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Thin Lizzy’s Gary Moore Leads The Hendrix Experience Tribute

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Former Thin Lizzy guitarist Gary Moore led an all-star tribute to The Jimi Hendrix Experience at a special 40th anniversary Monterey DVD launch in London's West End last night (October 25). Celebrating 40 years since The Jimi Hendrix Experience first played the Monterey International Pop Festival, the revolving tribute band at The Hippodrome included two former Experience members; drummer Mitch Mitchell and bassist Billy Cox as well as Primal Scream's drummer Darrin Mooney and Dave Bronze on bass. Left-handed guitarist Gary Moore kicked off the concert with the classic 'Purple Haze' backed by Mooney and Bronze. That combination powered through seven tracks including 'Foxy Lady' and 'Angel'. After 'Fire', Mooney and Broze left the stage to make way for Mitch Mitchell and Billy Cox (pictured above) to come on and play three tracks - including an amazing 'Hey Joe'. The pair were originally part of the original Band Of Gypsys Woodstock festival line-up. Bronze and Mooney then returned to jam with Moore for a blistering fifteen minute 'Voodoo Chile'. The special launch evening had started with an introduction by former NME writer Keith Altham telling anecdotes about his experience of the Monterey International Pop Festival and a screening of the film to the packed house. 'Jimi Hendrix Live at Monterey: The Definitive Edition' celebrating the 40th anniversary of Hendrix's debut at the legendary Monterey Pop Festival is released next Monday (October 29). Last night's full set list was: (Gary Moore/Darrin Mooney/Dave Bronze) Purple Haze Manic Depression Foxy Lady The Wind Cries Mary I Don't Live Today Angel Fire (Gary Moore/Mitch Mitchell/Billy Cox) Red House Stone Free Hey Joe (Gary Moore/Darrin Mooney/Dave Bronze Voodoo Chile (Slight Return) The original Monterey International Pop Festival set list was: 18th June, 1967 Killing Floor Foxy Lady Like a Rolling Stone Rock Me Baby Hey Joe Can You See Me The Wind Cries Mary Purple Haze Wild Thing Check out the official Jimi Hendrix website here:www.jimihendrix.com For more details about the film, check out:www.hendrixatmonterey.com PIC CREDIT: MARK SHENLEY

Former Thin Lizzy guitarist Gary Moore led an all-star tribute to The Jimi Hendrix Experience at a special 40th anniversary Monterey DVD launch in London’s West End last night (October 25).

Celebrating 40 years since The Jimi Hendrix Experience first played the Monterey International Pop Festival, the revolving tribute band at The Hippodrome included two former Experience members; drummer Mitch Mitchell and bassist Billy Cox as well as Primal Scream‘s drummer Darrin Mooney and Dave Bronze on bass.

Left-handed guitarist Gary Moore kicked off the concert with the classic ‘Purple Haze’ backed by Mooney and Bronze. That combination powered through seven tracks including ‘Foxy Lady’ and ‘Angel’.

After ‘Fire’, Mooney and Broze left the stage to make way for Mitch Mitchell and Billy Cox (pictured above) to come on and play three tracks – including an amazing ‘Hey Joe’. The pair were originally part of the original Band Of Gypsys Woodstock festival line-up.

Bronze and Mooney then returned to jam with Moore for a blistering fifteen minute ‘Voodoo Chile’.

The special launch evening had started with an introduction by former NME writer Keith Altham telling anecdotes about his experience of the Monterey International Pop Festival and a screening of the film to the packed house.

‘Jimi Hendrix Live at Monterey: The Definitive Edition’ celebrating the 40th anniversary of Hendrix’s debut at the legendary Monterey Pop Festival is released next Monday (October 29).

Last night’s full set list was:

(Gary Moore/Darrin Mooney/Dave Bronze)

Purple Haze

Manic Depression

Foxy Lady

The Wind Cries Mary

I Don’t Live Today

Angel

Fire

(Gary Moore/Mitch Mitchell/Billy Cox)

Red House

Stone Free

Hey Joe

(Gary Moore/Darrin Mooney/Dave Bronze

Voodoo Chile (Slight Return)

The original Monterey International Pop Festival set list was:

18th June, 1967

Killing Floor

Foxy Lady

Like a Rolling Stone

Rock Me Baby

Hey Joe

Can You See Me

The Wind Cries Mary

Purple Haze

Wild Thing

Check out the official Jimi Hendrix website here:www.jimihendrix.com

For more details about the film, check out:www.hendrixatmonterey.com

PIC CREDIT: MARK SHENLEY

Paul McCartney Amazes Fans At Electric Proms

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Paul McCartney played an immense 90 minute set of classics at London's Roundhouse last night (October 25). Addressing the crowd, and unveiling a eight-piece string orchestra, he announced: "Welcome to the Roundhouse. It's been a little while since I was here. We're gonna have a good night." Playing the second night of the BBC Electric Proms week, the Beatles legend bantered throughout the night with the 3,000 capacity crowd - which included his daughters Stella and Mary, as well as members of the Kaiser Chiefs and The Office writer Stephen Merchant. Backed by the orchestra, McCartney kicked off the night with the psychedelic hit 'Magical Mystery Tour'. The night's mammoth set saw McCartney play a mixture of Beatles classics, his solo hits and even Wings' 'Band On The Run'. McCartney also covered the epic James Bond theme 'Live And Let Die' - which came with accompanying fireworks from both sides of the stage. One of the most emotional moments at the intimate gig came when McCartney dedicated 'I'll Follow The Sun' to former bandmate John Lennon, explaining: "this is the conversation I never had." He ended the show with a rocking version of 'Get Back'. The show at the Roundhouse is only McCartney's second in the UK since headlining Glastonbury festival in 2004. He played a secret gig, also in Camden, just prior to his latest album 'Memory Almost Full's release in June. To read a review of that show, click here. McCartney's full set list was: 'Magical Mystery Tour' 'Flaming Pie' 'Got To Get You Into My Life' 'Dance Tonight' 'Only Mama Knows' 'C'Moon' 'The Long And Winding Road' 'I'll Follow The Sun' 'That Was Me' 'Here Today' 'Blackbird' 'Calico Skies' 'Eleanor Rigby' 'Band On The Run' 'Back In The USSR' 'House Of Wax' 'I Got A Feeling' 'Live And Let Die' 'Hey Jude' 'Let It Be' 'Lady Madonna' 'I Saw Her Standing There' 'Get Back' Pic credit: Rex Features

Paul McCartney played an immense 90 minute set of classics at London’s Roundhouse last night (October 25).

Addressing the crowd, and unveiling a eight-piece string orchestra, he announced: “Welcome to the Roundhouse. It’s been a little while since I was here. We’re gonna have a good night.”

Playing the second night of the BBC Electric Proms week, the Beatles legend bantered throughout the night with the 3,000 capacity crowd – which included his daughters Stella and Mary, as well as members of the Kaiser Chiefs and The Office writer Stephen Merchant.

Backed by the orchestra, McCartney kicked off the night with the psychedelic hit ‘Magical Mystery Tour’. The night’s mammoth set saw McCartney play a mixture of Beatles classics, his solo hits and even Wings‘ ‘Band On The Run’.

McCartney also covered the epic James Bond theme ‘Live And Let Die’ – which came with accompanying fireworks from both sides of the stage.

One of the most emotional moments at the intimate gig came when McCartney dedicated ‘I’ll Follow The Sun’ to former bandmate John Lennon, explaining: “this is the conversation I never had.”

He ended the show with a rocking version of ‘Get Back’.

The show at the Roundhouse is only McCartney’s second in the UK since headlining Glastonbury festival in 2004. He played a secret gig, also in Camden, just prior to his latest album ‘Memory Almost Full’s release in June. To read a review of that show, click here.

McCartney’s full set list was:

‘Magical Mystery Tour’

‘Flaming Pie’

‘Got To Get You Into My Life’

‘Dance Tonight’

‘Only Mama Knows’

‘C’Moon’

‘The Long And Winding Road’

‘I’ll Follow The Sun’

‘That Was Me’

‘Here Today’

‘Blackbird’

‘Calico Skies’

‘Eleanor Rigby’

‘Band On The Run’

‘Back In The USSR’

‘House Of Wax’

‘I Got A Feeling’

‘Live And Let Die’

‘Hey Jude’

‘Let It Be’

‘Lady Madonna’

‘I Saw Her Standing There’

‘Get Back’

Pic credit: Rex Features

Joy Division Film Leads Nominations For British Film Awards

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Anton Corbijn's film about Joy Division, 'Control', leads the nominations for this year's British Independent Film Awards (BIFA). The acclaimed film is nominated for ten awards, including Best Actor for Sam Riley, Best Supporting Actress for Samantha Morton, Best Director for Anton Corbijn and Best Film. And When Did You Last See Your Father? receives seven nominations, Hallam Foe follows with six, followed by Eastern Promises (five nominations), Notes On A Scandal (four) and Garbage Warrior (three). Other films to receive multiple nominations include Brick Lane, Black Gold, It’s A Free World, Sunshine, Exhibit A and 28 Weeks Later. Joe Strummer: The Future is Unwritten, is also nominated in the Best Documentary category. The 10th anniversary BIFA awards ceremony, hosted by James Nesbitt will take place on November 28 at London's Roundhouse. The full list of nominees are: BEST BRITISH INDEPENDENT FILM And When Did You Last See Your Father? Control Eastern Promises Hallam Foe Notes on a Scandal BEST ACTRESS Sponsored by Mac Anne Hathaway – Becoming Jane Tannishtha Chatterjee – Brick Lane Sophia Myles – Hallam Foe Kierston Wareing – It’s A Free World… Judi Dench – Notes on a Scandal BEST ACTOR Jim Broadbent – And When Did You Last See Your Father? Sam Riley – Control Viggo Mortensen – Eastern Promises Jamie Bell – Hallam Foe Cillian Murphy – Sunshine BEST SUPPORTING ACTOR/ACTRESS Sponsored by Tiscali Colin Firth – And When Did You Last See Your Father? Samantha Morton – Control Toby Kebbell – Control Armin Muehler Stahl – Eastern Promises Cate Blanchett – Notes on a Scandal MOST PROMISING NEWCOMER Sponsored by Diesel Imogen Poots – 28 Weeks Later Matthew Beard – And When Did You Last See Your Father? Sam Riley – Control Bradley Cole – Exhibit A Kierston Wareing – It’s A Free World… BEST SCREENPLAY Sponsored by BBC Films David Nicholls – And When Did You Last See Your Father? Matt Greenhalgh – Control Steven Knight – Eastern Promises David Mackenzie & Ed Whitmore – Hallam Foe Patrick Marber – Notes on a Scandal BEST DIRECTOR Sponsored by The Creative Partnership Anand Tucker – And When Did You Last See Your Father? Sarah Gavron – Brick Lane Anton Corbijn – Control David Cronenberg – Eastern Promises David Mackenzie – Hallam Foe BEST ACHIEVEMENT IN PRODUCTION Black Gold Control Exhibit A Extraordinary Rendition Garbage Warrior THE DOUGLAS HICKOX AWARD [BEST DEBUT DIRECTOR] Sponsored by Pathé Marc Francis & Nick Francis – Black Gold Anton Corbijn – Control Oliver Hodge – Garbage Warrior David Schwimmer – Run, Fat Boy, Run Steve Hudson – True North BEST DOCUMENTARY Black Gold Deep Water Garbage Warrior In the Shadow of the Moon Joe Strummer: The Future is Unwritten BEST TECHNICAL ACHIEVEMENT Sponsored by Skillset Enrique Chediak – Cinematography – 28 Weeks Later Trevor Waite – Editing – And When Did You Last See Your Father? Martin Ruhe – Cinematography – Control David Mackenzie – Music – Hallam Foe Mark Tildesley – Production design – Sunshine BEST BRITISH SHORT Sponsored by Canon A Bout de Truffe – The Truffle Hunter Cherries Dog Altogether The Girls What Does Your Daddy Do? BEST FOREIGN INDEPENDENT FEATURE Black Book [Zwartboek] La Vie en Rose The Lives of Others [Das Leben der Anderen] Once Tell No One [Ne le dis à personne] THE RAINDANCE AWARD Sponsored by Raindance Exhibit A The Inheritance Tovarisch I Am Not Dead SPECIAL AWARDS THE RICHARD HARRIS AWARD Sponsored by Walt Disney Studios Motion Pictures, UK Ray Winstone SPECIAL JURY PRIZE Sponsored by the UK Film Council To be announced at the Awards on Wednesday 28 November THE VARIETY AWARD Daniel Craig

Anton Corbijn’s film about Joy Division, ‘Control‘, leads the nominations for this year’s British Independent Film Awards (BIFA).

The acclaimed film is nominated for ten awards, including Best Actor for Sam Riley, Best Supporting Actress for Samantha Morton, Best Director for Anton Corbijn and Best Film.

And When Did You Last See Your Father? receives seven nominations, Hallam Foe follows with six, followed by Eastern Promises (five nominations), Notes On A Scandal (four) and Garbage Warrior (three). Other films to receive multiple nominations include Brick Lane, Black Gold, It’s A Free World, Sunshine, Exhibit A and 28 Weeks Later.

Joe Strummer: The Future is Unwritten, is also nominated in the Best Documentary category.

The 10th anniversary BIFA awards ceremony, hosted by James Nesbitt will take place on November 28 at London’s Roundhouse.

The full list of nominees are:

BEST BRITISH INDEPENDENT FILM

And When Did You Last See Your Father?

Control

Eastern Promises

Hallam Foe

Notes on a Scandal

BEST ACTRESS

Sponsored by Mac

Anne Hathaway – Becoming Jane

Tannishtha Chatterjee – Brick Lane

Sophia Myles – Hallam Foe

Kierston Wareing – It’s A Free World…

Judi Dench – Notes on a Scandal

BEST ACTOR

Jim Broadbent – And When Did You Last See Your Father?

Sam Riley – Control

Viggo Mortensen – Eastern Promises

Jamie Bell – Hallam Foe

Cillian Murphy – Sunshine

BEST SUPPORTING ACTOR/ACTRESS

Sponsored by Tiscali

Colin Firth – And When Did You Last See Your Father?

Samantha Morton – Control

Toby Kebbell – Control

Armin Muehler Stahl – Eastern Promises

Cate Blanchett – Notes on a Scandal

MOST PROMISING NEWCOMER

Sponsored by Diesel

Imogen Poots – 28 Weeks Later

Matthew Beard – And When Did You Last See Your Father?

Sam Riley – Control

Bradley Cole – Exhibit A

Kierston Wareing – It’s A Free World…

BEST SCREENPLAY

Sponsored by BBC Films

David Nicholls – And When Did You Last See Your Father?

Matt Greenhalgh – Control

Steven Knight – Eastern Promises

David Mackenzie & Ed Whitmore – Hallam Foe

Patrick Marber – Notes on a Scandal

BEST DIRECTOR

Sponsored by The Creative Partnership

Anand Tucker – And When Did You Last See Your Father?

Sarah Gavron – Brick Lane

Anton Corbijn – Control

David Cronenberg – Eastern Promises

David Mackenzie – Hallam Foe

BEST ACHIEVEMENT IN PRODUCTION

Black Gold

Control

Exhibit A

Extraordinary Rendition

Garbage Warrior

THE DOUGLAS HICKOX AWARD [BEST DEBUT DIRECTOR]

Sponsored by Pathé

Marc Francis & Nick Francis – Black Gold

Anton Corbijn – Control

Oliver Hodge – Garbage Warrior

David Schwimmer – Run, Fat Boy, Run

Steve Hudson – True North

BEST DOCUMENTARY

Black Gold

Deep Water

Garbage Warrior

In the Shadow of the Moon

Joe Strummer: The Future is Unwritten

BEST TECHNICAL ACHIEVEMENT

Sponsored by Skillset

Enrique Chediak – Cinematography – 28 Weeks Later

Trevor Waite – Editing – And When Did You Last See Your Father?

Martin Ruhe – Cinematography – Control

David Mackenzie – Music – Hallam Foe

Mark Tildesley – Production design – Sunshine

BEST BRITISH SHORT

Sponsored by Canon

A Bout de Truffe – The Truffle Hunter

Cherries

Dog Altogether

The Girls

What Does Your Daddy Do?

BEST FOREIGN INDEPENDENT FEATURE

Black Book [Zwartboek]

La Vie en Rose

The Lives of Others [Das Leben der Anderen]

Once

Tell No One [Ne le dis à personne]

THE RAINDANCE AWARD

Sponsored by Raindance

Exhibit A

The Inheritance

Tovarisch I Am Not Dead

SPECIAL AWARDS

THE RICHARD HARRIS AWARD

Sponsored by Walt Disney Studios Motion Pictures, UK

Ray Winstone

SPECIAL JURY PRIZE

Sponsored by the UK Film Council

To be announced at the Awards on Wednesday 28 November

THE VARIETY AWARD

Daniel Craig

The Shins To Release Hand Signed Vinyl Single

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The Shins have confirmed a handful of UK shows set to take place in November. The band signed to Sub Pop will be playing material from their acclaimed album 'Wincing The Night Away' plus other material. The band based in Portland, Oregon, led by singer James Mercer will call at London, Glasgow and Manchester on their brief UK stop over. A new single from the album, 'Sealegs', is also set to be released on December 3. Available on limited edition seven-inch and download, will also feature a cover of The Magnetic Fields' 'Strange Power'. The first 500 seven-inch discs are signed by the band. The Shins will play: London Hammersmith Apollo (November 7) Manchester Academy (8) Glasgow Barrowlands (9) More information is available from the band's website here:www.theshins.com

The Shins have confirmed a handful of UK shows set to take place in November.

The band signed to Sub Pop will be playing material from their acclaimed album ‘Wincing The Night Away’ plus other material.

The band based in Portland, Oregon, led by singer James Mercer will call at London, Glasgow and Manchester on their brief UK stop over.

A new single from the album, ‘Sealegs’, is also set to be released on December 3.

Available on limited edition seven-inch and download, will also feature a cover of The Magnetic Fields‘ ‘Strange Power’.

The first 500 seven-inch discs are signed by the band.

The Shins will play:

London Hammersmith Apollo (November 7)

Manchester Academy (8)

Glasgow Barrowlands (9)

More information is available from the band’s website here:www.theshins.com

Bob Dylan Stars In New Cadillac Car Ad

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Bob Dylan is starring in the latest Cadillac car advert - as part of the car brand and his US radio station XM's new multimedia campaign. The 30 second video ad for the new Cadillac Escalade sees the music leghend driving through the desert, accompanied by Smog's 'Hell' track. Dylan says the ad's strapline at the end "What's life without a detour?' Coinciding with the multiplatform campaign, Dylan will also premiere a Cadillac-inspired episode of his Theme Time Radio Hour. The chosen collection of songs demonstrates Cadillac's influence on popular culture, inspiring musicians in nearly every genre. To see the new Dylan starring Cadillac advert - click here. For more information about the new range of Cadillacs, go to:www.cadillac.com

Bob Dylan is starring in the latest Cadillac car advert – as part of the car brand and his US radio station XM’s new multimedia campaign.

The 30 second video ad for the new Cadillac Escalade sees the music leghend driving through the desert, accompanied by Smog‘s ‘Hell’ track.

Dylan says the ad’s strapline at the end “What’s life without a detour?’

Coinciding with the multiplatform campaign, Dylan will also premiere a Cadillac-inspired episode of his Theme Time Radio Hour.

The chosen collection of songs demonstrates Cadillac’s influence on popular culture, inspiring musicians in nearly every genre.

To see the new Dylan starring Cadillac advert – click here.

For more information about the new range of Cadillacs, go to:www.cadillac.com

Uncut’s Worst Gigs Ever! – Online Exclusive

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In last month's UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs. Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen - including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie - with rare photos from the shows too. We're also going to publish one of the worst gigs every day, with online exclusives, so feast your eyes on this, and be glad you weren’t there! For the full top 30 - see the November issue of Uncut - with Led Zep's Robert Plant on the cover. ***** MISSY ELLIOTT Brixton Academy, May 2001. STEVE SUTHERLAND: Missy was red hot at the time. The hottest stuff imaginable. Innovator. Hit maker. Role model. Singer. Producer. She was nothing short of the new Madonna. Being NME Editor, I snaffled the right to review what was sure to be one of the events of the year. What a bummer. Literally. In what very loosely passed for a “show”, a good 40 minutes of the hour she deigned to share oxygen with us were taken up with Missy inviting members of the audience up onstage to sing, rap and shake their arses at the front row. A talent contest, no less. Even taking into consideration the ropey nature of rap live shows at the time, this was taking the piss. By half past nine, people who’d actually had the misfortune to pay for the privilege of seeing other members of the public pretend to be Missy were storming the box office for refunds. Two things I learned later: Someone from the record company said that Missy wasn’t expecting to do a “show”, just a short “PA” for the album, so she was as horrified as we were at having to pad the thing out with lame crowd dance-offs. And Uncut’s John Mulvey told me recently that not long after the Missy debacle, he went to see a Riot Grrrl gig in North London somewhere and Beth Ditto, who was doing the rounds even back then, stopped her performance to read the review I wrote (“It’s a bum rap!”) and berate me for fattism or weightism or whatever she called it, which whipped up the right-on crowd into a bit of a frenzy. Just for the record, it wasn’t about being fat Beth, it was about being crap. But glad to have been of service. ***** plus WERE YOU THERE? Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have. Email Allan_Jones@ipcmedia.com to share your memories, of the ones we've published or any which we have missed, and we’ll publish the best in a future issue

In last month’s UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs.

Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen – including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie – with rare photos from the shows too.

We’re also going to publish one of the worst gigs every day, with online exclusives, so feast your eyes on this, and be glad you weren’t there!

For the full top 30 – see the November issue of Uncut – with Led Zep’s Robert Plant on the cover.

*****

MISSY ELLIOTT

Brixton Academy, May 2001.

STEVE SUTHERLAND: Missy was red hot at the time. The hottest stuff imaginable. Innovator. Hit maker. Role model. Singer. Producer. She was nothing short of the new Madonna.

Being NME Editor, I snaffled the right to review what was sure to be one of the events of the year. What a bummer. Literally. In what very loosely passed for a “show”, a good 40 minutes of the hour she deigned to share oxygen with us were taken up with Missy inviting members of the audience up onstage to sing, rap and shake their arses at the front row. A talent contest, no less.

Even taking into consideration the ropey nature of rap live shows at the time, this was taking the piss. By half past nine, people who’d actually had the misfortune to pay for the privilege of seeing other members of the public pretend to be Missy were storming the box office for refunds.

Two things I learned later: Someone from the record company said that Missy wasn’t expecting to do a “show”, just a short “PA” for the album, so she was as horrified as we were at having to pad the thing out with lame crowd dance-offs.

And Uncut’s John Mulvey told me recently that not long after the Missy debacle, he went to see a Riot Grrrl gig in North London somewhere and Beth Ditto, who was doing the rounds even back then, stopped her performance to read the review I wrote (“It’s a bum rap!”) and berate me for fattism or weightism or whatever she called it, which whipped up the right-on crowd into a bit of a frenzy.

Just for the record, it wasn’t about being fat Beth, it was about being crap.

But glad to have been of service.

*****

plus WERE YOU THERE?

Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have.

Email Allan_Jones@ipcmedia.com to share your memories, of the ones we’ve published or any which we have missed, and we’ll publish the best in a future issue

Jeff Beck To Play Ronnie Scott’s Residency

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Legendary guitarist Jeff Beck has announced that he play a five night residency at London's Ronnie Scott's venue next month. The former Yardbirds guitarist will play six shows at the world famous jazz club from November 27 to December 1. Backed by a full live band comprising drummer Vinnie Colaiuta, keyboardist Jason Rebello, and bassist Tal Wilkenfeld, Jeff Beck will be performing a wide selection of material from his 30 year career throughout the week. More information and tickets are available to buy from www.ronniescotts.co.uk. Pic credit: LFI

Legendary guitarist Jeff Beck has announced that he play a five night residency at London’s Ronnie Scott’s venue next month.

The former Yardbirds guitarist will play six shows at the world famous jazz club from November 27 to December 1.

Backed by a full live band comprising drummer Vinnie Colaiuta, keyboardist Jason Rebello, and bassist Tal Wilkenfeld, Jeff Beck will be performing a wide selection of material from his 30 year career throughout the week.

More information and tickets are available to buy from www.ronniescotts.co.uk.

Pic credit: LFI

Pink Floyd Box Set UK Release Details

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As reported yesterday on www.uncut.co.uk - the first full Pink Floyd studio album collection is to be released in a limited edition special box set, in early December. It is has now been announced that 'Oh By The Way' featuring all 14 albums, including two doubles, are to be officially released in the UK on December 10 through EMI records, one week after the US release. All of the albums are to come in miniature vinyl sleeves, faithfully reproduced from the original album designs. The original extras will also be included, but in miniature form, specially reworked by long-term designer Storm Thorgerson. For example, 'The Dark Side Of The Moon' now comes with two posters and two stickers, while its follow-up, 'Wish You Were Here', comes with an exclusive postcard. More details about Pink Floyd's 40th anniversary year are available from the band's official website here: www.pinkfloyd.co.uk. The albums and their extras are as follows: 'The Piper At The Gates Of Dawn' (1967, single wallet) 'A Saucerful Of Secrets' (1968, single wallet) 'Music From The Film More' (1969, single wallet) 'Ummagumma' (1969, gatefold wallet, 2 discs) 'Atom Heart Mother' (1970, gatefold) 'Meddle' (1971, gatefold) 'Obscured By Clouds' (1972, single wallet with rounded corners) 'The Dark Side Of The Moon' (1973, gatefold wallet with 2 posters and 2 stickers) 'Wish You Were Here' (1975, single with liner, postcard and black shrinkwrap) 'Animals' (1977, gatefold) 'The Wall' (1979, gatefold, 2 discs) 'The Final Cut' (1983, single wallet) 'A Momentary Lapse Of Reason' (1987, gatefold) 'The Division Bell' (1994, gatefold)

As reported yesterday on www.uncut.co.uk – the first full Pink Floyd studio album collection is to be released in a limited edition special box set, in early December.

It is has now been announced that ‘Oh By The Way’ featuring all 14 albums, including two doubles, are to be officially released in the UK on December 10 through EMI records, one week after the US release.

All of the albums are to come in miniature vinyl sleeves, faithfully reproduced from the original album designs.

The original extras will also be included, but in miniature form, specially reworked by long-term designer Storm Thorgerson.

For example, ‘The Dark Side Of The Moon‘ now comes with two posters and two stickers, while its follow-up, ‘Wish You Were Here’, comes with an exclusive postcard.

More details about Pink Floyd’s 40th anniversary year are available from the band’s official website here: www.pinkfloyd.co.uk.

The albums and their extras are as follows:

‘The Piper At The Gates Of Dawn’ (1967, single wallet)

‘A Saucerful Of Secrets’ (1968, single wallet)

‘Music From The Film More’ (1969, single wallet)

‘Ummagumma’ (1969, gatefold wallet, 2 discs)

‘Atom Heart Mother’ (1970, gatefold)

‘Meddle’ (1971, gatefold)

‘Obscured By Clouds’ (1972, single wallet with rounded corners)

‘The Dark Side Of The Moon’ (1973, gatefold wallet with 2 posters and 2 stickers)

‘Wish You Were Here’ (1975, single with liner, postcard and black shrinkwrap)

‘Animals’ (1977, gatefold)

‘The Wall’ (1979, gatefold, 2 discs)

‘The Final Cut’ (1983, single wallet)

‘A Momentary Lapse Of Reason’ (1987, gatefold)

‘The Division Bell’ (1994, gatefold)

Simply Red To Split After 25 Years

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Simply Red are to split up after 25 years together, the group's front man Mick Hucknall has declared in a radio interview. "I've kind of decided that the 25 years is going to be enough," Hucknall told the Gold radio network. He also revelead that Simply Red's ninth studio album 'Stay' released last March - would in fact be the pop group's last. Hucknall explained that he would like to concentrate on his solo career, having just completed an R&B style blues album of his own. He said: "I've just recorded an album that is a tribute to Bobby Bland, a blues and R&B artist. It's a solo project and I've really enjoyed it - so much that I feel the time has come now to just put a book-end to the [Simply Red] story." The band are due to disband once touring commitments are completed in early 2009. Simply Red are one of the most successful British acts of the '80s - sellilng over 50million albums including 'A New Flame' and 'Stars'. The band's last three albums have been self made under the groups own label www.simplyred.com. 'Stay' reached number four in the UK album chart.

Simply Red are to split up after 25 years together, the group’s front man Mick Hucknall has declared in a radio interview.

“I’ve kind of decided that the 25 years is going to be enough,” Hucknall told the Gold radio network. He also revelead that Simply Red’s ninth studio album ‘Stay‘ released last March – would in fact be the pop group’s last.

Hucknall explained that he would like to concentrate on his solo career, having just completed an R&B style blues album of his own. He said: “I’ve just recorded an album that is a tribute to Bobby Bland, a blues and R&B artist. It’s a solo project and I’ve really enjoyed it – so much that I feel the time has come now to just put a book-end to the [Simply Red] story.”

The band are due to disband once touring commitments are completed in early 2009.

Simply Red are one of the most successful British acts of the ’80s – sellilng over 50million albums including ‘A New Flame’ and ‘Stars’.

The band’s last three albums have been self made under the groups own label www.simplyred.com. ‘Stay’ reached number four in the UK album chart.

Queens Of The Stone Age Expand Tour

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Queens Of The Stone Age have announced that they will return to the UK for some further dates after their November shows sold out. The band who released their fifth studio album 'Era Vulgaris' to great acclaim this Summer will now play four dates next February - including a gig at London's Hammersmith Apollo on February 11. Tickets for the new added shows will go on sale tomorrow morning (October 26) at 9am. The venues/dates are as follows: Edinburgh, Corn Exchange (February 9) Leeds, University (10) London, Hammersmith Apollo (11) Southampton, Guildhall (12) The band's sold-out November dates are: Brighton Dome (November 23) Liverpool Carling Academy (24) Nottingham Rock City (25) London Brixton Academy (26) Glasgow Carling Academy (28) Newcastle Carling Academy (29) Bristol Carling Academy (December 1) Manchester Apollo (2) Birmingham Carling Academy (3) Reading Rivermead (4)

Queens Of The Stone Age have announced that they will return to the UK for some further dates after their November shows sold out.

The band who released their fifth studio album ‘Era Vulgaris’ to great acclaim this Summer will now play four dates next February – including a gig at London’s Hammersmith Apollo on February 11.

Tickets for the new added shows will go on sale tomorrow morning (October 26) at 9am.

The venues/dates are as follows:

Edinburgh, Corn Exchange (February 9)

Leeds, University (10)

London, Hammersmith Apollo (11)

Southampton, Guildhall (12)

The band’s sold-out November dates are:

Brighton Dome (November 23)

Liverpool Carling Academy (24)

Nottingham Rock City (25)

London Brixton Academy (26)

Glasgow Carling Academy (28)

Newcastle Carling Academy (29)

Bristol Carling Academy (December 1)

Manchester Apollo (2)

Birmingham Carling Academy (3)

Reading Rivermead (4)

Mark Ronson Leads All-Star Cast At Electric Proms

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Record producer Mark Ronson last night staged an all-star headline show for the BBC Electric Proms' opening night (October 24). Backed by the BBC orchestra, Ronson opened the show with a double instrumental, including a version of Maximo Park's 'Apply Some Pressure'. Ronson, showcasing his latest album 'Version' - brought on several guests to perform, including singers Adele, Candie Payne and Rumblestrips front man Charlie Waller. Kaiser Chiefs' Ricky Wilson came on to sing the vocals for his own band's song 'Oh My God' - after Lily Allen who performs on Ronson's cover version couldn't make the Roundhouse as billed. Ronson explained Allens no-show saying: "My friendly Lily was supposed to be here but she cancelled last minute. That's cool, people have lives and stuff, so we got someone who was in town and knew all the words!" The Specials singer Terry Hall sang his Fun Boy Three song 'Our Lips Are Sealed', before singer Sean Lennon joined Ronson onstage to perform The Beach Boys' 'Sail On Sailor'. The Charlatans' Tim Burgess and Mark Collins also appeared at the show, performing their single 'The Only One I Know.' Playing The Zutons' cover 'Valerie' from 'Version', The View's Kyle Falconer filled in for Amy Winehouse who is currently on tour in Europe. Earlier in the night, support band The Coral were also joined onstage by a special guest. Oasis' Noel Gallagher joined the scousers onstage to play guitar on their track 'In The Rain.' The BBC Electric Proms continues all week at venues around Camden. More information and tickets are available from www.bbc.co.uk/electricproms. The Electric Proms continue tonight with Paul McCartney, Justice and The Chemical Brothers all playing. Mark Ronson's full set list with the BBC Orchestra was: 'Overture' 'Apply Some Pressure' (instrumental) 'Just' (Alex Greenwald) 'Cold Shoulder' (Adele) 'Oh My God' (Ricky Wilson) 'One More Chance' (Candie Payne) 'Sunny' (Candie Payne) 'Ooh Wee And Dance' (Wale) 'All I Need To Get By' (Wale and Tawiah) 'Back To Black' (Charlie Waller, Rumble Strips) 'Pretty Green' (Santo Gold and Charlie Waller) 'Our Lips Are Sealed' (Terry Hall and Santo Gold) 'Sail On Sailor' (Sean Lennon) 'God Put A Smile On Your Face' (instrumental) 'The Only One I Know' (Tim Burgess & Mark Collins, The Charlatans) 'Valerie' (Kyle Falconer, The View) 'I Kill Myself' (Daniel Merriweather) 'Stop Me If You've Heard This One Before' (Daniel Merriweather) 'We Can Work It Out' (Daniel Merriweather, Sean Lennon, Talia)

Record producer Mark Ronson last night staged an all-star headline show for the BBC Electric Proms’ opening night (October 24).

Backed by the BBC orchestra, Ronson opened the show with a double instrumental, including a version of Maximo Park‘s ‘Apply Some Pressure’.

Ronson, showcasing his latest album ‘Version’ – brought on several guests to perform, including singers Adele, Candie Payne and Rumblestrips front man Charlie Waller.

Kaiser Chiefs‘ Ricky Wilson came on to sing the vocals for his own band’s song ‘Oh My God’ – after Lily Allen who performs on Ronson’s cover version couldn’t make the Roundhouse as billed.

Ronson explained Allens no-show saying: “My friendly Lily was supposed to be here but she cancelled last minute. That’s cool, people have lives and stuff, so we got someone who was in town and knew all the words!”

The Specials singer Terry Hall sang his Fun Boy Three song ‘Our Lips Are Sealed’, before singer Sean Lennon joined Ronson onstage to perform The Beach Boys‘ ‘Sail On Sailor’.

The Charlatans‘ Tim Burgess and Mark Collins also appeared at the show, performing their single ‘The Only One I Know.’

Playing The Zutons‘ cover ‘Valerie’ from ‘Version’, The View‘s Kyle Falconer filled in for Amy Winehouse who is currently on tour in Europe.

Earlier in the night, support band The Coral were also joined onstage by a special guest. Oasis’ Noel Gallagher joined the scousers onstage to play guitar on their track ‘In The Rain.’

The BBC Electric Proms continues all week at venues around Camden.

More information and tickets are available from www.bbc.co.uk/electricproms.

The Electric Proms continue tonight with Paul McCartney, Justice and The Chemical Brothers all playing.

Mark Ronson’s full set list with the BBC Orchestra was:

‘Overture’

‘Apply Some Pressure’ (instrumental)

‘Just’ (Alex Greenwald)

‘Cold Shoulder’ (Adele)

‘Oh My God’ (Ricky Wilson)

‘One More Chance’ (Candie Payne)

‘Sunny’ (Candie Payne)

‘Ooh Wee And Dance’ (Wale)

‘All I Need To Get By’ (Wale and Tawiah)

‘Back To Black’ (Charlie Waller, Rumble Strips)

‘Pretty Green’ (Santo Gold and Charlie Waller)

‘Our Lips Are Sealed’ (Terry Hall and Santo Gold)

‘Sail On Sailor’ (Sean Lennon)

‘God Put A Smile On Your Face’ (instrumental)

‘The Only One I Know’ (Tim Burgess & Mark Collins, The Charlatans)

‘Valerie’ (Kyle Falconer, The View)

‘I Kill Myself’ (Daniel Merriweather)

‘Stop Me If You’ve Heard This One Before’ (Daniel Merriweather)

‘We Can Work It Out’ (Daniel Merriweather, Sean Lennon, Talia)

More on Robert Plant, plus Ivor The Engine

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A pretty tendentious post appeared on the blog last night from someone who styles themselves Sad Indeed. "After seeing the live performance download MSNBC Today show 10/24, not only is Robert Plant coming off as sad as hell - a lifetime of dedication to the mermaid has broke his heart - but Krauss and Plant had NO chemistry and were out of synchronicity," Sad Indeed spiels. "This was not tight harmonies," the rant continues. Krauss is way overrated as a vocalist, in fact it makes you all too well aware that miracles can be done in the mixing of modern tech - I really think that it is desperate and he would appear very much even sadder than sad if he were to continue to try to make this project into anything more then what has been done - pathetic. Perhaps fresh Zep with a mini tour would be wiser." Now I can share the frustration of everyone who's failed to get tickets for the Led Zeppelin O2 show; I'm currently fuming because my wife appears to have snagged a ticket and I haven't. But that frustration seems to be prejudicing people like Sad Indeed against the Plant & Krauss album which, the more I listen to it, the more I'm blown away by. In fact, I'm now wondering whether Plant should have come up with a new group name for the project, not just to deflect attention from himself, but to highlight what a collaborative endeavour it is. There's Alison Krauss, of course (I agree in part about her voice, because her solo records have often struck me as multitracked schmaltz, which she certainly isn't here), and the producer T-Bone Burnett. But when I listen to "Raising Sand" now, my ears go straight to the guitar lines, the twanging and febrile leads of Marc Ribot. It's a truly great record; does anyone know what that stuff about "a lifetime of dedication to the mermaid" means? Anyway, this morning we're starting with the latest treasure unearthed by Trunk Records, a collection of soundtrack music from "Ivor The Engine" and "Pogles Wood" by Vernon Elliott. I'm aware that by listening to this stuff, it makes us look like slightly creepy nostalgists, fetishising ancient children's TV programmes. But like Elliott's "Clangers" music which Trunk released a few years ago, this is wonderful stuff which isn't predicated on an obsession with '60s and '70s children's shows. Elliott's music largely consists of lovely, ornate baroque miniatures, with a lot of woodwind to the fore. It's the sort of thing which should be unpalatably twee, but which actually succeeds in capturing a kind of elusive rural charm, an authentic magic that sometimes tips over into a certain spookiness. Some pleasure, too, from the track titles, which include "Plant Growing", "Apprehensive Music", "Piccolo Attempt", "Donkey Departing", ""Effects: Coal" and "Effects: Get Art Of It", which seems to involve the animators Oliver Postgate and Peter Firmin shouting, "Get Art Of It" in superbly inauthentic working class accents.

A pretty tendentious post appeared on the blog last night from someone who styles themselves Sad Indeed. “After seeing the live performance download MSNBC Today show 10/24, not only is Robert Plant coming off as sad as hell – a lifetime of dedication to the mermaid has broke his heart – but Krauss and Plant had NO chemistry and were out of synchronicity,” Sad Indeed spiels.

Glastonbury Launches Regular Gig Night

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One of the Glastonbury Festival organisers Emily Eavis is launching a new regular gig night in London tonight. The Holy Cow nights seek new and unsigned bands to play - with the best to be offered a slot to play at next year's Somerset festival, which is taking place June 27-29. Emily Eavis, the daughter of the festival's founder owner Michael told BBC News: "As a festival, we would really like to lead the way in new music. The aim is to collect as many new bands as possible throughout the year and build up a strong roster of new acts". She added: "We've had some brilliant debut sets throughout the years, where bands start at Glastonbury on a very small stage and end up playing the Pyramid in a few years." The Courteeners and Vampire Weekend are playing the first Holy Cow night at London's Social Club tonight. Eavis is looking for new talent to play at future Holy Cow gigs, acts wanting to appear should contact organisers through the Holy Cow MySpace page here.

One of the Glastonbury Festival organisers Emily Eavis is launching a new regular gig night in London tonight.

The Holy Cow nights seek new and unsigned bands to play – with the best to be offered a slot to play at next year’s Somerset festival, which is taking place June 27-29.

Emily Eavis, the daughter of the festival’s founder owner Michael told BBC News: “As a festival, we would really like to lead the way in new music. The aim is to collect as many new bands as possible throughout the year and build up a strong roster of new acts”.

She added: “We’ve had some brilliant debut sets throughout the years, where bands start at Glastonbury on a very small stage and end up playing the Pyramid in a few years.”

The Courteeners and Vampire Weekend are playing the first Holy Cow night at London’s Social Club tonight.

Eavis is looking for new talent to play at future Holy Cow gigs, acts wanting to appear should contact organisers through the Holy Cow MySpace page here.

Cut Of The Day: Queen On Saturday Night Live

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Cut of the day: Queen perform a double song set for US TV show Saturday Night Live in 1982. Starting with 'Crazy Little Thing Called Love' - Freddie Mercury and co. also perform their worldwide smash hit collaboration with David Bowie 'Under Pressure'. Check out the live performance clip here: http://www.youtube.com/watch?v=GjxRVr4wFmI If you have any trouble viewing the embedded video, click here.

Cut of the day: Queen perform a double song set for US TV show Saturday Night Live in 1982.

Starting with ‘Crazy Little Thing Called Love‘ – Freddie Mercury and co. also perform their worldwide smash hit collaboration with David BowieUnder Pressure‘.

Check out the live performance clip here:

http://www.youtube.com/watch?v=GjxRVr4wFmI

If you have any trouble viewing the embedded video, click here.

Uncut’s Worst Gigs – Ever!

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In last month's UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs. Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen - including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie - with rare photos from the shows too. We're also going to publish one of the worst gigs every day, with online exclusives, so feast your eyes on this, and be glad you weren’t there! For the full top 30 - see the November issue of Uncut - with Led Zep's Robert Plant on the cover. ***** 13 | THE DARKNESS Alexandra Palace, February 7, 2006 TIM JONZE: On turning up to review The Darkness at Ally Pally I was under the impression that, at the very least, the band’s own fans would enjoy it. Wrong! By this time, the bolts were pranging off the Darkness fun bus at an alarming rate. Outside, touts frantically tried to flog tickets for a tenner. Inside, a coke-bloated Justin Hawkins announced his arrival by floating over the crowd on – ho, ho – a gigantic plastic woman’s breast. Lacking the willpower to applaud – and with one girl openly weeping – the atmosphere was screaming out for Prozac. Instead, Justin opted for the bizarre strategy of attacking his fans. “Are you still alive?” he snapped when the crowd greeted his “hilarious” re-imagining of “The Frog Chorus” with only mild ripples of applause. “I can see people going to the bar… maybe we should shut it next time,” was another choice outpouring of venom. It was repulsive, spiteful behaviour, aimed at the very people who’d made him (temporarily) rich and famous. Still, there was to be only one real loser: 12 months later, the British public booted Justin out of the Eurovision qualifiers in favour of Scooch. Ouch. ***** plus WERE YOU THERE? Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have. Email Allan_Jones@ipcmedia.com to share your memories, of the ones we've published or any which we have missed, and we’ll publish the best in a future issue

In last month’s UNCUT, our writers, friends and favourite musicians reminisced about their favourite gigs.

Well, in this month’s issue we’re looking back on the worst gigs we’ve ever seen – including The Stone Roses, Bob Dylan, Kevin Rowland and David Bowie – with rare photos from the shows too.

We’re also going to publish one of the worst gigs every day, with online exclusives, so feast your eyes on this, and be glad you weren’t there!

For the full top 30 – see the November issue of Uncut – with Led Zep’s Robert Plant on the cover.

*****

13 | THE DARKNESS

Alexandra Palace,

February 7, 2006

TIM JONZE: On turning up to review The Darkness at Ally Pally I was under the impression that, at the very least, the band’s own fans would enjoy it. Wrong! By this time, the bolts were pranging off the Darkness fun bus at an alarming rate.

Outside, touts frantically tried to flog tickets for a tenner. Inside, a coke-bloated Justin Hawkins announced his arrival by floating over the crowd on – ho, ho – a gigantic plastic woman’s breast. Lacking the willpower to applaud – and with one girl openly weeping – the atmosphere was screaming out for Prozac.

Instead, Justin opted for the bizarre strategy of attacking his fans. “Are you still alive?” he snapped when the crowd greeted his “hilarious” re-imagining of “The Frog Chorus” with only mild ripples of applause. “I can see people going to the bar… maybe we should shut it next time,” was another choice outpouring of venom. It was repulsive, spiteful behaviour, aimed at the very people who’d made him (temporarily) rich and famous. Still, there was to be only one real loser: 12 months later, the British public booted Justin out of the Eurovision qualifiers in favour of Scooch. Ouch.

*****

plus WERE YOU THERE?

Not even UNCUTs war-weary gig-hounds have been to every show in history – but you lot probably have.

Email Allan_Jones@ipcmedia.com to share your memories, of the ones we’ve published or any which we have missed, and we’ll publish the best in a future issue

Win! Tickets To See The Eagles!

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Veteran rockers Eagles are, as previously reported, to play a one-off, invite-only show, to launch their new album 'Long Road Out of Eden' in London next week. The Eagles are playing the 02 Indigo venue - with a capacity of 1,600 - two days after their first album of new material in 28 years is released on October 29. The last time The Eagles played in the UK, it was to 55,000 at Twickenham Stadium... However, Uncut.co.uk has secured a pair of tickets to give away to this very special show! To be in with a chance of winning - simply click here. You can find out more about the album in Uncut's four-star rated review here. As previously reported, the first track to be heard from 'Long Road Out Of Eden' is 'How Long' and it is available to download free from Amazon.co.uk - more details here. THIS COMPETITION HAS NOW CLOSED: THE WINNER HAS BEEN NOTIFIED.

Veteran rockers Eagles are, as previously reported, to play a one-off, invite-only show, to launch their new album ‘Long Road Out of Eden’ in London next week.

The Eagles are playing the 02 Indigo venue – with a capacity of 1,600 – two days after their first album of new material in 28 years is released on October 29.

The last time The Eagles played in the UK, it was to 55,000 at Twickenham Stadium…

However, Uncut.co.uk has secured a pair of tickets to give away to this very special show!

To be in with a chance of winning – simply click here.

You can find out more about the album in Uncut’s four-star rated review here.

As previously reported, the first track to be heard from ‘Long Road Out Of Eden’ is ‘How Long’ and it is available to download free from Amazon.co.uk – more details here.

THIS COMPETITION HAS NOW CLOSED: THE WINNER HAS BEEN NOTIFIED.

Jimmy Eat World Announce UK Tour

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Jimmy Eat World have confirmed details of a UK tour, after alluding to more dates when they played at the Carling Weekend Festivals this August. The Arizona based band who have just released their sixth album 'Chase This Light' will be coming to the UK for nine dates in February. Uncut.co.uk interviewed the band about what it was like to work with former Nirvana and Smashing Pumpkins producer for their new studio album - to read the interview click here. Jimmy Eat World will play the following venues: Southampton Guildhall (February 17) London Brixton Academy (18) Birmingham Csrling Academy (19) Manchester Academy (20) Leeds University Refectory (22) Newcastle Carling Academy (24) Glasgow Barrowlands (25) Liverpool Carling Academy (29) Bristol Carling Academy (March 1) More information and audio clips are available from the official Jimmy website here: http://www.jimmyeatworld.com

Jimmy Eat World have confirmed details of a UK tour, after alluding to more dates when they played at the Carling Weekend Festivals this August.

The Arizona based band who have just released their sixth album ‘Chase This Light’ will be coming to the UK for nine dates in February.

Uncut.co.uk interviewed the band about what it was like to work with former Nirvana and Smashing Pumpkins producer for their new studio album – to read the interview click here.

Jimmy Eat World will play the following venues:

Southampton Guildhall (February 17)

London Brixton Academy (18)

Birmingham Csrling Academy (19)

Manchester Academy (20)

Leeds University Refectory (22)

Newcastle Carling Academy (24)

Glasgow Barrowlands (25)

Liverpool Carling Academy (29)

Bristol Carling Academy (March 1)

More information and audio clips are available from the official Jimmy website here: http://www.jimmyeatworld.com

Maps Playing Homecoming Show On Friday

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Electro indie band Maps are playing a special homecoming show at Soundhaus in Northampton this Friday (October 26). The gig will be Maps' final UK headline show of the year, after a busy year of European, US and UK tours. Maps, the recording name for James Chapman was nominated for the Mercury Music Prize this year for his debut album 'We Can Create.' Chapman plays live with a full band. Support guests for Friday's show are Ulrich Schnauss and Kyte. Maps will also be playing the support slot to Bloc Party at London's Roundhouse, as part of the BBC Electric Proms Season. More details about both shows are available on the Maps MySpace page here: http://www.myspace.com/mapsmusic

Electro indie band Maps are playing a special homecoming show at Soundhaus in Northampton this Friday (October 26).

The gig will be Maps’ final UK headline show of the year, after a busy year of European, US and UK tours.

Maps, the recording name for James Chapman was nominated for the Mercury Music Prize this year for his debut album ‘We Can Create.’

Chapman plays live with a full band.

Support guests for Friday’s show are Ulrich Schnauss and Kyte.

Maps will also be playing the support slot to Bloc Party at London’s Roundhouse, as part of the BBC Electric Proms Season.

More details about both shows are available on the Maps MySpace page here: http://www.myspace.com/mapsmusic

The Eagles – Long Road Out Of Eden

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The standard-bearers of L.A. rock’s second wave, The Eagles were a streamlined hybrid of proven rock strategies. Their records combined the rich vocal harmonies and jangly guitars of the Byrds, Jackson Browne’s intimate confessionals and Randy Newman’s acerbic character studies – all put together with the painstaking precision of Steely Dan. Their first studio album in 28 years, Long Road Out Of Eden spreads 20 tracks over two CDs and 90 minutes, and amply demonstrates how this plan continues to serve them well. The elements that made the Eagles America’s biggest band – hooky, articulate songcraft, impeccable lead vocals and stunningly tight harmonies – have certainly not atrophied over the long hiatus. Taking a systematic, unhurried approach, the band reintroduces the cast – Don Henley, Glenn Frey, Joe Walsh and Timothy B. Schmitt – over the first six tracks. There’s a harmony-showcasing opener, a quintessential country rocker and then a track apiece featuring each of the four frontmen. They then wheel out the heavy artillery, eagerly returning to their primary subject matter – “Trouble in Paradise”, as their pal J.D. Souther once put it. The first major piece, the metaphorical “Waiting In The Weeds”, turns on the interplay of diminishing expectations and lingering hope in the autumn of life. Frey’s “No More Cloudy Days,” boasting a gorgeous melodic hook, forms its bittersweet companion piece. Henley wheels out his soulful falsetto for the punchy, super-compressed “Fast Company”, setting up the thematic payoff of the first half, the Schmitt-sung “Do Something”, an inner dialogue that functions as both a romantic lament and a cry of sociopolitical distress. Amid symphonic grandeur, the 10-minute title epic works its way to outright rage at the latest vestige of American imperialism. Henley’s lyric veers dangerously close to the overly literal verbiage, but he recovers with the pithy proclamation, “all the knowledge in the world is of no use to fools.” They continue the critique with the clever “Frail Grasp On The Big Picture” and the overly obvious but admittedly catchy “Business As Usual”. This could have been edited down to an all-killer single album. Nonetheless, there’s something involving about the languid pace of the whole thing. That band’s ambition is intact is remarkable – that they’ve made an album that captures the zeitgeist is maybe even more so. BUD SCOPPA

The standard-bearers of L.A. rock’s second wave, The Eagles were a streamlined hybrid of proven rock strategies. Their records combined the rich vocal harmonies and jangly guitars of the Byrds, Jackson Browne’s intimate confessionals and Randy Newman’s acerbic character studies – all put together with the painstaking precision of Steely Dan.

Their first studio album in 28 years, Long Road Out Of Eden spreads 20 tracks over two CDs and 90 minutes, and amply demonstrates how this plan continues to serve them well. The elements that made the Eagles America’s biggest band – hooky, articulate songcraft, impeccable lead vocals and stunningly tight harmonies – have certainly not atrophied over the long hiatus.

Taking a systematic, unhurried approach, the band reintroduces the cast – Don Henley, Glenn Frey, Joe Walsh and Timothy B. Schmitt – over the first six tracks. There’s a harmony-showcasing opener, a quintessential country rocker and then a track apiece featuring each of the four frontmen. They then wheel out the heavy artillery, eagerly returning to their primary subject matter – “Trouble in Paradise”, as their pal J.D. Souther once put it.

The first major piece, the metaphorical “Waiting In The Weeds”, turns on the interplay of diminishing expectations and lingering hope in the autumn of life. Frey’s “No More Cloudy Days,” boasting a gorgeous melodic hook, forms its bittersweet companion piece. Henley wheels out his soulful falsetto for the punchy, super-compressed “Fast Company”, setting up the thematic payoff of the first half, the Schmitt-sung “Do Something”, an inner dialogue that functions as both a romantic lament and a cry of sociopolitical distress.

Amid symphonic grandeur, the 10-minute title epic works its way to outright rage at the latest vestige of American imperialism. Henley’s lyric veers dangerously close to the overly literal verbiage, but he recovers with the pithy proclamation, “all the knowledge in the world is of no use to fools.” They continue the critique with the clever “Frail Grasp On The Big Picture” and the overly obvious but admittedly catchy “Business As Usual”.

This could have been edited down to an all-killer single album. Nonetheless, there’s something involving about the languid pace of the whole thing. That band’s ambition is intact is remarkable – that they’ve made an album that captures the zeitgeist is maybe even more so.

BUD SCOPPA

Iggy And The Stooges – Reissues

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IGGY AND THE STOOGES - Metallic KO - Jungle - 4* R1976 IGGY POP - Where The Faces Shine – Volume 1 - Easy Action - 3* Even by Iggy Pop’s own extreme standards, the crowd at Detroit’s Michigan Palace on February 9, 1974 was a tough one. Throughout a brief, audience-baiting set, the singer dodges a hailstorm of glass bottles, eggs, ice and vegetables hurled by The Scorpions motorcycle gang, some of which debris can be heard hitting strings and heads. The sense of danger and mounting chaos are palpable, making this reissue (with original tape-speed error corrected) not so much a live album as a historical document, with guitars. Box set 'Where The Faces Shine – which records six live shows in the USA, Spain and Italy between 1977-81 –~is less dramatically visceral, but it does represent the work of a number of remarkable bands on top touring form, many of whose personal recollections appear in the accompanying booklet. SHARON O’CONNELL To read more on the Detroit show - The Stooges original final show in '74 click here.

IGGY AND THE STOOGES – Metallic KO – Jungle – 4* R1976

IGGY POP – Where The Faces Shine – Volume 1 – Easy Action – 3*

Even by Iggy Pop’s own extreme standards, the crowd at Detroit’s Michigan Palace on February 9, 1974 was a tough one. Throughout a brief, audience-baiting set, the singer dodges a hailstorm of glass bottles, eggs, ice and vegetables hurled by The Scorpions motorcycle gang, some of which debris can be heard hitting strings and heads.

The sense of danger and mounting chaos are palpable, making this reissue (with original tape-speed error corrected) not so much a live album as a historical document, with guitars. Box set ‘Where The Faces Shine – which records six live shows in the USA, Spain and Italy between 1977-81 –~is less dramatically visceral, but it does represent the work of a number of remarkable bands on top touring form, many of whose personal recollections appear in the accompanying booklet.

SHARON O’CONNELL

To read more on the Detroit show – The Stooges original final show in ’74 click here.