Uncut catches up with the writer, director and actor behind Silent Bob and View Askew.

Festival Excess - Michael Bonner reports from Utah

Demme knowing, nerve-shredding take on iconic conspiracy thriller pulls off the improbable

Mystery Train director serves up series of caffeine-aided celebrity shorts

The old warhorse's socio-political eco-musical in miniature

Swan song from prolific Dayton, Ohio combo, while frontman flies solo

Twentieth solo album and full-scale return to form from the artist formerly known as TR-I

Already a boys' own classic, Kevin MacDonald's award-winning doc about two foolhardy Brit mountaineers scaling the 21,000ft Andean peak of Peru's Siula Grande is almost hideously gripping. Brilliantly paced, Touching The Void re-enacts the climb—and the descent, more to the point—with actors Brendan Mackey and Nicholas Aaron. But much of the drama lies in the memories of climbers Joe Simpson and Simon Yates, the interviews with whom are candid and vulnerable.

Seattle songstress' magnificent fourth album finds her deep in fire and ice

Alan McGee may have had bigger fish to fry in 1994 (namely the era-defining debut of five scallies from Burnage), but that didn't stop him investing well-spent time and money on this, The Cramps' sixth album proper. A good job, too, since Flamejob is a blast; its tunes every bit as colourful as their preposterous titles (eg; "Naked Girl Falling Down The Stairs"). If anything, it sounds even more current today, with The White Stripes reigning supreme, than it did 10 years ago in the shadow of their mono-browed labelmates.