The director of a new film profiling Ginger Baker is interviewed in the new issue of Uncut (dated January 2013, and out now), explaining why the Cream drummer broke his nose during filming… As a companion piece, this week's archive feature finds Baker's former bandmate, Eric Clapton, providing a painfully frank account of his days in Cream – psychedelic drugs, 24-hour confrontations and their love of Pet Sounds included. From Uncut's May 2004 issue (Take 84). Interview: Nigel Williamson
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ZZ Top are set to release 'La Futura', their first new album in nine years, on September 10.
The legendary guitar band's new album is their fifteenth studio LP, and has been produced by Rick Rubin and Billy Gibbons of the band. It is made up of 10 tracks and was recorded at Foam Box Recordings in Houston and at Shangri La Studios in Malibu.
Mick Ronson once fell asleep on me during an interview, the glam rock guitar god nodding off towards the end of what had become quite an emotional late night outburst on his part about how he had been betrayed by David Bowie after thanklessly contributing so much to Bowie’s success.
One of a bunch of interesting Record Store Day exclusives just turned up for this week’s playlist; a lovely EP from Bonnie ‘Prince’ Billy that involves Jonathan Wilson in some capacity, and features covers of Leon Russell and Merle Haggard.
Dodgy list last week, really good one this. A few things to flag up, not least the Jimmy Page “Lucifer Rising” soundtrack which has been distracting us from finishing the issue this morning.
It is a sad fact of life that a man from any walk of life – even the often preposterous world of music – will struggle to be taken seriously if he wanders about wearing a beard the size of Gibraltar, decorating his face with white stars and red war paint, growing his hair down to his waist, then dying it yellow on one side of the parting and blue on the other. So it is with Roy Wood, still best remembered for his terrifying dayglo clan chief appearance than the succession of superb pop songs he wrote for The Move, ELO, Wizzard and – perhaps most impressively - as a solo performer.
