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Club Uncut: Jesca Hoop, Simone White – June 30, 2009

“It’s hot as a witch's tit in this room,” says Club UNCUT headliner Jesca Hoop. “I’m going to have to retune my guitar real quick… cos it sounds like a witch's tit. So if you’ve ever wondered what a witch's tit sounds like, then this is it.” Today has been the hottest day of the year so far in the capital. Despite the welcoming evening cool outside, temperatures in the newly-refurbished Upstairs At The Garage in north London are unforgivingly high. But in some respects, you couldn’t have wished for a better line-up at Club UNCUT in heat like this.

The Tenth Uncut Playlist Of 2009

A lot of records on the playlist this week, I think, probably due to the fact that I’ve kept a note of what we’ve been playing for three full days. I guess the big one here is “Veckatimest”, the new Grizzly Bear album, which we now have a copy of. Incredible record, which I’ll be writing about soon, possibly tomorrow.

Neon Neon – that’s Gruff Rhys and Boom Bip – and “Stainless Style”

In spite of my morbid suspicions about any record which features Har Mar Superstar, I find myself quite taken with the first album by Neon Neon. It's called "Stainless Style", and maybe it's acting as a kind of antidote to all the manly Led Zeppelin love I've indulged in these past few days.

Flitting between King Creosote, Vandervelde and Reigns at End Of The Road

The great thing about small festivals is that you can flit between stages in less time than it takes an I'm From Barcelona balloon to be passed around the crowd. That's what we did this afternoon at End Of The Road. After taking in some of Swedish oddballs I'm From Barcelona and Joan As Policewoman with a trusty cider in hand, we decided to stick around for Scottish folky King Creosote.

Lou Reed Brings Berlin To London, Triumphantly

I’ve mentioned here previously the time in 1979 I went to see Lou Reed at what was then still known as the Hammersmith Odeon when he reacted testily to requests from the crowd to play their favourite numbers by announcing that he would under no circumstances be playing anything else that night apart from his new album, The Bells, so there would, he repeated emphatically, no “Heroin”, “Sweet Jane”, “Walk On The Wild Side” or any of the other numbers so many people had obviously come to hear him perform.
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