Swirl

On their dark, downbeat third album, the former goodtime rockers have got it bad...

Midlife crisis! Ben Stiller breaks new ground in droll comedy-drama set in the LA suburbs...

he ready for the country? Alabama native meets Willie Nelson, cuts mellow-rockin’, confident fifth....

Read Uncut's verdict on the New Yorkers sophomore album!

Jack White’s Third Man cottage industry has produced a bit of a mixed bag of releases in 2009, with the highlight thus far (of those I’ve heard, anyhow) being his own solo seven-inch, “Fly Farm Blues”. The whole disdain he seems to have for standard record company practise, the sense that decisions are made on a creative whim, is really admirable. But it can’t hide the fact that singles by, say, a local gospel group, Transit, haven’t been hugely compelling.

Lavish, four-disc, 40th-anniversary version of their definitive live album

When The Duke & The King made their UK debut at London’s Bush Hall in May, I seem to remember there being at certain points up to about nine people on stage, including on at least one number four people playing guitars, someone on keyboards, a couple of backing singers and, of course, Simone Felice, late of The Felice Brothers, and his new musical partner Robert “Chicken” Burke on vocals. The evening also included a lot of instrument-swapping, principally between Simone and Burke, who took turns at the drum stool.

It’s perhaps a strange moment of symmetry, but earlier I was fortunate enough to catch some of Fever Ray’s set, also in the UNCUT Arena. Clearly, there’s some parity between Karin Dreijer Andersson and Natasha Khan. Both own a significant debut to Kate Bush, and both are convincing exponents of their own, fantastic interior world.

Banjo Or Freakout open the last of Uncut's nights at The Great Escape, perhaps the weirdest line-up of the weekend, with a pretty uncompromising set.

If last night was loosely the folk night of Club Uncut’s Great Escape bill, this is probably the ‘rock’ or ‘psych’ night.