In these demographic-specific times, Springsteenโ€™s desire to reach out and encompass a wider tradition than ever ironically means he gets smaller audiences. Yet the largest band of his career โ€“ the live incarnation of The Seeger Sessions album outfit โ€“ is the most the most mournful and celebratory. And, all due respect to the chaps and chappessses on

E Street, possibly the best.

Advertisement

You canโ€™t see the most racially complex and gender-blended band of Bruceโ€™s career on this set from Dublin barn The Point (recorded over three November nights last year). But you certainly can hear it โ€“ and also how much they had increased in fluidity and sense of purpose from their debut performance in New Orleans earlier that April.

That show had added emotional edge, given the distinctive Crescent City thread Bruce brought to proceedings, in the post Katrina protest climate. Here, though, The Bossโ€™s mastery of several traditions in American music simply teems with glee and finery. On โ€œOld Dan Tuckerโ€, second song in, bright country fiddle, weird but rapturous brass and massed harmonies make the overcooked โ€œAtlantic Cityโ€ seem an odd opener.

Bruceโ€™s connection to folk protest deepens, in righteously swaggering preacher and congregation style, on the epochal rewrite of โ€œHow Can A Poor Man Stand Such Times and Liveโ€. A Depression era classic that Springsteen found on a Ry Cooder album and then amended with his own brilliantly Bush-baiting verse is perhaps the most politically extreme and, as hammered home here, exultant performance of his career.

Advertisement

Arguably even more profound, certainly as dramatic, is โ€œEyes On The Prizeโ€. Gilded by pedal steel and prowling stand up bass, the duet between Springsteen and raw throated guitar player Mark Anthony Thompson is like Sinatra and Sammy Davis doing revolutionary Gospel.

The stately waltz of โ€œIf I Should Fall Behindโ€, a duet with Patty Sciafla, meanwhile brings the drama of the human heart into focus, while the choruses of โ€œWhen The Saints Go Marching Inโ€ and โ€œThis Little Light Of Mineโ€ rock free and easy.

In short, itโ€™s everything Springsteenโ€™s big-hearted thoughtfully impassioned take on Americana ever set out to be. Swing out sisters and brothers, swing out.

GAVIN MARTIN