Kurt Vile has announced the release of his fifth solo album, which is set to be called 'Wakin On A Pretty Daze'.
The follow-up to 2011's 'Smoke Ring For My Halo', will come out via Matador on April 8.
The album was produced by John Agnello. Vile recently told Spin that the record sounds like Fleetwood Mac's 'Tusk'.
"It's totally our 'Tusk', but no cheese. Just rock," he said of the album, which features guest appearances from Farmer Dave Scher of Beachwood Sparks and Stella Mozgawa of Warpaint.
Ladies and gentlemen... please enjoy our Top 75 new albums of 2012, with links to the original reviews where possible. Tomorrow, we'll post the Top 30 best reissues, box sets and compilations.
On my way home last week from The Rolling Stones at the O2, still a-buzz with excitement, I ended up chatting to a group of similarly exhilarated fans, who between them didn’t have enough fingers to count the number of Stones shows they’d been to, Brian Jones still a Stone the first time a couple of them had seen them.
This is the last Uncut of 2012, rather unbelievably. It barely seems 12 months since I sat down to write the column that introduced our final issue of 2011. How much faster can time go by?
Hard to believe that Woody Guthrie, conceivably, could still be alive in 2012, given that he’s been gone for 45 years. Yet his incomparable work, especially circa 1939-1949, and the indomitable spirit of that work, a Big Bang of social-consciousness-in-song that set off reverberations down through history – from Dylan and Ochs and the whole early ’60s folk revival and on to Joe Strummer’s righteous punk rebellion – resonates still, as long as repression, corruption, and abuse of power still flourish.
Did you see that terrific BBC4 Squeeze documentary, Take Me I’m Yours, on Friday night? I was more than a little taken aback by the currently be-whiskered Glenn Tilbrook, but I’m sure there’s a plausible explanation for wanting to look like that and otherwise the programme was a timely reminder of the many great songs he and Chris Difford have written over the years. It also put me in mind of an eventful few days I spent with the band in 1980, when they were rather unhappily touring Australia, where I caught up with them in inhospitable Brisbane before we headed for the sunny beaches of Surfer’s Paradise. Here’s a piece I wrote for my old Stop Me If You’ve Heard This One Before column in Uncut.
The new Uncut’s only been on sale since the end of last week, but there’s already been a fair amount of correspondence about our cover story on The Byrds. Most of it’s been about our Top 20 countdown of The Byrds’s greatest tracks. You were broadly in agreement with what was included, but many of you wondered aloud at certain omissions – “Chestnut Mare” was particularly missed by many, including me it must be said.
