Blue bill

The Raconteurs album is playing for the second time this morning, and I’ve just got round to reading the paperwork which arrived in my inbox with the download just before 9am. “Consolers Of The Lonely”, it notes, is “loud, bombastic and littered with changes of tempo.” Can’t argue with any of that.

Uncut's track-by-track guide to the Hollywood star's debut LP

So, the start of Neil Young’s six-night stand in London, and a lot of the schtick will be familiar to anyone who’s read Damien’s review of the Edinburgh show. Neil bumbles around the stage in what we might optimistically call a Proustian reverie, warms his hands on a stage light, plays “Ambulance Blues” and stops time dead in its tracks.

The coolest show on radio

"Good to see you up there Stevie" yells a fan from the crowd. "Well, it's better than the alternative" snarls Steve Earle back. This is how the great Americana survivor began his sold-out show in London Monday night. Singing stories about war, drug-taking and alcoholism, Earle has the look and tone of someone who has obviously stared oblivion in the face and lived to tell the tale. Albeit in a semi-cautionary, I've-been-married-seven-times and I still have to go to AA and NA, but I've bagged two Grammys and a bit-part on The Wire kinda way.

Uncut.co.uk reveals the tracklisting

Slow-burning desert rock from Kurt Cobain’s old drugs-and-guns chum

Chan Marshall's sultry sequel to The Covers Record

A couple of records I’ve been meaning to blog about for weeks today. One is the new album by Earth, “The Bees Made Honey In The Lion’s Skull”, which further confirms Dylan Carlson’s drift away from absolute minimalist metal drone to a kind of slow, but surprisingly melodious desert rock.

Inspiral Carpets and The Fratellis also lined-up