This month’s issue of Uncut (June 2013) features The Waterboys discussing their mammoth new Fisherman’s Box release – here, in this archive feature from Uncut’s July 2008 issue, the band, including Mike Scott and Karl Wallinger, reflect on the creation of their pop masterpiece, The Whole Of The Moon. Expect disagreements, still; arguments about musical contributions, worries over spending life in prison for hitting someone over the head with a guitar… Words: Nick Hasted
Been meaning to post this piece for a while, since the whole clandestine operation around the new Boards Of Canada album, “Tomorrow’s Harvest”, began. It’s an interview I did with the duo in February 2002, around the release of “Geogaddi”. NME billed it erroneously as “Boards Of Canada’s first ever interview” at the time, which was pushing it a bit…
Jackson Browne features heavily in Uncut’s piece on the making of the Eagles’ Desperado – in the new issue, dated June 2013 and out now – and here, in this archive feature, originally from August 2010’s Uncut (Take 159), Browne takes us through the creation of his greatest albums. Interview: Bud Scoppa____________________
Seeing as how Matthew E White and his band are on tour in the UK this week (I’m seeing him play in London tomorrow), it seemed a good time to post the feature about my visit to Richmond a couple of months ago. I’ve put a few links to stuff in here, too, so you can get a taste of the really interesting music coming out of the scene that revolves around White. Long read, this one…
Graham Nash discusses the unique exhibition of his photography in the new issue of Uncut, dated May 2013, and out now – in this archive feature from Uncut’s April 2009 issue (Take 143), the silver-throated former Holly tackles some prickly subjects – dissing Dylan, breaking up with Joni and playing peacekeeper in CSNY… Interview: John Lewis______________________
Eric Burdon’s new album, ’Til Your River Runs Dry, is reviewed in the new issue of Uncut, dated May 2013 and out now – so for this week’s archive feature we thought we’d revisit this piece from Uncut’s May 2009 issue (Take 144), which examines how Burdon and his Geordie bluesmen somehow turned a lengthy folk staple about a brothel into a massive international hit… but don’t mention the royalties… Words: Nick Hasted
Reading about the South By Southwest festival tends to produce, in me at least, a mix of empathetic fatigue and terrible envy, and last week’s bombardment of tweets, blogs, news stories was no different.
The Columbia Albums Collection, the new 17-album boxset from Blue Öyster Cult, is reviewed in the new issue of Uncut, dated April 2013, and out now. The collection unsurprisingly includes the band’s signature hit, ‘(Don’t Fear) The Reaper’, and in this piece, originally published in Uncut’s November 2010 issue, the band discuss the writing and recording of their “trans-awesome” tune, perhaps the spookiest FM staple ever. “Nothing like The Byrds”, apparently… Words: Jaan Uhelszki
