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A certain ratio

Oasis and class

A bit late in the day, but I just got round to reading a couple of things in this morning's Guardian. One is Matt Bolton's piece on the class war in British indie. The other is Alexis Petridis' customarily thought-provoking review of Oasis' "Dig Out Your Soul".

Fotheringay, Anne Briggs, Trees

Over the past few weeks, I’ve seemed to accumulate a pretty impressive bunch of folk and folk-rock reissues on my desk. The most recent to turn up is a straightforward reissue of Anne Briggs’ first self-titled LP, on the excellent Water label out of San Francisco.

Robert Wyatt Part Four

Click on the links for Part One, Part Two and Part Three of the interview. Is it fair to see the last three LPs of a piece? They seem to sit together as a sequence. Yeah I think what I found, funnily enough, is sometimes you get what you want when you stop trying to get it.

Bob Dylan: “Tell Tale Signs”

Around the time, I think, his “Eureka” album came out, I interviewed Jim O’Rourke. It was O’Rourke’s most conventional, song-based album to date, but he still had the musical outlook of an improvising musician. He wouldn’t be touring the album, he told me, because he never wanted to play the same thing more than once. Even a radically rearranged version of a song would be in a way dishonest, he thought. The best way for an insatiable creative force like O’Rourke to make music, it transpired, was to start with a totally clean sheet every single time he picked up an instrument.
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