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Club Uncut @ The Great Escape: Villagers/ Josh T. Pearson/ Trevor Moss and Hannah Lou/ Dean McPhee, Pavilion Theatre, Brighton, May 13 2011

“I’m tired,” Josh T. Pearson says. “It’s been a long life. I don’t even know what day of the week it is...” Someone in the crowd tells him the day and the date. “Friday the 13th?” he wryly muses, as if his life has been full of nothing but such days of potential reckoning in the ten long years since his band Lift To Experience released their fearsome album, The Texas-Jerusalem Crossroads, and soon after blew apart. That record imagined humanity making its last stand in Texas during the apocalypse. Pearson’s eventual follow-up Last Of The Country Gentlemen considers a recent relationship in similar terms. There’s the rare sense tonight of every bitter, funny, helpless word mattering, because they’re being pulled up from a harrowing place and being relived on stage.

Gunn/Truscinski Duo – “Sand City”

One of my favourite labels of 2010 thus far has been Three Lobed Recordings, thanks in no small part to the amazing “Honest Strings” comp, in honour of Jack Rose, and the Hans Chew set I’ve been raving about these past few weeks.

Neil Young: “Le Noise”

To be honest, a few alarm bells went off when I read this quote. “I wanted [Neil Young] to understand that I’ve spent years dedicated to the sonics in my home and that I wanted to give him something he’d never heard before,” said Daniel Lanois the other week.

Queens Of The Stone Age: “Rated R: Deluxe Edition”

At times, sifting through a modern record collection, it can feel as if all roads lead eventually to Josh Homme. Entryist indie bands like the Arctic Monkeys employ him to help them pack extra rock muscle.

Rangda: London Barden’s Boudoir, May 27, 2010

To Dalston, and Barden’s Boudoir, where Sir Richard Bishop is brandishing a magic stick, with a feather on the end of it, that has been balanced precariously on Ben Chasny’s amp for the duration of Rangda’s show. As ever with Bishop, it’s hard to tell whether he’s drawing on or satirising a world of arcane knowledge. Powerful forces are undoubtedly at work here, but maybe that’s just down to the kinetic virtuosity of Bishop, Chasny and Chris Corsano.

Neu!: “Neu! Vinyl Box”

A café in North London, late 2000. For the first time in an age, Neu!’s three completed albums are to be reissued, and Michael Rother and Klaus Dinger have made a precarious truce to promote them.
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