Mixed weather, a combination of torrential downpours and blazing sun, has resulted in bizarre sights this morning of people wearing combinations of spring, summer and winter attire, all splashed with a healthy dose of mud!

Uncut reports from Brighton's Great Escape opening night

The big film this week is 300, director Zack Snyder’s gory and rabid retelling of the battle of Thermopylae, where 300 brave Spartan soldiers faced down the massed ranks of the mighty Persian Empire in 480BC.

Hey, one last report from last week's South By Southwest festival. This one is by Ben Perreau, who edits Uncut and NME's websites. Ben seems to have spent most of the week failing to get into parties and fantasising about Smashing Pumpkins, but he did manage to see the mighty Gallows, The Gossip and plenty more cool stuff. . .

Inarritu's fractured story stlye finds it's ultimate expression

Already a modern classic, Donnie Darko gets even better with the Director's Cut, out this week on DVD. Director Richard Kelly explains why

Alexandre Rockwell's graceful '92 satire about a wannabe new-wave film-maker

Clapton & co's '67 high watermark, in stereo and mono, plus outtakes, demos and BBC session tracks

As a prelude to tonight's particularly goosefleshy rendition of "Not Even Stevie Nicks...", Calexico frontman Joey Burns gets to tell his Glen Campbell story. "Scottsdale, Arizona, is a very strange place," he begins. "We have friends who've been to his house there. As you enter the driveway, electric bells start playing 'Rhinestone Cowboy', then barking dogs drown out the chorus." Burns stops fingering the chords of the buckskin balladeer's biggest hit and pauses, senses a certain bafflement in the audience.

She walks on stage looking pale and enervated, like a ghostly image of heroin chic. Just what have they done to Thea Gilmore? Then two songs in she reveals she's "got the lurgy, big time". It turns out she's been taking nothing stronger than herbal tea to keep the flu at bay.