Apologies for the crass plug, but if you’ve seen the new issue of Uncut, you’ll have seen an amazing picture of Tim Buckley, playing solo to a 35-strong audience at Izzy Young’s Folklore Center in New York.
It’s been five years since director Shane Meadows and his long-term on screen collaborator Paddy Considine last worked together. That was for Dead Man’s Shoes, a violent revenge drama that took Considine’s natural, wired intensity and amped it up to an uncomfortable degree. Considine tends to specialise – for Meadows, at least – in charismatic, explosive figures and while his run of movies together with Meadows has proved thrilling and memorable, you might have cause to wonder where they could take their collaborations next.
Some talk on the last couple of blogs (Wavves and Playlist 20) about the Ducktails record and Matthew Mondanile’s various other products, so today seems a good time to tackle his stuff properly – not least because I think he may be playing London over the weekend.
I’m not sure who compiled “Archive From 1959 – The Billy Childish Story”, reducing something like 100 albums’-worth of material down to 51 tracks, but I suspect it may not have been Childish himself.
Some very satisfying words in album titles this week, if you’ll forgive the fairly tangential way of starting a blog: “Veckatimest”, “Bitte Orca”, and today, “Balf”. “Balf Quarry” is the new album from the Magik Markers – according to the sleevenotes, “A stone quarry in Hartford, CT which has mined traprock since the earliest days of the city.”
Weird prompt, but a TV ad last night for the forthcoming Formula One coverage reminded me that I’d been sat on Pocahaunted a bit too long. Specifically, it was the snatch of the BBC’s old theme tune, Fleetwood Mac’s “The Chain”, which Pocahaunted covered to mesmeric effect on their “Chains” album last year.
