Raised in rural New Mexico, Dameon Lee—aka Lowlights—gravitated first towards power pop with Albuquerque combo Scared Of Chaka. In 1999, six albums later, he set about beating a more sepulchral trail of his own. Co-produced by Dustin (Rocketship) Reske, this painterly debut is a sad-slow delight. Nothing maudlin about it either. Lee's voice has an autumn-leaf warmth, carried on swirls of organ noise, understated pedal-steel and shadowed by the faint harmonies of Angela Brown.
Three days of mixed magic and Madness in leafy Surrey, from Thea Gilmore, Love, Cosmic Rough Riders, Alice Cooper, Jesse Malin, a befezzed marching band and more...
Another belter from the late Kinji Fukasaku's back catalogue. Loosely based on a true story, Fukasaku presents a chaotic swirl of gangland melodrama torn from the prison diary of a Yakuza footsoldier (Bunta Sugawara), seasoning his wild rumination on the loss of the old warrior's code with frequent bursts of histrionic Day-Glo brutality.
Chris Frantz and Tina Weymouth hold a party in their home studio
It's over a decade since former actor Will Oldham took his first faltering steps in a forgotten backwater of American music. When Oldham began recording with his brother Paul in 1992 he was recovering from a nervous breakdown, staking out an area that provided a refuge for his skewed, haunted but unusually perceptive sensibility.
