There are some bands that somewhat cluelessly, from album to album, I tend to forget I like. Portland’s Blitzen Trapper probably fall into that category. I was re-reading what I wrote about their “Wild Mountain Nation” back in 2007, about how much I enjoyed it, how much I enjoyed “Field Rexx” before that, then more or less forgot about them. I have a vaguely optimistic feeling, however, that “Destroyer Of The Void” will make more of a lasting impact.
Around the release of his last studio album, "Beware", Will Oldham embarked on a small project. According to the writer Kelefa Sanneh, in a New Yorker profile published in January 2009, Oldham intended, “To promote the album with singles, a photo shoot, and a handful of interviews, if only to prove that record promotion doesn’t really work, at least not for him.”
It may be a stretch to call Joanna Newsom’s third album her down-to-earth pop record. "Have One On Me" does, after all, extend across three CDs of generally very long songs, features a harp duelling with a kora, and a dream sequence in which the singer arrives before her lover “on a palanquin made of the many bodies of beautiful women.” On the back of an elephant.
Jack White’s increasingly baroque love of packaging means that it takes more than one review to get to grips with a solitary release. Hence “Under Great White Northern Lights”, a package commemorating The White Stripes’ 2007 tour of Canada which, in its simplest iteration, comes as a live CD and a longform documentary DVD about the ambitious jaunt.
First off, a tremendous and very worthwhile London gig to plug next month. A Requiem For Jack Rose takes place at Café Oto in Dalston on February 16, with a neat bill of Rose friends; Hush Arbors, Heather Leigh, Rick Tomlinson, Michael Flower Band and C Joynes. More details about the show here at No-Fi.