Nice to see on the responses to my comeback blog that a few of you are sharing the love for the Ethiopiques comps. The Yegelle Tezeta and Girma Beyene tracks mentioned by Citizensound and Tunetourist aren’t on the "Very Best Of Ethiopiques" set, but thanks for the recommendations for Volumes 8 and 9.

Californian indie four-piece embrace the pop mainstream

Sad news of course this weekend, with the passing of Tony Wilson. I can't add much to Stephen Dalton's excellent obit. But I thought it'd be a useful tribute to put online the full Factory Catalogue that we compiled for Uncut's recent Book Of Revelations.

Flying cocks, dead beagles and Michael Jackson’s private Burns Unit. Here’s our 5 Must See movies showing at next month’s Edinburgh International Film Festival...

High-gloss post-punk primed for the world's stadiums; plus Q&A with Kessler and Banks

I’ve mentioned here previously the time in 1979 I went to see Lou Reed at what was then still known as the Hammersmith Odeon when he reacted testily to requests from the crowd to play their favourite numbers by announcing that he would under no circumstances be playing anything else that night apart from his new album, The Bells, so there would, he repeated emphatically, no “Heroin”, “Sweet Jane”, “Walk On The Wild Side” or any of the other numbers so many people had obviously come to hear him perform.

OK, it’s more of an open air gig than an actual festival. And yes, we’re all cynical about any event where you can only buy one kind of beer but always see at least ten of its logos in every field of vision. But with great sets by the likes of Queens of the Stone Age plus The White Stripes’ only UK appearance this year, the Wireless festival in Hyde Park can’t be dismissed that easily. So I headed to its final day, with the Kaiser Chiefs topping the bill.

I just noticed this morning that Jack White has two albums coming out on June 18. There's the White Stripes' "Icky Thump", and then there's "Hentch-Forth.Five" by The Hentchmen.

Stupendous 50-track salute to the Memphis Sound

Forgive the constant references to domestic business at Uncut these past few days, but it's been hard to review much music when we've been in the throes of moving office. We're now firmly established in our luxurious new building just behind the Tate Modern, and have spent the morning trying to understand the new phones and get used to the decor: roughly MODE magazine, redesigned by IKEA, but a damn sight nicer than our old place.