A month or so back, I sent Lee Bains III a few questions for a Q&A to run alongside my review of the Glory Fires’ “Dereconstructed” in Uncut. Bains’ answers turned out to be more thoughtful, interesting and extensive than pretty much any email interview I’ve previously conducted, so I’m pleased to run them in their entirety here…
There’s a Youtube clip of Ryuichi Sakamoto, dressed in black hunched over a piano playing the piece of music he is most famous for – “Forbidden Colours”, from the film Merry Christmas, Mr Lawrence. It is, I guess, the idea of Sakamoto we’re most familiar with – the artist, his instrument of choice, the music he is playing both delicate and fluid.
Pussy Riot have debuted a video for their track "Putin Will Teach You To Love The Motherland".
The Russian punk collective unveiled the video yesterday (February 20) in response to the aggressive treatment they have received in Sochi. It was reported earlier this week that members of the group, including Maria Alyokhina and Nadezhda Tolokonnikova, were attacked by both uniformed Cossacks and security men as they attempted to perform in the Russian city, where the Winter Olympics are currently taking place.
If you were looking for a unifying thread running through HBO’s excellent new series, True Detective, then it might well be to do with faith: those who have it, those who don’t and those who may well be exploiting it for their own ends.
There’s a story about Brendan Gleeson meeting unsuccessfully with a Hollywood agent to discuss furthering his acting career overseas. This was in the mid-Nineties, and until then Gleeson had largely worked in television, mostly in his native Ireland, with only a handful of minor film roles to his credit. Admittedly, Gleeson had come late to acting: he’d been a secondary school teacher in Dublin before taking up acting full time in 1991 and was now in his early forties.
Religious dissidents and juvenile delinquents, Greenwich Village and Potsdamer Platz, doomed soldiers and vacuous celebrities... David Cavanagh files the epic, definitive review of The Next Day. From Uncut's April 2013 (Take 191) issue._______________
I wrote a Throwing Muses feature for the November 2013 issue of Uncut, for which I spoke to all Muses past and present. The key interview, of course, was with Kristin Hersh, which ended up taking place over two lengthy sessions.