Reviews

While There's Much wrong (the script, the acting, the smugness) with Channel 4's slick, rather silly series about transatlantic lovers who are struggling against the odds but, like, have shedloads of money, the soundtrack's wilfully hip. Granted it's put together by the kind of people who think Snow Patrol are cutting edge, but in liking what the music press has told them to like, they've packed an impressive stash of new-ish white boy music onto this.

Psychedelic Soft Boy heads for Tennessee

Seventh studio album from Dean Wareham's durables

The Scorcher frees himself for an eclecticism off-limits to his pioneering country-punk band

Posthumous offering from the brilliant but troubled singer-songwriter who died a year ago

Third album by pick'n'mix pop candyman

Plodding tale of Russian spy in Paris

Kaufman and Gondry's complex romantic comedy dazzles

Definitive mid-period Almodóvar (post-avant-garde tyro, preestablishment icon), this typically hysterical family melodrama pitches Carmen Maura's downtrodden amphetamine-addicted housewife, her two teenage dope-dealing hustler sons, her grizzled mother-in-law and her Nazi-obsessed husband together in an anonymous Madrid apartment block. Deadpan camp at its best.

A 1986 John Hughes charmer which has acquired, over the years, near-legendary status for accidentally pre-empting the "slacker" (lack of) movement. Matthew Broderick and his Chicago buddies play truant, but through quick wits get the wheels and the girls—wish fulfilment for the pre-Nirvana generation. Crisp fun for those who found Pretty In Pink a little too dark and troubling.