DVD, Blu-ray and TV

Retired actor Alexander (Erland Josephson) is celebrating his birthday with friends and family when an imminent nuclear catastrophe is announced on TV. So Alexander offers to make a deal with God to avert the disaster. Andrei Tarkovsky's final film is as powerful as you'd expect.

Sandwiched, chronologically, in between Jules Et Jim (1962) and Fahrenheit 451 (1964), La Peau Douce (The Soft Skin) is an intriguing anomaly in the François Truffaut canon. A neo-Hitchcockian tale of infidelity, it methodically observes the extra-marital deceptions of apathetic intellectual Pierre (Jean Desailly) before rashly culminating in a bizarre shotgun shootout courtesy of Pierre's hysterical wife. For Truffaut completists.

More personal than Knowing Me, Knowing You and sharper than the series just broadcast, this masterfully observed, grotesquely populated comedy is to the '90s what Fawlty Towers was to the '70s—but you know all that. Buy this, then, for the meaty extras and as a handy reminder that UK comedy can still be the best in the world.

With director Eastwood Oscar-hot from Unforgiven and star Costner hit-hot from The Bodyguard and JFK, 1993's A Perfect World should've been a smash. Yet there's a darkness to the story of possibly psychotic boy-befriending recidivist Costner that simply killed the movie at the box office. On re-examination, it's a fascinating film, a blatant conflict of arch American sentimentality and subversive menace. And Costner's great in it, too.

Comprising this summer's Hyde Park concert (a rocking preview of the Illumination album that followed) and last year's BBC Later... special of Paul unplugged circa Days Of Speed, this double-header is a timely celebration of the Modfather's continuing success. Both blinding, though the latter set of acoustic Jam and TSC chestnuts (a Noel Gallagher assisted "That's Entertainment" included) is pretty much unbeatable.

Nanni Moretti's Cannes-winner is restrained and moving, with the Italian writer/director forsaking his comic urges to examine how a teenage son's death affects a family. Moretti plays the father, a psychoanalyst who, grieving, loses interest in his patients. Awkward emotions are deftly handled: Hollywood should watch this and learn.

Tim Burton's splendid tribute to hapless director Wood, whose incompetence has become part of movie legend. Johnny Depp as Wood looks entirely fetching in a variety of angora sweaters, and there's terrific support from Martin Landau as Bela Lugosi, Bill Murray and Sarah Jessica Parker.

Unconventional, witty rom-com chooses its inspirations carefully in Woody Allen and Seinfeld. Jessica's a New York singleton who can't find Mr Right, and so decides to give Ms Right a fling. But she doesn't quite know how to go about this trendy Sapphic stuff, and whenever the film veers on cheese it snaps back sharply. Surprisingly wry.

Playing while standing on a runway with planes roaring overhead in "Beautiful Day", introducing the Flys V Lemons Championships in "Stuck In A Moment...", and playing with cartoons and Batman footage in "Hold Me, Thrill Me, Kiss Me, Kill Me", U2 are as entertaining as they are enormous and serious. More intriguing, though, are the visits paid behind the scenes as U2 play Sarajevo, bribe Larry with a mermaid and film three videos for "One".

Part of Columbia's new and improved Superbit series, this immaculate version of Robert Rodriguez's chopsocky western arrives with no extras, no bonus features and a hefty price tag. Instead, with all available disc space used to provide the clearest pixel-free transfer to date, you get an average hyper-violent pop-Leone revenge movie with great depth of field and a sharp crystalline surface.