We look into the touching, awkward new film about Bill Callahan, Apocalypse: A Bill Callahan Tour Film, in the new issue of Uncut, dated April 2013, and out now. As a companion piece, check out this fantastic piece with Callahan, aka Smog, recalling how he made his greatest albums, from May 2010’s Uncut (Take 156).
David Bowie’s return to active service with The Next Day has been described as the greatest comeback ever and I’m sure every Bowie fan is hoping this will in fact be the truth of the matter when they finally get to hear the album, which is released on March 11, still a tantalising couple of weeks away at the time of writing.
Until very recently, any mention of Bell Laboratories in conjunction with electronic music would’ve made me think of Laurie Spiegel, who worked at Bell Labs research centre in New Jersey while she was creating much of her extraordinary cosmic music in the 1970s.
Kraftwerk will headline T In The Park 2013.
The 20th anniversary of the Scottish festival will also see sets from Mumford & Sons, Rihanna, The Killers, Jake Bugg, Paloma Faith and Alt-J.
There’s been a lot of excitement around the office over the last couple of weeks, with the imminent arrival of the first David Bowie album since what seems like the end of rationing causing a certain giddiness in the Uncut ranks, followed by the actual release of the long-promised new My Bloody Valentine album, a mere 22 years after Loveless.
Kraftwerk opened their eight-night residency at Tate Modern on Wednesday by playing in full their fourth album, Autobahn.
Kraftwerk played a two-hour set that also included most of their best loved numbers. Those lucky enough to secure tickets for Kraftwerk’s first night in the London art museum’s imposing Turbine Hall were each given a cushion, a crib sheet on the band and a pair of 3D spectacles. However, virtually the whole audience stood to appreciate Kraftwerk’s impressive visuals, displayed on a massive screen behind.
