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end of the road

Joan As Police Woman and My Sad Captains: the new and the new-er

While End of the Road has definitely got bigger since last year, the stages are still so close together that you can fall into a band without even realising it. If you were the band in devil outfits playing thrash metal at the Bimble Inn at 1am this morning, our photographer is dying to reach you. One of 10 unsigned(ish) bands to win a slot on The Local stage, Fortuna Pop signings My Sad Captains' almost implausible summeriness was a gift on an afternoon as baking hot as this one. 'Here and Elsewhere' and the title track from June's 'Bad Decisions' EP showed off slacker indie pop sensibilities that singlehandedly steal back the "doo-ron-ron" from McDonalds and herald an inevitable radio takeover in the next year.

Robyn Hitchcock & John Paul Jones: Forget Led Zep, tonight was JPJ’s moment

We didn't realise quite how popular Robyn Hitchcock, the bard of all things surreal, is. The Big Top Tent at End Of The Road Festival was literally packed this evening. Or could the hordes have been there to see his sidekick, a meek man by the name of John Paul Jones? He's from some band called Led something. Anyway, this dude's hot, you should check him out sometime. Let's hope Robyn keeps him for more than one gig.

Midlake’s jet lag lets them down

With everyone tooled up on cider, rum and whatever else they've got stuffed in their pockets, the mood at End of the Road was little short of ebullient this evening: not that you'd know it from Midlake's set on the Garden stage.

Stephanie Dosen and John Doe: The singer-songwriter paradox?

Being a singer-songwriter is a tricky business. Which route do you take? You can always attempt to bludgeon your audience into submission with the sheer power of your one act show, or you can entrance them with the ethereal magic of your fragile performance. So far, we've seen both sides of the singer-songwriter paradox (well, as we like to call it) in just a few hours at End Of The Road Festival, first with Stephanie Dosen's disturbing, delicate folk and then with John Doe's straight-down-the-line country blues.
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