DVD, Blu-ray and TV

Prompting both genuflections at its breakneck brilliance and gasps at its gung-ho grisliness, Roger Avary's comeback has been a startling opinion-divider. Fans of the Bret Easton Ellis novel will relish the former Tarantino sidekick's fidelity to the blank immorality of the prose, yet the movie bursts with visual ideas. James Van Der Beek is fearlessly irredeemable as Sean Bateman (younger brother of the American Psycho), flailing across campus, gobbling up narcotics, rock'n'roll (it has a great soundtrack), girls, boys, suicides, whatever.

A career highpoint for director Michael Caton-Jones, This Boy's Life also provides one of Robert De Niro's most memorably mannered performances as the parochial bullying stepdad to Leonardo DiCaprio's teen protagonist. With his seething Fargo accent and petty pronouncements ("I know a thing or two about a thing or two!"), he's always fascinating, even when the movie isn't.

Based on a John Cheever story, this 1968 movie stars Burt Lancaster as a seemingly prosperous and urbane middle-aged man who decides to swim back to his suburban house via all the pools in the neighbourhood. But his journey turns out to be an exposé of his personal downfall. An enigmatic meditation on the American Dream, marred only by a couple of hazy, slo-mo scenes that radiate '60s naffness.

Rowdy late John Ford comedy starring John Wayne and Lee Marvin as Guns Donovan and Boats Gilhooley, brawling Navy veterans who stay on in the South Pacific after the war against the Japanese ("bad, black days"). Contemporary audiences will probably find it crude, noisy and rambling—but it's ravishingly shot, and beneath the slapstick there's a sharp satire on class, race and friendship.

Following a frenetic opening, Joe Carnahan's Detroit cop movie settles into an edgy two-hander as Jason Patric's alienated undercover man returns to the streets to investigate a cop killing with the dead officer's explosive partner, Ray Liotta. It skirts cliché, but it's powered by a redemptive, almost overwhelmingly emotional current; and it's a joy finally to see Liotta in a role worthy of his talents.

Peter Shaffer's play is stripped of its stage trappings by director Sidney Lumet, exposing many of its failings—primarily Shaffer's preposterous, ponderous script. Admittedly, Peter Firth is believable as the disturbed boy with a quasi-religious fetish for horses, but Richard Burton's dreadfully hammy as his psychiatrist. Jenny Agutter supplies the gratuitous nudity.

Ultra-obscure '70s country music doc resurfaces

Inexplicably coolly reviewed, this Michael Caton-Jones thriller boasts Robert De Niro's best performance in years. As a New York detective estranged from his son, he's distraught when his boy (James Franco) is prime suspect in a case he's breaking. Frances McDormand's excellent as Bob's girlfriend; Long island is a lost Atlantis. A fine film. DVD EXTRAS: Commentaries by writer and producer, Caton-Jones short Mark Of A Murderer.

A '70s remake of the Hitchcock classic, with Angela Lansbury as an English nanny kidnapped on a German train on the eve of WWII. Can dizzy US heiress Cybill Shepherd foil this Nazi plot with the aid of rugged news photographer Elliott Gould? It might have worked if they'd played it straight; instead, they go for screwball comedy, and it's a disaster.

It doesn't matter whether you're a fan. This study of Mitchell is a model of musical biography in DVD form. Over two hours we get her life story in perfectly matched words, music and images. The interviews with Mitchell are candid, the recollections from the likes of James Taylor, David Crosby and Graham Nash are fascinating, and the musical excerpts, which cover her entire career, are luminous.