Been meaning to post this piece for a while, since the whole clandestine operation around the new Boards Of Canada album, “Tomorrow’s Harvest”, began. It’s an interview I did with the duo in February 2002, around the release of “Geogaddi”. NME billed it erroneously as “Boards Of Canada’s first ever interview” at the time, which was pushing it a bit…
This month’s Uncut (dated February 2013) features the story behind Gram Parsons’ landmark solo albums, GP and Grievous Angel. His closest collaborator during this period, Emmylou Harris, has her own amazing tales to tell, so it seemed time to bring out this archive feature, originally in Uncut’s August 2007 issue, where Harris takes us through the making of her greatest records. Interview: Bud Scoppa__________________
Bob Dylan’s fantastic new album opens with a train song. Given the wrath to come and the often elemental ire that accompanies it, not to mention all the bloodshed, madness, death, chaos and assorted disasters that will shortly be forthcoming, you may be surprised that what’s clattering along the tracks here isn’t the ominous engine of a slow train coming, a locomotive of doom and retribution, souls wailing in a caboose crowded with the forlorn damned and other people like them.
With the new Uncut out tomorrow, it just occurred to me that I'd forgotten to post this review from the last issue. I did at least put up the full transcript of my email exchange with Ben Chasny, which you can check out by following this link. "Ascent" is on sale now, by the way.
