Sometime last autumn, maybe, an EP called “Artorius Revisited” by Michael Head & The Red Elastic Band was quietly released in limited quantities. Last time he surfaced around 2006/2007, in a quixotic, thwarted and mostly transcendent musical career that now stretches back some three decades, Head and his longest-lasting configuration, Shack, were signed to Noel Gallagher’s Sour Mash label. It didn’t last.
We pay tribute to the late Ray Manzarek in the new issue of Uncut (dated August 2013, and out now) – in this archive piece from Uncut’s September 2011 issue (Take 172), Manzarek, Robby Krieger, John Densmore – the latter pair now reunited in the wake of Manzarek's death – Jac Holzman and more look back on the making of LA Woman, and the final days of Jim Morrison. “The damn thing,” says Ray Manzarek, “just rolls and rolls…” Words: David Cavanagh
From Uncut's September 2002 issue: In one of the most revealing interviews of his career, Bruce Springsteen talks exclusively to Adam Sweeting about his new album, The Rising, much of which was written in the aftermath of September 11, and which reunites him with the E Street Band for their first studio album since Born In The USA.
In Part 3 of this exclusive interview from Uncut’s October 1999 issue, David Bowie looks back on 30 years of genius, drugs and derangement. Words: Chris Roberts
The new Uncut’s only been on sale since the end of last week, but there’s already been a fair amount of correspondence about our cover story on The Byrds. Most of it’s been about our Top 20 countdown of The Byrds’s greatest tracks. You were broadly in agreement with what was included, but many of you wondered aloud at certain omissions – “Chestnut Mare” was particularly missed by many, including me it must be said.
To accompany this month’s Uncut (Take 181, June 2012), out now, which features the Bonnie “Prince” Billy/Palace icon fielding questions from fans and musicians, here’s an illuminating Album By Album piece with Will Oldham, talking to Andrew Mueller, from Uncut’s April 2009 issue. “I feel more confident about things now,” he says. “Which frees up space for me to feel insecure about a whole new range of stuff…”
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The new April issue of Uncut, out now, features David Bowie peering from the cover in his guise as sleazy space-star Ziggy Stardust. To celebrate this look at Bowie’s greatest creation 40 years on, here’s a fantastic piece from Uncut’s 18th issue, in November 1998, in which Chris Roberts looks back at the glammed-up, transgressive superstars who changed his adolescent world.
Their unsavoury reputation precedes them, but the photo of Throbbing Gristle on the sleeve of Greatest Hits (1981; 7/10) reminds us there was more to the first Industrial group – their capital letter – than first appeared.
