would always manage to magnetize around him.

I was in over my head while trying.

I had my children to care for, I had to make a decision.

The hardest decision I have ever had to make, which was to walk away and let his fate have him, even though I desperately loved him and tried to stop or reverse it somehow.

After the Divorce, I spent a few years obsessing about him and what I could have done different, in regret.

Then I spent some angry years at the whole situation.

At some point, I truly became Indifferent, until now.

As I sit here overwhelmed with sadness, reflection and confusion at what was my biggest failure to date, watching on the news almost play by play The exact Scenario I saw happen on August 16th, 1977 happening again right now with Michael (A sight I never wanted to see again) just as he predicted, I am truly, truly gutted.

Any ill experience or words I have felt towards him in the past has just died inside of me along with him.

He was an amazing person and I am lucky to have gotten as close to him as I did and to have had the many experiences and years that we had together.

I desperately hope that he can be relieved from his pain, pressure and turmoil now.

He deserves to be free from all of that and I hope he is in a better place or will be.

I also hope that anyone else who feels they have failed to help him can be set free because he hopefully finally is.

The World is in shock but somehow he knew exactly how his fate would be played out some day more than anyone else knew, and he was right.

I really needed to say this right now, thanks for listening.

~LMP”

***

For more on Michael Jackson click here

Read the full Uncut Michael Jackson obituary here.

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Neil Young Rocks Glastonbury Festival With Two Hour Set

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Neil Young played his first-ever Glastonbury festival headline show on Friday June 26, inducing a mass singalong in the Pyramid stage field for much of the two-hour set. Highlights of the set included a double-whammy of "Words" followed by "Heart of Gold" as well as "Cinnamon Girl" and "Down By The...

Neil Young played his first-ever Glastonbury festival headline show on Friday June 26, inducing a mass singalong in the Pyramid stage field for much of the two-hour set.

Highlights of the set included a double-whammy of “Words” followed by “Heart of Gold” as well as “Cinnamon Girl” and “Down By The River”.

“Harvest Moon” – the rarely performed classic track, which Young has played at three shows recently (Koln, Nottingham and Aberdeen) didn’t materialise last night, as didn’t the much rumoured guests of David Crosby, Stephen Stills and Graham Nash who are due to play the Pyramid Stage today (June 27).

Young’s encore was his customary set finale – a still-thrilling cover of The Beatles‘ “A Day In The Life” which definitely had the crowd screaming along.

Neil Young’s Glastonbury festival set list was:

’Hey Hey, My My (Into The Black)’

’Mansion On The Hill’

‘Are You Ready For The Country?’

‘Everybody Knows This Is Nowhere’

‘Spirit Road’

‘Words’

‘Cinnamon Girl’

‘Mother Earth’

‘The Needle And The Damage Done’

‘Comes A Time’

‘Unknown Legend’

‘Heart Of Gold’

‘Down By The River’

‘Get Behind The Wheel’

‘Rockin’ In The Free World’

‘A Day In The Life’

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Beth Orton, Bert Jansch, Comus for folk festival

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Beth Orton, St Etienne, Bert Jansch and Comus are all set to appear high on the bill for this year's Moseley Folk Festival which takes place over three days from September 3. Also appearing at the festival, now in it's fourth year are Vetiver, Circulus and Jethro Tull. More information about the B...

Beth Orton, St Etienne, Bert Jansch and Comus are all set to appear high on the bill for this year’s Moseley Folk Festival which takes place over three days from September 3.

Also appearing at the festival, now in it’s fourth year are Vetiver, Circulus and Jethro Tull.

More information about the Birmingham event here.

And for more music and film news from Uncut click here

The festival line-up 2009 so far is:

FRIDAY SEPTEMBER 3RD (3pm-11pm)

Saint Etienne

The Pastels & Tenniscoats

Frida Hyvonen

Mary Hampton

Circulus

Ben Calvert

El Perro Del Mar

Seeland

Rose Elinor Dougall

The Fancy Toys

The Music Lovers

SATURDAY (12pm-11pm)

Beth Orton

Bert Jansch

Comus

Kris Drever, John McCusker & Roddy Woomble

Vetiver

Demon Barber Roadshow

Jackie Oates

Pritam Singh

The Family

Kelli Ali

Dollboy

Beth Jeans Houghton

Wolf People

Blacklands

Deep Elem

SUNDAY (12pm-11pm)

Jethro Tull

Cara Dillon

Martin Carthy and Dave Swarbrick

Adrian Edmondson and the Bad Shepherds

Jim Moray

Wizz Jones

Nancy Kerr and James Fagan

Mama Matrix

Frogmorton

Ella Edmondson

The Klatsch

Hunter Robertson

Liz Lawrence

WyreWood

Public Enemies

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PUBLIC ENEMIES DIRECTED BY Michael Mann STARRING Johnny Depp, Christian Bale, Marion Cotillard, Billy Crudup *** SYNOPSIS 1933. Across a 13-month period, bank robber John Dillinger (Depp) becomes America’s Public Enemy No 1. Pursued by the police across the mid-West, Dillinger and his gang be...

PUBLIC ENEMIES

DIRECTED BY Michael Mann

STARRING Johnny Depp, Christian Bale, Marion Cotillard, Billy Crudup

***

SYNOPSIS

1933. Across a 13-month period, bank robber John Dillinger (Depp) becomes America’s Public Enemy No 1. Pursued by the police across the mid-West, Dillinger and his gang become unlikely national heroes. But it’s only a matter of time before the FBI – led by Melvin Purvis (Bale) – catch up with them…

***

You might wonder what thoughts were going through John Dillinger’s head as he settled back in his seat in Chicago’s Biograph Theater on July 22, 1934 to watch Manhattan Melodrama. A glossy gangster film, with Clark Gable as affable rogue Blackie Gallagher, Manhattan Melodrama admittedly barely reflected much that Dillinger might have recognized from his own life – which, by now, was mostly conducted on the run along remote Midwestern back roads or holed up in cheap flophouses. But the movies had effectively laid claim to John Dillinger. Edward G Robinson in Little Caesar, James Cagney in Public Enemy and Gable in Manhattan Melodrama were all, to some degree, riffs on Dillinger, by then America’s Public Enemy No 1.

Here, at the very end of his 13-month crime spree, he was one of the most prominent figures in the country, second only to President Roosevelt. A bank robber during the Great Depression, Dillinger was stealing from the institutions that had hurt everybody, and he was outsmarting the government that was incapable of helping anybody. During an era where the Old West was still close enough to touch, Dillinger – along with Machine Gun Kelly, Bonnie and Clyde, Baby Face Nelson, Pretty Boy Floyd and the Barkers – was a national icon, a folk hero whose antecedents stretched back to Jesse James and Billy the Kid.

Arguably, Blackie’s line in Manhattan Melodrama – “Die the way you live: all of a sudden. Living any other way doesn’t mean a thing” – offers the key to Michael Mann’s take on the Dillinger story. Mann’s Dillinger – played here with customary brilliance by Depp – exists entirely for the moment. “What do you want?” he’s asked. “Everything. Right now,” he replies. It’s a philosophy you would imagine the outlaws of the Old West subscribed to. Death being a very real and present danger, you might just as well live for immediate gratification, no thought for tomorrow at all. “You been living here long?” asks girlfriend Billie Frechette (Cotillard) when she first visits Dillinger’s place. “Yeah,” he says. “Since yesterday.”

But tomorrow is coming awfully fast. The 1930s are the birth of the modern age, and Dillinger is increasingly a man out of time. Bank robbery is being superseded by the gambling syndicates, their enterprises conducted discreetly via telephone in rooms above shops – a long way from the perilous, very public world of armed robbery. Meanwhile, J Edgar Hoover’s G-Men are ushering in a new kind of policing, with new and more efficient methods like phone-tapping. Hoover (Crudup; menacing and effete) sees the potential in Dillinger’s capture to launch his Bureau of Investigation.

He assigns Melvin Purvis (Bale, lips pursed throughout) to head up the hunt for Dillinger – but for all Purvis’ due diligence in his pursuit, his modern methods fail to bring Dillinger to justice. As Purvis explains to Hoover: “Our men are not up to the job.” It’s only when Purvis brings in a bunch of Texas and Oklahoma Rangers, old hands who understand Dillinger, that events begin to move inexorably towards Dillinger’s death on the steps on the Biograph Theater.

In fact, there are plenty of contemporary nuances in Mann’s film. Hoover has a strikingly prescient understanding of media manipulation. Indeed, you might find it hard not to sense something of the Dick Cheney about him as he dispenses sound bites to the press about “war on crime”, while covertly encouraging his men to extract information from suspects by any means necessary, including torture. Dillinger wears tinted sunglasses that look more than a little Lennon; when he introduces himself to Billie with “I like baseball, fast cars, good clothes and whiskey,” it sounds like the kind of superficial biographical data you find in a celebrity magazine.

Meanwhile, in one sequence, dated January 30, 1934, Dillinger is arrested and taken by airplane to Lake County Jail in Crown Point, Indiana to await trial. The footage of him met by a throng of photographers as he steps off the plane, then sped through the city in a police convoy, the streets lined with spectators, recalls a thousand similar well-documented journeys taken by rock stars, politicians and actors and casts Dillinger as an unlikely early celebrity of the modern age. He even hosts an impromptu press conference at the jail, posing for photos with prosecutor Robert Estill.

As you might expect from a Michael Mann film, there are a number of ferocious firefights, particularly one at Little Bohemia, a lodge in remote Wisconsin where the Dillinger gang are cornered by Purvis and his Rangers. The gang try and shoot their way out, Thompson submachine guns squaring off against rifles. It’s very different from that shoot out in Heat, which left half of downtown Los Angeles in rubble, but it’s no less jarring as shells tear chunks out of walls, furniture and cars. Mann, to my mind the greatest stylist in modern American cinema, shoots the film on high-definition digital, giving it a striking colour palette. This is a long way from the serene grey/blue wash of Heat, or the low-light urban desolation of Collateral. As Mann says over the page, he wanted to place the audience right there in the movie, and this crisp digital look affords Public Enemies an incredible sense of immediacy. Mann, too, has a strong eye for forensic detail that ramps up the vividness of the film.

Mann’s film, then, is arguably some distance from previous cinematic takes on the Dillinger story, particularly John Milius’ memorable version from 1973. For Milius, Warren Oates played Dillinger as a straight-ahead sociopath, but Depp offers us something different, chewier. Mann’s film opens on September 26, 1933, with Dillinger springing members of his future gang from Indiana State prison. You might ask, is Dillinger breaking his men out for reasons of comradeship, or is he more concerned with keeping close the people he knows he can rely on in a scrape? Certainly, as Purvis and the G-Men chip away at the gang, and Dillinger is forced to bring in new, ultimately unreliable recruits – including loose canon Baby Face Nelson (This Is England’s Stephen Graham) – you might suspect the answer is more pragmatic than philanthropic. There’s also plenty that’s contradictory about Dillinger: he lives for the moment, but he’s capable of investing plenty of time and thought into planning pretty elaborate bank robberies. Depp delivers all this with almost total inscrutability; it’s hard to know what he’s thinking, or where he’s going next. Which, I suppose, is how Dillinger would have wanted it.

MICHAEL BONNER

Am I Black Enough For You

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AM I BLACK ENOUGH FOR YOU DIRECTED BY Göran Hugo Olsson STARRING Billy Paul, Blanche Williams, Kenny Gamble, Clive Davis, Questlove, Schoolly D *** In 1972 Billy Paul got a dream career break; a worldwide hit single, “Me And Mrs Jones”, that turned the struggling jazz singer into an exempla...

AM I BLACK ENOUGH FOR YOU

DIRECTED BY Göran Hugo Olsson

STARRING Billy Paul, Blanche Williams, Kenny Gamble, Clive Davis, Questlove, Schoolly D

***

In 1972 Billy Paul got a dream career break; a worldwide hit single, “Me And Mrs Jones”, that turned the struggling jazz singer into an exemplar of sophisticated soul. The story of an extra-marital affair, “…Mrs Jones” was a mix of intimacy and delight, dressed in the honeyed strings of the Philadelphia Sound with which producers Kenny Gamble and Leon Huff were creating hits for The O’Jays, Harold Melvin, The Three Degrees and more. Paul’s record crossed all boundaries, won a Grammy, with its accompanying album, 360 Degrees Of Billy Paul gaining gold status.

Though Paul scratched the charts in subsequent years, he never scaled the dizzy heights of his signature tune. For his wife and manager, Blanche, it was the choice of follow-up that undermined his career – the funky, black pride anthem, “Am I Black Enough For You”, sent out confusing signals to an audience expecting a romantic ballad. Producer and writer Gamble, she implies, used Paul to further his own militant political agenda.

Swedish director Göran Olsson has made this slender premise the pivot for his documentary about Paul, who at 77 is still an animated performer. It doesn’t hold up. “Am I Black Enough…” tanked (with minimal radio play) but it was, after all, from the same album as “…Mrs Jones”, and became a cult side, covered by Schoolly D among others. Gamble is incredulous at the allegation – “Billy Paul said that? Shoot!” – though his relationship with the singer is compromised; in 2003 Paul successfully sued him for unpaid royalties of half a million dollars.

Olsson modelled his film on Let’s Get Lost, Bruce Weber’s elegiac 1989 portrait of jazz icon Chet Baker, pinning a still from every cut in Weber’s movie on his wall for inspiration. “Let’s Get Lost is black and white, the Fifties, California and heroin,” he says, “we transformed that to colour, the Seventies, Philadelphia and cocaine.”

Nice concept, but Olsson is no visual wizard like Weber, though his movie has a confidential, nocturnal atmosphere. Paul is certainly no fallen demi-genius to set alongside Baker, but he proves an engaging, articulate subject, with a story that stretches back to playing alongside Charlie Parker, and peppered with the usual racial prejudice. His career is, in its way, emblematic of black America’s struggles over the last half century, including a descent into cocaine addiction and recovery, both shared with his wife, who remains a quirky, wilful presence throughout the movie. The pair come across as a jazzy Derby and Joan.

Among those adding context are Schoolly D and the insightful Questlove, from Philly troupe The Roots, but the feeling that the film’s subject has been over-stretched isn’t helped by some crass overdubs of Paul’s live performances. Authenticity starts at home.

NEIL SPENCER

The Seeds Singer Sky Saxon Has Died

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Cult psych rock singer Sky "Sunlight" Saxon, most famously leader of Los Angeles garage group The Seeds died on Thursday June 25, reportedely aged 63. A message posted on skysaxon.com simply reads: "Sky Sunlight Saxon passed over to the other side 6/25/2009 at 9:10am. Sabrina Saxon and Joshua Aquarian were at his side. He passed peacefully and with no pain." Cause of Saxon's death is yet to be released. See a 2009 live performance by The Seeds of famous track "Can't Seem To Make You Mine" here: http://www.youtube.com/watch?v=rhoHb6vbNow&hl=en&fs=1 For more music and film news from Uncut click here

Cult psych rock singer Sky “Sunlight” Saxon, most famously leader of Los Angeles garage group The Seeds died on Thursday June 25, reportedely aged 63.

A message posted on skysaxon.com simply reads: “Sky Sunlight Saxon passed over to the other side 6/25/2009 at 9:10am. Sabrina Saxon and Joshua Aquarian were at his side. He passed peacefully and with no pain.”

Cause of Saxon’s death is yet to be released.

See a 2009 live performance by The Seeds of famous track “Can’t Seem To Make You Mine” here:

For more music and film news from Uncut click here

Paul McCartney Releases Statement After Michael Jackson’s Death

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Paul McCartney has released a statement to say that his memories of working with Michael Jackson "will be happy ones." The pair worked together on tracks including Jackson's "The Girl Is Mine"and McCartney solo tracks "Say Say Say" and "The Man," before falling out in 1985 after Jackson won the bid...

Paul McCartney has released a statement to say that his memories of working with Michael Jackson “will be happy ones.”

The pair worked together on tracks including Jackson’s “The Girl Is Mine”and McCartney solo tracks “Say Say Say” and “The Man,” before falling out in 1985 after Jackson won the bidding for the rights to over 200 Beatles catalogue songs.

McCartney has said about his former friend: “I feel privileged to have hung out and worked with Michael. He was a massively talented boy man with a gentle soul. His music will be remembered forever and my memories of our time together will be happy ones.”

Jackson bought ATV music, copyright owners of Lennon/ McCartney-penned Beatles songs, for $47.5m. However, Jackson was forced to agree a $95m deal with Sony a decade later when he ran into money troubles.

Read Billboard’s analysis of Michael Jackson’s debt here.

For more on Michael Jackson click here

Read the full Uncut Michael Jackson obituary here.

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Michael Jackson Concert Ticket Refund Information

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Tickets for the 50-date run of Michael Jackson concerts are to be refunded in due course, London O2 Arena organisers have said in the wake of the singer's death on Thursday (June 25). The 'This Is It' shows, billed as Jackson's comeback - his first concert 'tour' in 12 years were due to start on July 13. O2 organisers have said: "At this moment our thoughts are with Michael's children, family and friends. We will announce ticketing information in due course." A screen outside the O2 Arena (pictured above) passes on the O2 organiser's message, and fans have been leaving floral tributes beneath it. Also, Eric Baker, CEO, viagogo, the official seconadary ticket sellers has also commented along similar lines: "Everyone at viagogo is deeply shocked and saddened at the news that Michael Jackson has passed away. Our thoughts are with his family, friends and fans. All Michael Jackson tickets purchased through viagogo will be refunded directly to fans. No forms, no fuss, just refunded. We will be in touch with everyone in due course." However, some fans have been leaving messages on stories about the financial implication of the cancelled shows to say that they would be keeping the tickets. For more on Michael Jackson click here Read the full Uncut Michael Jackson obituary here. And for more music and film news from Uncut click here Pic credit: PA Photos

Tickets for the 50-date run of Michael Jackson concerts are to be refunded in due course, London O2 Arena organisers have said in the wake of the singer’s death on Thursday (June 25).

The ‘This Is It’ shows, billed as Jackson’s comeback – his first concert ‘tour’ in 12 years were due to start on July 13.

O2 organisers have said: “At this moment our thoughts are with Michael’s children, family and friends. We will announce ticketing information in due course.”

A screen outside the O2 Arena (pictured above) passes on the O2 organiser’s message, and fans have been leaving floral tributes beneath it.

Also, Eric Baker, CEO, viagogo, the official seconadary ticket sellers has also commented along similar lines: “Everyone at viagogo is deeply shocked and saddened at the news that Michael Jackson has passed away.

Our thoughts are with his family, friends and fans. All Michael Jackson tickets purchased through viagogo will be refunded directly to fans. No forms, no fuss, just refunded. We will be in touch with everyone in due course.”

However, some fans have been leaving messages on stories about the financial implication of the cancelled shows to say that they would be keeping the tickets.

For more on Michael Jackson click here

Read the full Uncut Michael Jackson obituary here.

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The Specials’ Jerry Dammers Pays Tribute To Jackson

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The Specials' Jerry Dammers has paid tribute to Michael Jackson who died yesterday (June 25) saying he had one of "the greatest gospel shouts of the 20th century." Dammers, who's not involved with this years' Specials reunion, however did criticise the 1996 BRIT awards stage invasion of the singer ...

The SpecialsJerry Dammers has paid tribute to Michael Jackson who died yesterday (June 25) saying he had one of “the greatest gospel shouts of the 20th century.”

Dammers, who’s not involved with this years’ Specials reunion, however did criticise the 1996 BRIT awards stage invasion of the singer by former Pulp frontman Jarvis Cocker.

Dammers’ statement today reads: “The thing that sometimes seems to get overlooked about Michael Jackson is what an absolutely phenomenal singer he was. He had one of the greatest gospel shouts of the 20th century, quite possibly the last of its kind.”

The outros of some of his songs especially, such as ’Wanna Be Starting Somethin’’, were ecstatic, and, or, full of pain, like the one about the environment, which Jarvis Cocker attacked him for. I like Jarvis, but I personally didn’t really understand the reason for that. ”

For more on Michael Jackson click here

Read the full Uncut Michael Jackson obituary here.

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Jack White Confirms Fifth Glastonbury Appearance

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Jack White's current project with The Kills' Alison Mossheart, The Dead Weather have confirmed themselves to play last minute at Glastonbury festival today (June 26). The band emailed fans early this morning to reveal that they were booked to appear at the Park Stage at 6.45pm. Today's appearance...

Jack White‘s current project with The Kills‘ Alison Mossheart, The Dead Weather have confirmed themselves to play last minute at Glastonbury festival today (June 26).

The band emailed fans early this morning to reveal that they were booked to appear at the Park Stage at 6.45pm.

Today’s appearance will be Jack White’s fifth show at Glastonbury, after performing with the Last Shadow Puppets last year, plus gigs with The Raconteurs as well as the White Stripes.

For more Jack White news on Uncut click here.

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Neil Young and The Specials For Glastonbury Day One

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Neil Young is set to headline the first night of this year's Glastonbury Festival, which kicks off today (June 26). The singer, will appear on the Pyramid Stage is a 'dream' booking for the festival's organiser Michael Eavis, who said at the time of Young's confirmation to headline: "Neil Young to ...

Neil Young is set to headline the first night of this year’s Glastonbury Festival, which kicks off today (June 26).

The singer, will appear on the Pyramid Stage is a ‘dream’ booking for the festival’s organiser Michael Eavis, who said at the time of Young’s confirmation to headline: “Neil Young to play this year is a dream come true for me personally. He is one of my all-time favourites and we have always wanted him to play.”

See a video preview of Young’s show with live footage and an interview here at BBC/glastonbury.

Joining Young on the mainstage will be The Specials who are still celebrating their 30th anniversary reunion tour, Fleet Foxes and Regina Spektor

Headlining other stages at the Worthy Farm festival include Doves (John Peel Stage), Ray Davies (Acoustic Stage), Animal Collective (The Park Stage) and The Blockeheads (The Avalon Stage).

Neil Young is also set to headline the Hard Rock Calling in London’s Hyde Park on Saturday June 27.

The full Glastonbury line up for Friday June 26 is:

Pyramid Stage:

Neil Young

The Specials

Lily Allen

Fleet Foxes

Regina Spektor

Gabrielle Cilmi

Bjorn Again

Other Stage:

Bloc Party

The Ting Tings

Lady GaGa

Friendly Fires

White Lies

The View

The Maccabees

The Rakes

The Whip

Mr Hudson

John Peel Stage:

Doves

Jamie T

Jack Penate

Little Boots

Metronomy

VV Brown

The Virgins

Fucked Up

Rumble Strips

Dan Black

General Fiasco

Jazz/World Stage:

Q Tip

The Streets

Steel Pulse

Lamb

Hot 8 Brass Band

Stephanie Mckay

Speed Caravan

The Perceptions

Rolf Harris

Warsaw Village Band

Acoustic Stage:

Ray Davies

Fairport Convention

Jason Mraz

Scott Matthews

No Crows

Hugh Cornwall

Ben Taylor

Sean Taylor

Alyssa Bonagura

John Smith

The Park Stage

Animal Collective

The Horrors

Noah And The Whale

Special Guests

Emiliana Torrini

Special Guests

James Hunter

Golden Silvers

Bishi

Lay Low

Queen’s Head Stage:

Jason Mraz

The Big Pink

The Rakes

Rumble Strips

The Virgins

Dan Le Sac Vs Scoobius Pip

Tommy Sparks

The Low Anthem

Team Waterpolo

Hope And Social

Dead Like Harry

Yr Ods

City Stereo

The Mojo Fins

Maura Kincaid

The Slips

Sub Universe

Smash n’ Grab

East Dance

David Guetta

Layo and Bushwacka!

Easy Star Allstars

Iration Steppas ft Mark Iration

Dreadzone

Tom Middleton

The Egg

Paul Woolford

Pama International

West Dance

Erol Alkan

Crookers

The Whip

Annie Mac

Skream And Benga

Whomadewho

Joe Goddard (Hot Chip)

DeepGroove

Nathan Detroit

Avalon Stage:

The Blockheads

British Sea Power

Michael McGoldrick, Iain Fletcher and Andy Dinan

The Puppini Sisters

3 Daft Monkeys

Baskery

The Mandibles

The Glade:

Tom Real

Beardyman with The Bays

James Monro

Banco de Gaia

Pathaan

Outmode

Mum Suleiman

Clive Craske

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Pic credit: PA Photos