Stephen Stills has formed a new group, The Rides.
Playing alongside guitarist Kenny Wayne Shepherd and Electric Flag keyboardist Barry Goldberg, The Rides are due to release their debut album, Can't Get Enough, on August 26 through Provogue Records.
The 10-track album has been produced by former Talking Head, Jerry Harrison.
The line up on Can't Get Enough is augmented by Chris Layton, Shepherd’s drummer, and CSN bassist, Kevin McCormick.
Scroll down to watch Stills, Goldberg and Shepherd discuss the album.
Later…Live with Jools Holland will return on April 9 with guests including Suede and Cat Power.
The long-running music show will start its 42nd series with the first in eight half-hour live shows on BBC 2 at 10PM on Tuesday, April 9. Suede will appear to perform songs from their new album 'Bloodsports' while Cat Power will make a rare live appearance in the UK, playing songs from her 2012 album 'Sun'.
After all the hoo-ha, huff, hysteria and hot air, here, finally, are The Rolling Stones doing what they do even better than raising the collective temperature with impertinent ticket prices, something they seem to have been doing at least since their 1969 American tour, nothing new in the Stones being accused of commercial banditry and the cynical exploitation of their fans, on whose behalf so many complaints have been indignantly voiced since the 50 And Counting dates in London and New York were announced. Why don’t they celebrate their half-centenary with, say, a free concert, the cry went up in some quarters, and let more people have a chance to see them, and for nothing too? Well, when they tried that in 1969, look where it got them: Altamont.
The Stones’ new compilation, GRRR!, is reviewed in the new issue of Uncut (December 2012, Take 187), out now, so for this week’s archive feature we head back to Uncut’s April 2008 issue (Take 131). Mick Jagger is micro-managing the release of their new, Scorsese-directed concert movie, Shine A Light. Keith Richards is lounging on a Caribbean beach with his dogs. They both find time, however, to tell Uncut about pet hygiene, “fucking crap” modern music and having rebellion thrust upon them. Words: Andrew Mueller
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Bob Dylan’s fantastic new album opens with a train song. Given the wrath to come and the often elemental ire that accompanies it, not to mention all the bloodshed, madness, death, chaos and assorted disasters that will shortly be forthcoming, you may be surprised that what’s clattering along the tracks here isn’t the ominous engine of a slow train coming, a locomotive of doom and retribution, souls wailing in a caboose crowded with the forlorn damned and other people like them.
In tribute to the late Band legend, who died in April 2012, this week’s archive feature is a fascinating piece from October 2009’s Uncut (Take 149) – Barney Hoskyns travels to Levon Helm’s Woodstock barn for one of his Midnight Rambles, a musical hogroast-cum-celebration of the drummer’s life and legacy. “To me,” says Helm, “it’s just rock’n’roll…”
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If you can't quite make it out, that’s Chuck Berry’s signature, top left in the picture above of a couple of pages from the April issue of Uncut. It was sent to me by Uncut reader Scott Ford, who lives in St Louis, Missouri, home of course to the immortal Chuck, and was accompanied by a great email that I’ve copied below.
