I received an email last week from an old college friend, with a link to the Souncloud page of Liam Hayes & Plush, and an amused/irate message along the lines of, "One of your two jobs in life was meant to be to flag me when he releases anything/makes any move out of his lair."
Kate Bush last night (August 26) made her return to stage after a 35 year absence in a show that begun as a typical concert but evolved into a theatrical spectacular. This report contains spoilers.
The three-hour show saw Bush recreate the second side of her classic 1985 album Hounds Of Love as a fully realised stage production, with theatrical sets, costumes, effects and lighting. The same treatment was then given to the second side of her 2005 album Aerial.
What strange music Jack White makes these days. At the end of this hot, compelling, tempestuous show, he stands triumphantly on a monitor, guitar held high above head like the hammer of Thor, every inch the conquering stadium rocker.
It was Nick Lowe's 65th birthday this week, an occasion that had me pottering around the Memory Shed, where I came across the following story, written about a much younger Nick.
In an archive piece taken from Uncut’s January 2005 issue (Take 92), we look back at Dylan in 1975, when he turned the crisis of a deteriorating relationship into one of rock’s most compelling dramas. This is the story of Blood On The Tracks, the album that marked the demise of Dylan’s marriage – and his artistic rebirth. Words: Nick Hasted
