You'll never eat frogs' legs again. This darkly witty 2D animation feature is full of cute moments and haunting images, if perhaps not the life-altering classic it's been hailed as in some quarters. The rotund Madame Souza buys her shy grandson Champion a bicycle, and years later, after much strictly regimented training, he's competing with the best. Then, in a fit of surrealism, he's kidnapped by shadowy men in black. Granny and faithful canine Bruno defy all logic to cross oceans and metropolises to rescue him.
It's an unlikely story: avant-garde cellist sees the light in a disco glitterball at New York gay club The Gallery and decides disco is the ultimate modern format for exploring minimalist composition. In the mid-'70s, Russell—conservatory-trained, a scholar of Eastern music forms, steeped in the ideas of Steve Reich and Terry Riley—was blown away by the engulfing quality of music transmitted over a massive club sound system and literally entranced by disco's use of repetition.
