Been meaning to post this piece for a while, since the whole clandestine operation around the new Boards Of Canada album, “Tomorrow’s Harvest”, began. It’s an interview I did with the duo in February 2002, around the release of “Geogaddi”. NME billed it erroneously as “Boards Of Canada’s first ever interview” at the time, which was pushing it a bit…
Strange juxtapositions and all that, but please have a listen to the Date Palms track and, in the unlikely event you haven’t been near the internet for the past few days, the Daft Punk clip. Nile Rodgers’ expression is a thing of joy, among other things.
Yo La Tengo are streaming a live, request-only performance today to support a pledge drive for WFMU.
WFMU, a New Jersey station whose broadcast range extends to areas of New York and Pennsylvania is the longest running freeform radio station in the United States. It is almost wholly listener supported.
The concert will take place between 9 am and 12 pm EST (1 pm to 4 pm in the UK), and is physically being performed in Berlin amid a European tour. For a $100 donation, listeners can make a request.
Following on from yesterday's Top 75 new albums of 2012 post, here's our Top 30 compilations, reissues and box sets of 2012, with links to the original reviews where possible.
Have a great Christmas and New Year, folks!
I’m off to see the second of the Stones’ 50th anniversary shows at the O2 on Thursday, and pretty excited about it. This morning, rummaging through some back issues of Uncut, I came across something I’d written about going to see them at Wembley Stadium in 1982, when they were touring in celebration of their 20th anniversary, amid much speculation that surely this would be their last go-around, retirement their next stop, which is very much what people have thought every time since then that they’ve toured. And yet here they are, 30 years further down the line, and no hint yet that we have seen the last of them.
Anyway, here’s the piece I came across earlier today. Have a good week.
You catch us on a pretty busy day, deadlines fast approaching for our last issue of 2012. That’s the one, of course, that traditionally carries our end-of-year lists of best albums, reissues, films, DVDs and books. This means we’ve all been recently asked to nominate our personal Top 20s, from which John has been compiling the definitive countdown, the full list to be published when he’s finished his painstaking calculations in the Uncut that comes out at the end of November.
In 2009, Uncut spoke to The Wire’s creator David Simon, shortly before the broadcast of his follow-up series, Treme. The show was set during the aftermath of 2005’s Hurricane Katrina in New Orleans, a city that Simon felt had effectively been abandoned by the rest of America since the storm. “The only thing that brought this city back was the people who understand its unique culture and who participate in that culture refused to give that up,” he told us.
Neil Young is not, at a guess, an artist who suffers much from writer’s block. In the past few years, many of his albums have felt like spontaneous dispatches from an over-productive mind.
