An unusual mix of musician and anthropologist, Ry Cooder has voyaged through the exotic rhythms of the Americas for nearly 40 years, leaving his mark on such luminaries as the Rolling Stones and Lowell George in the process. The problem with this two-disc anthology is that it isnโ€™t big enough to encompass the kaleidoscopic shades of Ry, even if it has been produced by his son Joachim.

Thereโ€™s still plenty to enjoy, whether itโ€™s his brisk rejig of Johnny Cashโ€™s โ€œGet Rhythmโ€, the Louisiana brass and gospel voices of โ€œJesus On The Mainlineโ€, or the joyfully sparkling guitars and voices in โ€œLittle Sisterโ€. His soundtrack work is represented by spine-tingling excerpts from Paris, Texas and Southern Comfort, and his talent for whisking up a polyrhythmic stew of blues, cajun and zydeco shines on โ€œLetโ€™s Work Togetherโ€. Yet surely vintage Cooder roof-raisers like โ€œItโ€™s All Over Nowโ€ or โ€œSmack Dab In The Middleโ€ would have been better bets than slight instrumentals such as โ€œSmells Like Moneyโ€?

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ADAM SWEETING

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