Last year, lambchop were commissioned by the San Francisco International Film Festival to perform a live score to soundtrack FW Murnau's. 1927 proto-film noir masterpiece Sunrise. It so happened that Lambchop's leader, Kurt Wagner, had already embarked upon a self-imposed mission to write a song a day. As a result of both endeavours he ended up with so many songs that there are now two new Lambchop albums, each containing 12 songs. So is this the alt.country equivalent of OutKast's Speakerboxxx/The Love Below?
Not quite.
Back in January, Arthur Lee sold out two nights at the Royal Festival Hall. They were magical shows, Lee performing '67's classic Forever Changes in its entirety, complete with horns and strings. Some complained on the night about the sound balance, but there's no problem with the quality here. Lee's in celebratory mood, as he and his backing band LA psychedelicists Baby Lemonade storm through classics like "Bummer In The Summer" in a blur of brass and strings. Superlative stuff.
Three days of mixed magic and Madness in leafy Surrey, from Thea Gilmore, Love, Cosmic Rough Riders, Alice Cooper, Jesse Malin, a befezzed marching band and more...
Dizzee Rascal is the best rapper this country's ever produced, period. His words are as sharp as prime Tricky, his delivery sharper; he's got bags more personality than anybody in the British rap scene. These local comparisons add up to faint praise, though, so how about this: 18-year-old, East London-bred Dizzee Rascal is as good as any MC currently active on Earth.
Every UK garage MC brags about how his style's unique, and virtually every MC does it using the same flow and timbre.
