This fine documentary about one of the great voices of British folk music opens at the bonfire-night celebrations in Lewes, East Sussex, where she lives. The footage includes a menacing procession of burning effigies and martyrsโ€™ crosses. Elsewhere, the nearby South Downs countryside appears as a fierce, lonely and strange place, wreathed in winter mist. Collins has lived in Sussex all her life, and her work carries the rich folkloric history and song of the region. โ€œWhen I was singing my best, I was the essence of English song,โ€ she says. โ€œI sang it better than anyone else, and understood it better than anyone else.โ€

Directors Rob Curry and Tim Plester follow Collins as she prepares to release Lodestar, her first album in 38 years. She is a sprightly, game interview, whose own secret history is as enticing as the lost, esoteric music she has championed. Comedian Stewart Lee โ€“ an aficionado โ€“ shows her a sheaf of old government files on the ethnomusicologist Alan Lomax, her former partner and a โ€œconvicted Communistโ€. Another long-standing admirer, Current 93โ€™s David Tibet, presents her with three different-coloured Russian bootleg flexis of Collins singing โ€œPolly Vaughanโ€. In the remote, converted horse trailer belonging to folk singer Elle Osborne, Collins drinks homebrewed elderflower vodka and muses on her new recording. โ€œIt might be a mistake, but in a way I donโ€™t care. At least Iโ€™m going to do it.โ€

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Itโ€™s been a life well lived, and accordingly Collins seems fazed by very little, though inevitably she still keenly feels the absence of her collaborator and sister, Dolly, who died in 1995. โ€œItโ€™s funny being without your sister, even now I donโ€™t think itโ€™s true,โ€ she says. The final shot is Collins, having said โ€œToodle-ooโ€ to her latest musical collaborators, sitting back on her sofa, her eyes shining; reconnected with the earth and her music.

Watch the film here and read about Shirley Collinsโ€™ next project in the May 2020 issue of Uncut, out now.