Bowie guitarist's Bowie-esque '74 debut

Twenty-first album from America's startlingly original lord of lo-fi

Sophomore release for London instrumental trio

The avant-garde Bee Gee goes boldly into the realms of R&B

Disturbingly funny debut tackles life and death with the help of a giant rabbit

Ex-Pumpkin head pulps up the volume with his reinvented gang of 'glamadelic' grungesters

DA Pennebaker, that eminent celluloid chronicler of live rock (Don't Look Back, Down From The Mountain), filmed the farewell Ziggy show (July 3, 1973, Hammersmith Odeon), and now Tony Visconti's remixed the soundtrack for a 30th anniversary double CD special edition (the film's out on DVD, too). Bowie's between-song banter is included for the first time, most notably the big bold brouhaha of the bye-bye speech. And "The Width Of A Circle" is present in all its noisy, unedited, 16-minute glory.

Now wealthy enough to not fall foul of record company lawyers (unpaid for Nana Mouskouri samples resulted in tracks being pulled from their 2000 debut Programmed To Love), The Everlasting Blink features a series of inspired if somewhat bizarre guest stars.

Compelling Alaskan chiller from Memento director deserves reappraisal

Moody, brooding album by LA hipsters