Reviews

Holes

Quirky, intelligent kids movie about a young offenders' prison camp where the inmates have to dig huge holes in the Texas desert each day, since the warden (Sigourney Weaver) is hoping to discover an outlaw's missing gold. A great cast (John Voight, Henry Winkler, Eartha Kitt), and an utter delight.

Max

Munich, 1918, where (fictional) art dealer Max Rothman (John Cusack) befriends and encourages the young artist Adolf Hitler (Noah Taylor). But Max is Jewish... Even if the overall results are a bit glib and predictable, both of the central performances are terrific—especially Taylor, whose Hitler is a creepily believable human being.

Paul Kelly – Ways & Means

Dug by both new breed and old (from Horse Stories compatriot Toby Burke to Dylan), Kelly has long been Australia's foremost troubadour since emerging from Melbourne's mid-'70s punk scene with a solo ambition that first flourished on 1985's Post. Produced by Tchad (Tom Waits/American Music Club) Blake, this two-CD follow-up to 2001's Nothing But A Dream is smartly conceived. Disc one rattles and blows like Highway 61 ghost-ridden by Hank Williams, a tumble of bordello piano, pedal-steel and blustery guitars. Disc two is more spare, sort of Time Out Of Mind left out in the rain by Warren Zevon.

Bow Selecta

Late visionary's final recordings belatedly released

Puerto Muerto – See You In Hell

Second album from Chicago alt.country couple lets a little light in

Putsch ’79 – Putsch

Young Finnish duo's decadent debut album

Jimmy Ruffin – The Ultimate Motown Collection

Hit-filled two-CD retrospective from Motown's (lost) love man

The Fall

Generously expanded reissues of 1979 debut and follow-up

Precious Little

Subtle, surprisingly gritty Sundance-winning comedy-drama

Herzog – Kinski

Throughout cinema history there have been certain flashpoints, the sparks produced when a director and an actor recognise in each other their alter ego: Ford and Wayne; Scorsese and De Niro. Perhaps the most intense of these has been the extraordinary collaborations between German visionary Werner Herzog and the fabled maniac who became his artistic double and evil twin, the late Klaus Kinski. This incredible set chronicles their tempestuous relationship via the five features they made together.
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