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Wonder stuff

Brian Wilson – Album By Album

The reunited Beach Boys' new concert DVD is reviewed in the latest issue of Uncut (dated January 2013, out now) – so it seemed like a good time to revisit this fascinating piece from our October 2006 issue (Take 113). We were talking to Wilson, primarily, to discuss the 40th anniversary of Pet Sounds, reissued in deluxe format that month. But Wilson agreed to revisit five other pivotal Beach Boys albums, too. “If you’re a young guy or girl going out and buying Pet Sounds for the first time, you’re gonna be knocked out when you hear it, right?” Words: Rob Hughes

Interview: Crossfire Hurricane director Brett Morgen

As part of our current Rolling Stones cover story, I interviewed director Brett Morgen about his Stones' film, Crossfire Hurricane.

The Rolling Stones: “We ain’t acting”

The Stones’ new compilation, GRRR!, is reviewed in the new issue of Uncut (December 2012, Take 187), out now, so for this week’s archive feature we head back to Uncut’s April 2008 issue (Take 131). Mick Jagger is micro-managing the release of their new, Scorsese-directed concert movie, Shine A Light. Keith Richards is lounging on a Caribbean beach with his dogs. They both find time, however, to tell Uncut about pet hygiene, “fucking crap” modern music and having rebellion thrust upon them. Words: Andrew Mueller ________________________

Peter Gabriel: “You could feel the horror…”

The current issue of Uncut features a review of the lavish reissue of Peter Gabriel’s groundbreaking So album – to accompany that, it seemed like a perfect time to republish this great interview with the man himself, from Uncut’s July 2007 issue (Take 122). Gabriel joins Uncut for a look at his glorious career, and at those remarkable costumes… “You could feel the horror,” he remembers. “I thought, ‘Oh, this is exciting!’” Words: David Cavanagh ____________________

Neil Young & Crazy Horse: “Psychedelic Pill” – Full review

Neil Young is not, at a guess, an artist who suffers much from writer’s block. In the past few years, many of his albums have felt like spontaneous dispatches from an over-productive mind.

The Baird Sisters, Hiss Golden Messenger, Nathan Bowles

Given that my last three blogs have been on Neil Young, Bob Dylan and Led Zeppelin, I guess something resembling my tenuous underground credibility might be a bit compromised this week. A good time, then, to flag up some terrific music I’ve been enjoying these past few days that doesn’t have quite the same profile as Dylan et al.

Nick Cave, Bob Dylan, The Grateful Dead in the new Uncut

We’ve just had our copies of the new issue dropped off in the office, ahead of it going on sale later this week. Nick Cave’s on the cover, glowering menacingly. John Robinson went down to Brighton, where, as John memorably tells us, Nick lives in a house that’s ‘large and white, much as Russia in winter is large and white’. The occasion for Uncut dropping in on Cave was the release of Lawless, the terrific – and terrifically violent - new movie directed by Nick’s long-time collaborator, John Hillcoat, for which Cave has written the snappy screenplay.

John Fogerty’s guide to Creedence Clearwater Revival

John Fogerty’s show supporting Bruce Springsteen at London's Hyde Park is reviewed in the new issue of Uncut, out now (dated September 2012). So, for this week’s archive feature, we delve back to March 2006 (Take 106), when the Creedence singer, guitarist and songwriter talked Uncut through all of his legendary band’s singles. Interview: Bud Scoppa __________________________
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