DVD, Blu-ray and TV

"Through the camera of Bob Dylan's drummer, Mickey Jones," the opening credits promise. Yes, Jones was there. But the problem is he was more interested in filming hotels and tourist haunts than chronicling Dylan's progress. Then, when it came to the incendiary shows, he was to be found behind drum kit rather than camera. Not much Bob, then. But Dylanologists will still be fascinated by Jones' eyewitness account as he talks us through the electrifying events all over again.

From the man whose new movie, Jersey Girl, is promoted as "not featuring J-Lo very much really",here's a two-disc highlight set of his popular Q&A sessions at American colleges—his natural demographic. Frank, funny and quick to ridicule dumb questions,"Silent Bob" is a great raconteur, dissing Hollywood, Tim Burton and Prince ("a Jesus freak"),and revealing the truth behind his doomed Superman Lives script. Irreverent.

Futuristic tale of corporate industrial espionage from Cube director Vincenzo Natali, with Jeremy Northam convincing as a nerdy salesman drawn into a world of brainwashing and betrayal who ends up questioning his own identity while falling for mysterious temptress Lucy Liu. It's Phil Dick meets Alias, but enjoyably undemanding.

A close-to-classic 'intimate' set, filmed in the mid-'90s at London's Jacob St Studios. Chrissie Hynde and trusted band, assisted by a string quartet, loll luxuriously through such sultry charmers as "Kid","Private Life" and "Lovers Of Today", while Damon Albarn trots on as guest star to tinkle the ivories. There's also a stab at Radiohead's "Creep", with Hynde in sublime voice. A rock icon who's also one of the great white soul singers.

Eye-popping action from venerable screen kung fu master Yuen Woo-Ping. Iron Monkey stars Yu Rong-kwong as Dr Yang, who masquerades as the eponymous high-kicking Robin Hood-style hero. Clocking in at an extremely zippy 86 minutes, this superbly choreographed chopsocky flick is the inspiration for both The Matrix and Crouching Tiger...

Twenty years and one truly awful TV remake later, David Lynch's adaptation of Frank Herbert's unfilmable sci-fi epic looks miraculously good. Kyle MacLachlan makes an impressive debut as the young desert messiah, the supporting cast are great (except Sting), and the amazing visuals more than outweigh the unwieldy script.

Run-DMC did more than anyone to bring rock into hip hop in the mid-'80s. Greatest Hits shows the band at their best (the Tipper Gore-baiting "Mary Mary") and worst (the cutesy "Christmas In Hollis"). The purists sneered at the Jason Nevins makeover of "It's Like That",but those warehouse visuals will have turned a new generation of suburban 13-year-olds on to hip hop.

Lou Ye's beguiling movie tells the hazy, cut-up tale of a motorcycle courier once hired to follow a woman he then fell for, who subsequently threw herself into the river but seems to have been reborn as a nightclub performer dressed as a mermaid. With its drifting, subjective camera capturing jump-cut collages of street life in the neon-splashed city, it's a fascinatingly intimate portrait of the Shanghai river front, wrapped around a mystery.

Since the career peaks of Fargo and The Big Lebowski, the Coen brothers' previously astonishing career momentum has noticeably faltered. O Brother, Where Art Thou? had some good things going for it, but is probably best remembered for its soundtrack.

Filmed last year in Nashville, this finds Skynyrd—now under the leadership of JohnnyVan Zant—still plying their raucous brand of southern blues-rock, wheeling out the hits (notably "Sweet Home Alabama", "Travelin' Man" and "Free Bird") to an enthusiastic crowd. This is noticeably well-filmed with superior sound quality.