Enjoyable if lightweight Jerry Garcia doc

Underwhelmed as we are by franchise McBlockbusters, this score's by the really rather talented Howard Shore, who was responsible for the coolly sexy sounds which rippled under David Cronenberg's Crash. His soppy strings for the first Baggins movie won him all manner of awards and made the UK Top 10. This one is distinguished by its remarkable guest vocalists: Iceland's Emiliana Torrini and former Cocteau Twin Elizabeth Fraser—from "Pearly-Dewdrops' Drops" to Gollum and Samwise: it makes a kind of sense, no?

Inner-city ensemble comedy

Thought deceased, big beat is in fact set to be the new ska—resurrected every few years by students who think they've discovered a new sound. Brighton scene originators Skint are therefore proud of Fatboy Slim, Lo Fidelity Allstars and X-Press 2 with David Byrne, but who's got time to sit through 26 of their videos? Plenty of laughs here nevertheless, as typified by Doug Aitken's wigs'n' breakdancing promo for "Rockafeller Skank".

Dennis Hopper got an Oscar for his supporting role to Gene Hackman's high-school basketball coach in David Anspaugh's heart-tugging 1986 tale of sport-equals-life heroics. This was based on a real basketball comeback fight in '50s Indiana and released as Hoosiers in the US. Aptly enough, Hopper was fresh back from his own decade-long trip through chemical hell at the time. Sentimental slush, but redeemed by a knockout cast of veteran heavyweights.

Twenty-two tracks from Dylan's legendary Rolling Thunder tour finally see official release

Affectionate homage to '40s film comedy

Dark, worldly-wise solo return from Van der Graaf Generator man

Troublesome teens? Round them up at random, dump them on a deserted island, armed to the teeth, and force them to fight each other to death. It works brilliantly in Kinji Fukasaku's relentlessly violent and cheerfully tasteless satire, and is surely a public order initiative David Blunkett would approve of. DVD EXTRAS: Loads, including additional footage and alternative ending, Takeshi Kitano interview, filmographies and director interview. (AJ)

Another day, another Bond movie. Forgive me if I can't get worked up about the McConcept, although David Arnold is, by any standards, a slick operator who does as much as anyone could to keep the formula fresh. Paul Oakenfold has a stab at remixing the James Bond theme, and, of course, Madonna and Mirwais concoct that title song. Here Madge contrives to sound like a tracheotomy victim rattling through an outtake from the Music album. "Sigmund Freud," she croaks. We wonder why. Then we realise she's simply trying to tell us she read a book once.