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Swirl

Unfinished Business

Tremendous return from the reformed AMC

Rachid Taha – Tekitoi?

Fifth solo album from French-Arabic Clash fan

Steven Kennedy – Control Freak

Debut from Elvis Costello-endorsed Liverpudlian

Pony Club – Family Business

Brilliantly depressing follow-up from Morrissey fave

Amazing Grace

Shimmering performance by the Mother Superior of country rock

Me’Shell Ndegeocello – Comfort Woman

Underrated Basement Jaxx guest star's fifth album

Miles Davis – The Complete Jack Johnson Sessions

Five-CD set featuring four-and-a-half hours of new music recorded in 1970

Joe Jackson – Night And Day (Deluxe Edition)

Reissue of underrated '80s LP with bonus disc of rarities, demos etc

Third Rail – ID Music

Long-lost slice of Pepsodent-bright West Coast bubblegum from '67

Lowlights

Raised in rural New Mexico, Dameon Lee—aka Lowlights—gravitated first towards power pop with Albuquerque combo Scared Of Chaka. In 1999, six albums later, he set about beating a more sepulchral trail of his own. Co-produced by Dustin (Rocketship) Reske, this painterly debut is a sad-slow delight. Nothing maudlin about it either. Lee's voice has an autumn-leaf warmth, carried on swirls of organ noise, understated pedal-steel and shadowed by the faint harmonies of Angela Brown.
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