John Fogerty is out on an extensive tour of the US right now, so it seems a good time to dip into the archives and remind ourselves of this great feature from Uncut’s February 2012 issue (177). At the dawn of the ’70s, Creedence Clearwater Revival were the biggest band in the world – a brilliant and driven hit machine with deep roots in American tradition. By 1972, though, it was all over, and the ex-bandmates embarked on a bitter war that still continues, 40 years later.
In the same way that Marshall amps revolutionised rock music, allowing heavy rock and metal to flourish, loop pedals have changed the state of play for solo performers. No longer having to rely on real-time performing, the first two acts on tonight at the final night of Club Uncut at The Great Escape have been able to take folk to stranger, new climes.
As Damon Albarn prepares to release his debut solo album, Everyday Robots, on Monday, and 20 years since the release of Parklife is celebrated, we delve back into the Uncut archive (July 2009, Take 146) and go behind the scenes of the sessions that produced Blur’s classic albums and reveal the conflicts that nearly destroyed the band… Interviews: Nick Hasted
The Heartbreakers’ Benmont Tench is about to release a solo album, You Should Be So Lucky, produced by the legendary Glyn Johns. In this star-studded archive piece from Uncut’s December 2011 issue (Take 175), Johns takes us through producing and engineering The Beatles, the Stones, The Who, Bob Dylan, Led Zeppelin and more – not a bad CV, you could say… Interview: Graeme Thomson
Religious dissidents and juvenile delinquents, Greenwich Village and Potsdamer Platz, doomed soldiers and vacuous celebrities... David Cavanagh files the epic, definitive review of The Next Day. From Uncut's April 2013 (Take 191) issue._______________
