Yo La Tengo are streaming a live, request-only performance today to support a pledge drive for WFMU.
WFMU, a New Jersey station whose broadcast range extends to areas of New York and Pennsylvania is the longest running freeform radio station in the United States. It is almost wholly listener supported.
The concert will take place between 9 am and 12 pm EST (1 pm to 4 pm in the UK), and is physically being performed in Berlin amid a European tour. For a $100 donation, listeners can make a request.
The Who have added one more date to their Quadrophenia And More tour for Wembly Arena on July 8.
The Wembly show will be to benefit the Double O charity, founded by the band in 1976 to benefit a variety of causes including domestic violence, sexual abuse, music education, international disaster relief and juvenile prison reform.
The world and nearly everyone in it has been reduced to trembling excitement by the return of David Bowie, but for some of us there is another recent resurrection perhaps even more miraculous and just as unexpected, a comeback by The Replacements, who today release online the Songs For Slim EP, their first new recordings in more than 20 years.
The Columbia Albums Collection, the new 17-album boxset from Blue Öyster Cult, is reviewed in the new issue of Uncut, dated April 2013, and out now. The collection unsurprisingly includes the band’s signature hit, ‘(Don’t Fear) The Reaper’, and in this piece, originally published in Uncut’s November 2010 issue, the band discuss the writing and recording of their “trans-awesome” tune, perhaps the spookiest FM staple ever. “Nothing like The Byrds”, apparently… Words: Jaan Uhelszki
It’s possible to view the career of Sam Raimi as one might a musician of a certain stripe. The successful early indie releases, followed by uneven attempts to navigate the mainstream landscape; a dedicated fanbase for whom those formative cult projects are sacrosanct.
When towards the end of 1974, The Troggs announce their latest comeback single will be a cover of The Beach Boys' "Good Vibrations", it's an occasion for much mocking laughter in the offices of what used to be Melody Maker.
Johnny Marr’s first proper solo album, The Messenger, is reviewed in the new issue of Uncut, dated March 2013, and out now, so it seemed time to revisit the guitarist’s impressive back catalogue with the man himself… From Uncut’s February 2008 issue (Take 129), Marr relives the making of records from The Smiths and The The to Electronic and Modest Mouse. Interview: Stephen Troussé_________________
