Adam

The movie career of Steve Coogan has so far proved to be a fascinatingly erratic subject. Sure, it’s not unusual to find a successful British TV comedian struggle to establish himself in movies, particularly in Hollywood. For every Dudley Moore, who became a huge movie star in the States with Arthur and 10, you only have to look at Peter Cook - the true genius in that partnership - whose transatlantic film career barely made it beyond Supergirl.

We’ve been watching the cricket as usual at Uncut today, but even I’ve noticed that the Olympics have kicked off this afternoon. A useful reminder of this is the fact that an embargo has been lifted this morning on reviewing Damon Albarn’s Monkey CD; the studio recalibration of his Chinese opera, “Monkey: Journey To The West”.

Remastered recordings dust off the crowning glories of English folk’s Indian summer

Toddling over from The Breeders’ shambolic but utterly brilliant set, I check in on Okkervil River, who seem to be practically filling up the Uncut Arena. This is obviously a band who inspire a lot of love. Unsurprising, of course, looking at their clothes. All the band are dressed to the hilt in tailored suits, white shirts and braces like a transatlantic Pogues. What’s not to love?

Excuse us while we go a bit "duuude," on your asses. "This is awesome, the sheep are painted fucking pink. It's so psychedelic, and I haven't even taken a thing," says Reggie Youngblood, singer of Florida's Black Kids, who take the stage in the UNCUT Arena as a spear of late afternoon sunshine pierces the cloud.

Passion, and politics: the early years, remastered, with extras

Nostalgic and accessible return to the Bristol council estate where he grew up

Winning Watsons exploit genetic advantage

Brian Cox locks down atmospheric prison drama

Plus Hard-Fi, The Black Keys and Elbow