Kathleen Turner stars as peachy suburban housewife Beverly Sutphin, who merrily murders most of her annoying neighbours (and anyone else foolish enough to offend her). Turner's fabulous, and John Waters' black comedy is like a blend of Disney and David Lynch. An utter delight.
The Pastels always seem to find their wheelbarrow positively overflowing with acclaim, though some of us have struggled for over a decade to remember what they actually sound like. Here they wibble along, inoffensively enough, through a 25-minute accompaniment to the recent Brit road movie directed by David Mackenzie. It climaxes, if that's not too bold a word (it is), with a Jarvis Cocker collaboration, "I Picked A Flower", a parody of a pop hit which demonstrates that Cocker used up all his parody power a while ago.
Having met at Leicester Music College in 1998 and formed early last year, The Havenots are Sophia Marshall and Liam Dullingham, two young pups (20 and 22) whose smoke-weary delivery belies their tender years. Informed by Gram/Emmylou, Gillian Welch/David Rawlings and Uncle Tupelo, this is gentle smoulder for the most part, all languid, punt-down-the-river melodies and mountain-air acoustic guitars (courtesy of Samuel Harvey).
