Robert Margouleff, later of Tonto's Expanding Headband, produced the first of these two albums in 1968, and the best of its Moog and Theremin embellishments sound like the blueprints for Tonto's groundbreaking Zero Time album. Elsewhere, alas, despite occasional nods to early Captain Beefheart, things never get quite as weird as you'd really like them to. The lyrics lapse a little too often into fortune cookie koans of the "today is only yesterday's tomorrow" variety, and at times the irritation factor couldn't be any higher if They Might Be Giants were jamming with Devo. John Emelin's off-the-wall vocal style lends proceedings a certain angularity, and the seven-minute title track of 1969's Space Hymn is absolutely ripe for sampling, but too often the synth bubbles and squeaks just aren't enough to disguise some stunningly average country-tinged pop.
Robert Margouleff, later of Tontoโs Expanding Headband, produced the first of these two albums in 1968, and the best of its Moog and Theremin embellishments sound like the blueprints for Tontoโs groundbreaking Zero Time album. Elsewhere, alas, despite occasional nods to early Captain Beefheart, things never get quite as weird as youโd really like them to. The lyrics lapse a little too often into fortune cookie koans of the โtoday is only yesterdayโs tomorrowโ variety, and at times the irritation factor couldnโt be any higher if They Might Be Giants were jamming with Devo. John Emelinโs off-the-wall vocal style lends proceedings a certain angularity, and the seven-minute title track of 1969โs Space Hymn is absolutely ripe for sampling, but too often the synth bubbles and squeaks just arenโt enough to disguise some stunningly average country-tinged pop.